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51 pages 1 hour read

Stephen King, Richard Chizmar

Gwendy's Button Box

Fiction | Novel | Adult | Published in 2017

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Chapters 25-32Chapter Summaries & Analyses

Chapter 25 Summary

Things improve for Gwendy when she meets a boy named Harry Streeter. Harry is new in town, and the two meet when he comes to see a movie where Gwendy works. He returns the next night to see another movie and asks Gwendy for her number. The two quickly become inseparable. Realizing things are growing serious with Harry, Gwendy considers talking to her mother about birth control.

Gwendy feels extremely happy and relieved to no longer be relying on the button box, but as a result, she begins to gain weight, get lower grades, and run slower.

Chapter 26 Summary

Taking note of her weight gain, Gwendy remembers being called “Goodyear” and contemplates going to eat a chocolate from the button box. However, she realizes she doesn’t need the button box to be happy and smiles at the realization.

Chapter 27 Summary

The next morning, Gwendy wakes up on the floor, holding the button box with her thumb on the black button. Shocked, she notices a chocolate from the box that she’s tempted to eat but decides to flush it down the toilet.

Chapter 28 Summary

At the beginning of her senior year of high school, Gwendy has sex with Harry for the first time and receives her acceptance to Brown University. Her grades and running improve, and she refuses to weigh herself. She continues having nightmares about the box and sometimes finds herself fantasizing about Mr. Farris coming back to retrieve it.

One day while flying a kite with Harry, Gwendy notices Mr. Farris’s hat flying through the air. Harry doesn’t seem to see it.

The chapter includes an image of two people flying a kite. Behind them, a hat flies through the air.

Chapter 29 Summary

Gwendy graduates from high school, excited by the prospect of summer with Harry. She knows she’ll need to decide what to do with the button box before she goes to college, but resolves to focus on her time with Harry until then.

One night, Gwendy and Harry are in her bedroom getting ready for a party. When she goes to her closet for a dress, she smells a foul smell. Frankie, who’s broken into her house and hidden in the closet, attacks her and Harry. Gwendy realizes As Frankie fights with Harry, he grabs the button box from its hiding place and uses it to bludgeon Harry to death. Gwendy runs to Harry, shocked at his death.

Trying to distract Frankie, Gwendy opens her bra up to him, inviting him to have sex with her. As Frankie prepares to rape her, Gwendy asks him if Mr. Farris sent him to retrieve the box. As Frankie looks confused, she lunges at him, grabbing the box. He stabs her in the foot and she tells him to “Rot in hell” as she pushes the red button down.

Chapter 30 Summary

In 1984, Gwendy graduates from Brown. She plans to attend either Columbia University or the Iowa Writer’s Workshop for graduate school. Her parents ask if she’s dating anyone and she tells them she is not. She realizes the button box is her significant other.

Chapter 31 Summary

After her graduation ceremony, Gwendy plans to spend the summer back home with her parents. When her parents go back to their hotel, she finishes packing. For most of her time in college, she’s kept the button box in a safe deposit box, but now she packs it in her trunk.

Before going to bed, she decides she wants some milk and a slice of coffee cake, so she goes into the kitchen to get it. Mr. Farris is waiting for her there with milk and a slice of cake. Gwendy’s confused about how he got in since she locked the door. He asks her to tell him what happened with Frankie. Although she doesn’t want to, she tells Mr. Farris what she’s never told anyone—that Frankie rotted in front of her and she used the box to wish Frankie’s body would disappear, and he did.

Mr. Farris tells Gwendy that she showed tremendous restraint in not using the buttons too often. He tells her that she did not cause Jonestown or Olive’s death. He reveals that Olive was being sexually assaulted by her stepfather, and Frankie was a serial rapist.

The two discuss what would have happened—and what wouldn’t have happened—if Gwendy had never been given the box. Mr. Farris reveals that Gwendy will be accepted into the Iowa Writer’s Workshop and that she will write a novel that will win an award. He thanks her for taking such good care of the box, noting that in her care of it was a source of good. He tells her she needs to give him the box, but that she will live a good and long life once he leaves.

Mr. Farris says he thinks the next custodian of the box will be a boy from California. He goes to get the box, leaving Gwendy alone.

This chapter includes an image of a skull sitting on top of clothes hangers.

Chapter 32 Summary

Mr. Farris leaves without saying goodbye. Gwendy begins to feel lighter, realizing she has a story to tell. She sees that Mr. Farris left her another silver dollar.

The chapter ends with a picture of a silver dollar.

Chapters 25-32 Analysis

Of the three images that appear in this section of the novel, the image depicting Frankie’s death is the most detailed, capturing the tiny hairs on the top of Frankie’s rotting skull. Regardless, it is fitting that the most violent character and antagonist of the novella is memorialized in such gory detail.

The Weight of Isolation and Secrets causes Gwendy to conflate the button box’s power with fate, losing sight of her agency and autonomy, highlighting the novel’ The recurring motif of the button box emphasizes the theme of Fate Versus Free Will. When Harry dies, Gwendy immediately assumes that Mr. Farris sent Frankie to her to collect the button box. She asks Frankie repeatedly if Mr. Farris has sent him to her home: “‘Did Mr. Farris send you to take the box? Did he want you to have it?’ Although the evidence seems to point to this, it’s hard to believe” (141). In her fear and grief, Gwendy disregards the truth that Frankie’s actions reflect his own will and choices, and instead assumes that the tragedy of Harry’s death is a kind of fated punishment. When faced with a disaster that she does not feel directly responsible for, Gwendy feels unable to accept circumstances for which the button box (and Mr. Farris) are not responsible.

King and Chizmar signal Gwendy’s climactic refusal to let fate control her life and embrace her own free will when she wrenches the button box from Frankie’s hands and uses it to kill him. However, even as she takes action to save her own life and avenge Harry’s death, the lines between her own free will and the box as an agent of fate remain blurred:

[Gwendy] lashes out, once again not thinking…although later it will occur to her that the box might have been thinking for her. His eyes widen and the hand holding the knife pistons forward, driving through her foot and coming out the other side in a bouquet of blood. She shrieks as her heel slams into Frankie’s chest, driving him back into the closet. She snatches up the box, and at the same time she pushes the red button, she screams, ‘Rot in hell!’ (141).

The climax marks the only time Gwendy uses the button out of instinct and with the intent to harm another person rather than calculated experimentation or destruction of property.

Gwendy’s final conversation with Mr. Farris reflects a nuanced perspective in which fate and free will exist side by side. In response to Gwendy’s belief that she caused the Jonestown Massacre, Mr. Farris tells Gwendy,

Jim Jones caused Jonestown. The so-called Reverend was as crazy as a rat in a rainbarrel. Paranoid, mother-fixated, and full of deadly conceit. As for your friend Olive, I know you’ve always felt you were somehow responsible for her suicide, but I assure you that’s not the case. Olive had ISSUES. Your word for it (151).

The connection Mr. Farris draws between Gwendy’s guardianship of the button box and how she will use her typewriter to become a famous novelist positions both the button box and the typewriter as tools that are acted upon rather than actors themselves—a perspective that invests significant power in free will and autonomous choices.

Gwendy considers what she wants to write:

[A] sprawling saga about a small town in Maine, one very much like her own. There will be love and horror. She isn’t ready yet, but she thinks the time will come quite soon; two years, five at most. Then she will sit down at her typewriter—her button box—and start tapping away (157-58).

Gwendy’s embrace of the bright future that Mr. Farris foretells completes her transition to adulthood—one in which she takes the life she’s been given (whether by fate or the button box) and turns it into a success.

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