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72 pages 2 hours read

Thomas Pynchon

Gravity's Rainbow

Fiction | Novel | Adult | Published in 1973

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Character Analysis

Tyrone Slothrop

Tyrone Slothrop is the protagonist of Gravity’s Rainbow. The novel does not necessarily chart his descent into paranoid delusions, because paranoia is an important part of his life from an early age. Though Slothrop has repressed these childhood memories, he was subjected to experimentation by Laszlo Jamf after his father and uncle conspired to barter for a scholarship to Harvard University. These experiments’ ramifications are physical and psychological: Slothrop’s body responds to unknown stimuli with sexual arousal, while his mind seeks out conspiracies and agendas everywhere he looks. The novel therefore does not portray Slothrop’s successful escape from paranoia. Instead, his role as the protagonist is to drift through the Zone, exploring various iterations of his own character and the characters of others to illustrate how paranoia and delusion can shape a person’s life.

Throughout the novel, Slothrop passes through various identities. He changes his clothes often, and each new outfit becomes a different persona he can project into the world. He is Rocketman and the Pig-Hero, simply by changing his outfit. The identities’ fluidity reveals the extent to which he has become untethered from tradition and expectation. There is no longer any fixed version of Slothrop, only a diversely costumed amalgam of paranoid delusions and physical desires. Identity means nothing more than a strip of fabric to a man who hardly knows himself.

Despite this lack of identity, Slothrop is able to form connections. Much to the chagrin of the other male characters, he is romantically successful and has sex with many women. However, his romantic endeavors may be products of his own imagination; whether the women on his map or the young Bianca actually exist is debatable in a novel where nothing is certain. Seen entirely from Slothrop’s perspective, these events may be the delusions of a paranoid mind. In the Zone, Slothrop no longer feels bound by convention, so something like Bianca’s age or ability to consent is experienced partly through the fractured, mistaken viewpoint of a man who barely knows himself, yet alone the world around him. Slothrop’s experience of sex illustrates the extent of his psychological and societal dissociation. Ultimately, this psychic scattering is his role in the novel. He becomes one with the Zone, as vague and as diffuse as the Zone itself.

Blicero/Weissmann

Captain Blicero (also known as Weissmann) is ostensibly the antagonist of Gravity’s Rainbow, though he is only really seen through the narrative past. The debauched, abusive man enslaves, rapes, traumatizes, and inspires his victims. He has a colonial history tied to the psychological turmoil of the early 20th century. He cuts a tyrannical figure, ruling over not only the rocket launch site but also the tortured minds of Enzian, Katje, and Gottfried. With elaborate sexual fantasies that involve fairy tales and violence, he abuses these prisoners, subjecting them to sadomasochistic sexual practices that force them to contravene every moral objection they might once have had. Blicero abuses others so much that they emerge from his captivity traumatized, convinced they love him because he has shaped their minds to his liking. In this sense, Blicero’s character explores the novel’s theme of sex and trauma, leaving behind a trail of destruction that other characters try and fail to explain.

Blicero’s main obsession is death. His interest in sex and violence is more theoretical than physical; he is fascinated by the idea of transgression, but, to Blicero, death is the ultimate obstacle to overcome. His role in the German military puts him in close, regular contact with death. As part of the colonial detachment, he played a role in committing genocide against the Herero people. In World War II, he operated a rocket launch site that killed British civilians daily. But the power to kill is not enough for Blicero: He uses the rockets as a vehicle for his obsession, packing Gottfried inside Rocket 00000 as part of an elaborate ritual conquering of death itself. The rocket is fired into the heavens as a symbolic celebration of the human ability to rise up and conquer the limitations of the body, such as gravity and—most importantly—death itself.

The novel leaves Blicero’s fate ambiguous and “off-stage.” After firing Gottfried into the sky, he disappears into the Zone. Like Slothrop, he becomes scattered and untethered after performing his ritual, and his corrupt idealism fades into the oblivion of the Zone itself. While other Nazi scientists are captured and recruited by the Americans and Russians, who put them to work on domestic rocket programs, Blicero cannot be contained. He cannot be confined by anything as traditional or as formal as an intelligence agency. As a force of nature, he vanishes into the ether, transcending into the role of a haunting, nightmarish figure who has forced so much pain and suffering to so many people.

Enzian

Enzian is a survivor. He survived the colonial violence of the German military against his people in Africa, he survived the sadistic abuse of Blicero, and now he wants to ensure that his people survive in an uncertain postwar world. His role as a survivor has become something of a burden, as his people look to him with an almost religious reverence. Due to the nature of their adoration and the nature of the threat they face, Enzian is caught in a difficult position where the only way for him to help his people survive is to sacrifice himself. Therefore, his defining trait—his ability to survive—must be given up to the Zone as an act of ritualistic sacrifice.

While traveling through the Zone, Enzian is haunted by the presence of his Russian half-brother, Tchitcherine. Both men share a father and now find themselves on opposite sides of the divide. Enzian’s white father creates a bridge between his Herero heritage and the European theater of war in which the Herero unit finds themselves. Enzian embodies a history of colonial violence, having been fathered by a man who abandoned his mother to a genocide and then ritually abused for years by a German military officer. To the Herero people, Enzian is a physical representation of the rape, torture, and abuse inflicted on them by the European colonial powers. This reputation haunts Enzian and burdens him with responsibility in the same way that Tchitcherine’s presence in the Zone haunts him in a narrative sense.

Unlike many plot points in the novel, the relationship between the two half-brothers has a moment of resolution. Tchitcherine is stranded in the Zone after being cut off by the Russian military. He sees the passing Herero men and stops Enzian to ask him for food. Neither man recognizes the other. The anxiety and the loathing that the two men held toward each other—as well as the violence their bond represented—ultimately comes to nothing. Like so much else in the Zone, the anxiety was misunderstood, misinterpreted, and overexaggerated by people searching for meaning.

Katje Borgesius

Katje is a Dutch woman who wants to atone for her past. Throughout her family history, she tracks her ancestors’ mistakes and objectionable actions. One of her ancestors helped wipe out the dodo birds while sailing on a colonial ship. Katje has made similar mistakes, such as collaborating with the Nazis when the Netherlands was occupied. She may have played a role in the murder of a number of Jewish people while also helping to facilitate the launch of the rockets from the nearby site. These deaths weigh heavily on Katje’s mind. As someone who wants to repay her debts, she searches for a way to unburden herself and decides to work with the British intelligence agencies. Eventually, this same drive pushes her to join the counterforce and then Enzian’s delegation of rocket engineers. She is always searching for a way to compensate for the mistakes of her past, even if she is not necessarily responsible for those mistakes. Katje’s character illustrates the way in which guilt—and the perception of guilt—becomes a threat in an amoral, chaotic world.

Katje’s life has also been shaped by her abusive relationship with Blicero. When she was a prisoner, he offered her the opportunity to become his sex slave. He forced her into many uncomfortable and transgressive situations, along with Gottfried, leading to her traumatization. After leaving Blicero, she alienates herself from romantic love. The British intelligence agencies use her to seduce and control Slothrop, but afterward, she feels guilty and tries (unsuccessfully) to save him. Katje feels no romantic interest in Slothrop. After Blicero, she may be incapable of doing so. However, she feels burdened by her responsibilities and her guilt, so she tries her best to help him anyway. 

Pointsman

Pointsman represents the curious intersection between science and religion. He works at the White Visitation, a scientific research center housed in a former psychiatric hospital that uses mediums and psychics to contact the dead while waging psychological warfare against an already-defeated enemy. In this respect, his devotion to science is atypical. He experiments on stray dogs and would like to experiment on children, but instead he trains an octopus to attack a woman. Like many parts of his society, Pointsman has become untethered from traditional ideas and structures. Though society often imagines a careful, evidence-based form of science, Pointsman rejects this in favor of the wild, outlandish, and amoral drive to uncover the truth about the world. Science is thereby his religion: He is devoted to scientific research, whatever the cost, and will not change his behavior.

By the end of the novel, Pointsman’s fall from grace becomes a parody of the nature of science and religion. He preaches to the people at the White Visitation about his plans for the postwar world, but he is removed from any position of responsibility, and he finds himself missing the stray dogs that he once used in his experiments. He does not miss the dogs themselves, as he never showed any care or regard for them; he misses the power he held over the dogs and the feeling of freedom and excitement that he derived from doing exactly as he pleased. For a scientist who once dreamed of winning the Nobel Prize, Pointsman’s fate illustrates the corrupting nature of domination masquerading as science in an amoral world.

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