56 pages • 1 hour read
Rosie WalshA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Walsh explores the psychological effects of the phenomenon of ghosting throughout the book. Through descriptions of the way the uncertainty that characterizes modern dating affects individuals, Walsh suggests that the primary reason that being ghosted is such a difficult experience is that it entails a complete lack of closure.
Throughout Ghosted, many characters address the role that technology plays in dating, and Walsh describes being ghosted as a common experience. Grappling with how out of character her own behavior feels to her, Sarah notes that: “I had seen friends do this. I’d watched in amazement as they claimed that his phone was broken; his leg was broken; he was broken, wasting unseen in a ditch” (38). The desperate search for an explanation for a romantic interest’s lack of communication is represented as the shared experience of searching for closure when it isn’t readily available. Characters in Ghosted describe this experience as being closely connected to technology. When Tommy tells Sarah that she’s “never done anything unbalanced like this before,” she replies, “that’s because I didn’t own a mobile phone when I met Rueben. Maybe it’s because the Internet barely existed back then” (173). The prevalence of different technological modes of communication throughout the book highlights the complexity and indignity of the experience of being ghosted, as Sarah uses email, phone, Facebook, and Eddie’s website to attempt contact. The sense that there is always another avenue to try exacerbates the lack of finality that ghosting produces. Walsh also emphasizes the lack of control. Sarah notes that she “craved control over this uncontrollable situation [...] I jumped on my phone with the frenzy of a starving animal when it buzzed” (22). This jump for the phone suggests that technology can both give and withhold romantic closure. For Sarah, who has coped with past trauma by creating a life in which she is capable, successful, and in control, this experience of uncertainty is a stark and deeply uncomfortable departure.
Characters in Ghosted also connect lack of romantic closure with humiliating and immature behavior. Sarah wonders:
Was there any humiliation greater than this? [...] A conversation like this, at the age of nearly bloody forty? This time three weeks ago I’d been a functional adult [...] And now here I was with less command of my emotions than the seven-year-old sitting next to me (19).
The contrast between Sarah’s competence as an adult and her emotional reaction to being ghosted suggests the sense of embarrassment associated with both being ghosted in general, and the lack of emotional control it can produce. However, Walsh persistently emphasizes the universality of the experience and that it can affect those of all ages. Tommy tells Sarah, “a silent phone brings out the very worst in us [...] All of us” (163). The ubiquity of technology in the novel, represented here by the “silent phone,” therefore also generates a sense that a lack of romantic closure is common. While the experience feels isolating and out of character to Sarah, Walsh suggests that the phenomenon and the emotions it produces are widespread.
Walsh provides a counterpoint to the difficulties of “modern” dating through Sarah’s conversation with her grandfather. Sarah tells him why he was lucky to avoid the experience of dating with technology: “Luckily you were spared the indignities of online stalking, growing up when you did [...] But it’s not a nice experience. It never delivers what you’re hoping for [...] It never gives you control of the situation” (141-42). He replies that he doesn’t condone her actions, which “sound asinine and entirely self-defeating” (142), but that he does understand. He tells a story of being convinced by his parents not to marry the love of his life, Ruby Merryfield, but grieving that missed opportunity for the rest of his life. Walsh emphasizes that need for romantic closure is both a key part of why being ghosted is so painful and something that is widespread. Similarly, in response to news of Sarah’s separation from her husband, her former English teacher notes that “if we didn’t have thousands of years’ writings on the pain of love—not to mention the questioning of faith, the loss of self it precipitates—I’d be out of a job” (62). The characteristics of questioning and loss of self are presented as universal and longstanding, but also applicable to the modern phenomenon of having been ghosted. Walsh therefore suggests that technology when dating exacerbates the difficulty of obtaining closure but people have searched for closure for “thousands of years.”
Overall, Walsh portrays the difficult experiences that technology in modern dating can produce when seeking closure. However, Walsh also highlights the prevalence of the search for closure to suggest that it is a widely experienced phenomenon. The focus on lack of closure highlights why the experience of ghosting is so difficult and why it shares characteristics of lost love that preceded the advent of modern technology.
Walsh details the role of fear, pain, and love in parent-child relationships throughout Ghosted. Parenthood is characterized as complicated throughout the novel and as closely connected with fear and pain in addition to strong love. That the loss of a child is central to the novel’s plot means that several characters are affected by a catastrophic experience of parenthood including Carole Wallace, for losing Alex, and Sarah, who is desperately fearful about the prospect of having a child because of her role in Alex’s death. There are two distinct categories into which Walsh characterizes the complexities of parenthood: potential and post-trauma. Sarah and Jenni’s opposite feelings about the possibility of having a child characterize the complexity of potential parenthood, and Carole Wallace’s reaction to the loss of her child and her relationship with Eddie address the complexities of post-trauma parenthood.
Walsh explores the complex emotions about potential parenthood through Sarah’s and Jenni’s stories. Sarah expresses brief flashes of longing for a child but is desperately afraid of the prospect: “After the car accident I couldn’t stand being near kids; couldn’t bear the thought of a child suffering. The very idea of bringing a child into the world—a defenseless baby like my little sister had once been—created a storm of blind panic” (149). Sarah’s reaction to her trauma is to distance herself from the possibility of experiencing the fear that she imagines parental love to entail. Jenni’s desperation to have a child, and intense grief when the IVF fails, similarly includes complicated emotions related to pain and love in parenthood. That Walsh addresses these feelings as they relate to potential, as well as actual, parenthood, is significant, as she emphasizes the idea that parenthood’s complexities can begin before one is actually a parent. Sarah’s fear about the idea of having a child and Jenni’s desperation to do so are based in the same impulse: expectation of the love of the potential child. Walsh therefore represents the paradoxical sense that two opposite reactions come from the same impulse and that the complexities of parenthood can precede becoming a parent.
Walsh also represents an experience of parenthood after loss. Having lost her child, Carole reacts with deep hatred for Sarah and reliance on Eddie, her surviving child. Eddie’s complicated relationship with his mother shows that her pain at having lost Alex—as well as her mental illness—has permeated their relationship as well. While Walsh represents her actions and mental state as being largely negative, Carole also makes small but significant gestures toward growth, evidencing that the potential for love that isn’t warped by pain still exists. When Eddie hands Alex to his mother, Sarah observes, “Carole breaks into a smile I never imagined seeing on her face” (336), and ultimately speaks to Sarah for the very first time, to thank her for her grandson. Ultimately, the complex but powerful experience of parenthood prompts a sense of understanding and redemption. Sarah describes Carole gazing at her over Alex’s head, “across two decades of pain that [she] can only now, as a mother, begin truly to comprehend” (336). Walsh thereby portrays parenthood as a shared experience—complex and characterized by fear and pain as well as love—that has redemptive potential.
Walsh offers several representations of “soulmate” relationships in contrast to relationships that fail. As a strong counterpoint to the lack of clarity that characterizes ghosting, several relationships throughout the text are described with a strong sense of certainty. By highlighting experiences of the search for “the one,” Walsh provides an alternative to love stories that end in ghosting to engage the reader in the romantic arcs of the novel.
Throughout Ghosted, the uncertainty of ghosting is starkly contrasted to experiences of inevitability in soulmate relationships because ghosting inheres a complete lack of certainty, whereas the soulmate relationship is characterized as involving complete and unexplainable certainty. Walsh highlights Sarah’s relationship with Rueben as a counterpoint to a soulmate relationship. Sarah suggests that their “love was based on reciprocal need and strength, and it worked perfectly” until she “changed” and their “balance was fatally disrupted” (148). Rather than characterized by inevitability, Walsh characterizes Rueben and Sarah’s relationship as based on a delicate balance that was capable of being destabilized. Unlike the painful experience of ghosting, the relationship is functional for a long period of time but lacks the mystical certainty of the soulmate relationship.
In contrast, several descriptions of soulmate relationships highlight the uncanny and unexplainable nature of the phenomenon. When Sarah thinks about why she hadn’t ever thought about the possibility of Tommy and Jo together, she can’t “think of a less likely match than these two people. But love didn’t work like that […] Here they were […] In love and unable to do anything other than be together, in spite of the risks” (172). Walsh highlights two characteristics of a soulmate relationship in this passage: that it is unpredictable, and that it is inevitable. Despite the fact that Tommy and Jo don’t ostensibly seem to be a likely pair, Walsh describes them as being helpless to the progression of their love, thereby emphasizing the role of inevitability in finding “the one.”
The soulmate relationship is also described as entailing a deep sense of certainty. Sarah’s grandfather describes what soulmate love is not, as well as what he believes it to be: “I don’t believe that love is meant to be like an explosion. It is not meant to be dramatic, or ravenous, or any of the silly words ascribed it by writers and musicians. But I do believe that when you know, you know” (143). This description emphasizes the certainty of the soulmate relationship and counters the idea that it needs to entail drama. Similarly, Sarah’s description of her certainty about Eddie includes excitement but also the rightness of their relationship: “I smile hopelessly, and my stomach zips and zooms. […] Sometimes I wonder if it’s an aftereffect of the battle we had to fight and keep each other. Mostly, though, I think it’s because this is how it should feel” (329). The fact that Eddie and Sarah initially seem to be people who couldn’t possibly be together due to the circumstances of Alex’s death emphasizes the inevitability of the soulmate relationship.
Throughout Ghosted, Walsh provides descriptions of soulmate relationships characterized by unexplainable certainty and inevitability. These function as a counterpoint to the complete lack of certainty the experience of ghosting entails.