53 pages • 1 hour read
Valérie PerrinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Violette speaks to her daughter, remembering the day she learned of her death. She and three other children were caught in a fire while they were asleep. Violette received the call at home and fell into a deep depression. Philippe called Célia to come take care of Violette while he and his parents went to the place Léonine was staying. They arranged to have the bodies buried in the cemetery where Violette and Philippe would later live. Violette went to the sea to mourn her daughter. While there, she went into the water and felt Léonine’s presence beside her. Célia then pulled her from the water.
In the present, Violette visits with Father Cédric. She and the priest have lunch together and discuss his longing to have a child. He is adamant that he will never leave the priesthood.
After Léonine’s death, Violette and Philippe get rid of her things and no longer celebrate holidays. Violette self-medicates with alcohol and lives as though in a coma. Philippe tries to get compensation for Léonine. The two of them no longer speak. One day, Violette receives a plaque for Léonine with no return address. She also comes across a list Philippe wrote of the hotel staff working when Léonine died. After that, Violette begins to rely less on her alcohol and medication, refamiliarizing herself with life. She signs up for a driving test.
Nono brings Violette a newspaper article about the bike crash. Violette asks Nono to read it to her; he reads the first half, in which the body is identified by his partner. However, they’re interrupted by a family arriving for a burial; a fairground entertainer is being mourned by his family and fellow performers. His granddaughter recounts her memories of him. Afterward, the family remains in the cemetery to have dinner and gives Violette tickets for their upcoming fun fair.
After receiving her mysterious package, Violette drives to the cemetery where Léonine is buried. She visits her grave and leaves the plaque behind. When she tries to leave, she finds the gates locked, so she goes to the cemetery keeper’s house that will later become hers. There she meets the current cemetery keeper, Sasha, a man of multiracial heritage with an enormous tea collection. They visit together while Violette cries. After, he gives her a healing massage, and she falls asleep. The next day she wakes, and Sasha reveals he knows who she is; she is the last of the four mothers to visit the children’s graves. After she returns home, she receives a letter from Sasha and recognizes his writing as the same that sent her the plaque. Violette decides she will visit Léonine’s grave twice a month.
Julien visits Violette and invites her to dinner. She accepts on the condition that he finish his story about his mother.
Violette returns to Sasha’s cemetery house and finds a packet he has left for her detailing each of the hotel staff members’ backgrounds, with photographs and addresses. She considers her impressions of each one, as well as Sasha’s true intentions. After, she explores the cemetery and again visits Léonine’s grave.
Julien recounts more of his mother’s story. Irène and Gabriel found a hotel room; Gabriel ordered food for four people, allowing for the subconscious presence of their partners alongside them. They enjoyed their night together, listening to music and making love until morning.
Violette reads the investigative report about the children’s deaths. It reveals that the four girls snuck out to make hot chocolate during the night and accidentally left the stove on. A plastic pan handle caught fire, followed by the plastic coating over the unit, which released toxic gasses. The hotel director was punished for creating an unsafe environment and not keeping the kitchen locked, but it is implied the children were at fault. However, Violette knows the story isn’t true because Léonine has a severe aversion to milk.
Violette enjoys dinner with Julien. He loans her his mother’s journal, saying that Irène wrote about Violette. Violette and Julien agree to go to a hotel together.
In the past, Violette again visits with Sasha. He reveals that he sent Violette the plaque after discussing it with their mutual friend, Célia. They also speak about Sasha’s garden and how it took him a year to learn how to take care of it properly. After his first harvest failed, he found a lost wedding ring buried in the soil, and he took it as a sign to continue.
Violette compares her experience with Julien to her life with Philippe. She no longer feels comfortable and leaves Julien behind, dressing and taking a taxi home.
Violette leaves Sasha to confront one of the men on her list, the chef who now works at a nearby restaurant. She confronts the chef and asks for the truth. The chef is visibly afraid and leaves, confirming Violette’s suspicions.
The other children’s parents do not recognize Violette as the cemetery keeper. She reflects on how she has changed since her daughter’s death. She has not heard from Julien since the night they spent at the hotel. She remembers Sasha teaching her how to garden. Their sessions became the one light place in her life; through them, she began relearning how to live.
After Chapter 42 introduces Léonine’s death, this section shows how Violette and Philippe reacted and how the tragedy began to push them apart. Although they both grieve and feel the loss of their daughter, they respond to it in different ways. Violette succumbs to depression, while Philippe allows the event to drive him forward. As he says later, during the trial, “I’m the only one who’s alive” (293). His response develops the theme of Responsibility to the Dead, as he feels obliged to uncover the truth of what happened to his daughter.
As they progress on two different paths, Violette initiates one of the more formative relationships in her life. She meets Sasha, who until this point has been gently hinted at but never seen, and finds within him a sense of renewal and growth. His way of living and his affection for Violette are like nothing she has ever encountered before: “To me, this man seemed like he was straight out of a novel, or an asylum. Which comes to the same thing” (214). Her friendship with Sasha allows her to slowly begin taking steps toward her own agency, beginning with telling Philippe she will be leaving two Sundays per month. For Violette, who always asked her husband for permission in all matters and lived in fear of abandonment, this is an enormous step.
Violette’s emerging relationship with Sasha in the past timeline parallels the one with Julien in the present, and these scenes are interspersed throughout this section to create a cohesive arc of forward motion. Together Violette and Julien share another short dialogue-based chapter, which lasts less than one page and contains almost no narrative. They get to know each other’s pasts better and continue exploring the story of Irène and Gabriel, adding another layer to the novel’s depiction of romance. This section juxtaposes the three major relationships with men in Violette’s life: the two that shaped her past, and the one that is shaping her future.
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