52 pages • 1 hour read
Matthew QuickA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Leonard wakes and panics that he has slept in Herr Silverman’s apartment. His thoughts spinning, he worries what people will think if Herr Silverman shares that Asher abused him. Leonard wonders if he should have followed through with his suicide plan. He deletes the photo of Asher masturbating and destroys Baback’s check. He feels guilty that Herr Silverman made sacrifices on his behalf the previous night. He wonders if Herr Silverman spoke with Linda and whether counseling will make his life more difficult. Leonard decides to leave the apartment. Leonard writes Herr Silverman a note, apologizing and assuring the teacher that he will be safe at home.
Outside, Leonard imagines Philadelphia underwater, as it is in his letters from the future. He waits for a train. The train takes him home to New Jersey during sunrise. At his stop, Leonard fools a security guard into letting him exit through the turnstiles without paying. Leonard walks toward home and stops outside Lauren’s house. He imagines making amends with her for the kiss but realizes how unlikely that is, given what he did. He walks to Walt’s house.
Leonard walks into Walt’s living room to find The African Queen on his television. Walt was concerned about Leonard after his behavior the previous day. After a silence, Walt mimics Katharine Hepburn’s lines from the film, and Leonard responds as Humphrey Bogart. Leonard stops the recital to ask Walt if they can watch the rest of the movie rather than talking about what happened yesterday.
Walt asks Leonard about his new Bogart hat and learns that it was Leonard’s birthday yesterday. Leonard admits that he lied about the hat’s origins. Leonard plans to skip school and return to Walt’s that evening for another film. The friends exchange warm goodbyes. Leonard concludes that “maybe there are other people like Walt out there—waiting for me to find them. Maybe” (254).
Leonard returns home to find the shattered mirror and wrapped hair he left in the kitchen. He feels disappointed that Linda forgot his birthday. Leonard charges his phone and discovers concerned voicemails from Linda and Herr Silverman, both of which he deletes.
Leonard hears Linda enter the house downstairs and stews with contempt. She approaches his bedroom and finds her son sitting on the bed. Linda remarks on Leonard’s hair and asks him why Herr Silverman called her. She dismisses the P-38 as ineffective and assumes he pulled a “prank” the previous day.
Seething, Leonard gazes back in silence and imagines his mother’s gory death. She continues asking Leonard questions and rationalizing his behavior. She denies Herr Silverman’s belief that Leonard needs counseling.
Leonard interrupts her to demand that Linda make him chocolate banana pancakes, as she did once when he was younger. Leonard tells Linda that he will buy the ingredients and let her go back to her busy life in New York if she makes him the pancakes.
Linda is distracted with a work call when Leonard returns home, so he prepares the pancakes alone. Leonard tries to ask Linda to eat with him, but she continues working. He eats pancakes and disposes of the rest. Leonard leaves the house.
Leonard pens another letter from his imaginary future daughter, S. This is her 18th birthday, and she knows Leonard is angry that she wants to leave Outpost 37. S wants to live on land, meet other young adults, attend school, and fall in love. She references the pancakes he made her that day for her birthday.
Leonard also used their last two oxygen tanks to dive into flooded Philadelphia and view the famous LOVE sculpture there. S realizes how much her father endured as a young person and what a good life he gave her. She has left him a braid of her hair, similar to Leonard cutting off his hair on his 18th birthday.
Just as Leonard had to find his loved ones, so does S. She expresses gratitude for everything she and her father have shared. She imagines plunging into his mind, where she would also find a LOVE sculpture. She signs off, “And man the great light. Even when no one is looking” (273).
The novel’s falling action and finale show Leonard still struggling, yet fighting for hope. He feels alarm and shame as he wakes in Herr Silverman’s apartment, unsure how the previous day’s events will affect his future. He even wonders, “Maybe / I really / should / have / killed / myself” (240). This tense moment returns the text to the narrow column at the right side of the page, evidence of Leonard’s lingering distress the morning after his suicide attempt.
Leonard’s fatigue and shock roll over him in waves. He says, “As I sit here next to Walt, I feel kind of grateful for this moment, as strange as that sounds—like I just narrowly avoided some awful demented fate. I feel kind of lucky” (251). Leonard walked through yesterday without thought for tomorrow, but tomorrow indeed arrived. Walt’s companionship and a familiar Bogart film reacquaint him with the pleasant aspects of his life and remind him he has reasons for gratitude. As these impressions sink in, Leonard opens himself to hope. He entertains a possibility that would have made him laugh with derision yesterday: that he will have other close friends like Walt in the future.
Self-involved and work-obsessed, Linda treats her son in the opposite ways as Herr Silverman does. Linda talks rather than listens to her son, downplays his suicide attempt, and offers unsupported theories about the reasons for his behavior. Meanwhile, Leonard’s response demonstrates the extent of his lingering rage: a fantasy of Linda bleeding to death before him.
In asking for pancakes, Leonard longs to return to a memory he associates with connection and harmony in his family. He describes that “my parents were happy that morning, which was rare, and probably why I remember it. Mom and I cooked and then we all ate together as a family” (262). Leonard wants peace with his mother, and he wants to forgive her for neglecting him and forgetting his birthday. Linda, however, returns to her avoidant behavior and declines to address his evident need.
The book’s final chapter reveals that, after leaving Linda at home, Leonard traveled to Philadelphia and wrote another letter from the future in LOVE park. He imagines his fictional daughter S at his current age of 18, hungry for new adventure as she enters adulthood. Not only does Leonard aspire to be the strong father he imagines in the letter, but he also aspires to tackle life as S does: with curiosity, hope, and a desire for love.
The LOVE statue symbolizes the capacity for love that hides in Leonard at age 18 but hopes to find in the future. Further, the lighthouse returns as a metaphor for Leonard’s greatness, which Herr Silverman encouraged him to maintain no matter how the world responds.
By Matthew Quick
Diverse Voices (High School)
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Friendship
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Good & Evil
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Mental Illness
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National Suicide Prevention Month
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Realism
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Realistic Fiction (High School)
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Sexual Harassment & Violence
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The Future
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