48 pages • 1 hour read
Ernest HemingwayA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Robert Jordan is an American volunteer helping the Republican army in Spain. He blows up bridges and other structures, living a transient lifestyle as he goes where his orders send him. He is dedicated to the Republican cause and believes in ensuring its survival everywhere, but he is emotionally distant from the daily reality of the war for many Spaniards. Moving around so much, he does not allow himself deep emotional connections or relationships, and he is not usually around for the aftermath of his orders or their effects on families or towns that shelter him. He behaves logically and follows orders diligently.
Robert’s journey in the novel is toward learning to live in the present moment rather than putting everything off for after the war. His instant connection with Maria forces him to contend with his long-time assertion that he cannot have a romantic relationship while living amidst war. As many others discover in times of war, living for the moment can bring joy, even among sorrow. Robert displays further character growth in his memories of his father and grandfather, two opposites who represent heroism and cowardice to him. Robert briefly remembers his father when saying goodbye to Maria, suggesting a sort of closure or peace with his father.
Pablo is the leader of the guerrilleros to whom Robert is directed to request help for the bridge operation. Pilar is Pablo’s “woman” or wife—the official or unofficial nature of their relationship is unclear, and terms for her vary among the others. Despite the initial introduction of Pilar as Pablo’s woman, Pilar immediately strikes Robert as competent and reasonable, and she quickly gains control over the group when Pablo’s desire not to blow up the bridge is seen as cowardly.
Pablo’s journey encompasses his resistance to the plan, his later role as antagonist due to his stealing of some of the dynamite and equipment, and his prodigal return to help the group when he realizes he is lonely without them. Despite the fact that Robert has been sent to blow up the bridge and fight fascists, Pablo provides the most conflict for Robert outside of the natural elements, like the snow that reveals El Sordo to the fascists.
Pilar comes across as brave and wise, and while these traits are accurate, the stories she shares of her life reveal that she contains depths of sorrow and shame over some events of the war, such as how Pablo handled the executions of fascists in his town when the war started. Pilar remains determined to support the Republican cause until the end, but she is acutely aware of the fact that fascists are not the only ones who commit atrocities.
Maria is the daughter of a local governor who was killed by fascists alongside his wife. After their executions, Maria was taken to have her hair shorn and her body abused by the fascist soldiers. Robert is told that she was a mess when the guerrilleros rescued her, on Pilar’s orders, from a train they attacked; still in the height of her trauma, she could not function and had to be carried.
Maria has been doing better, but the others tell Robert that she seems much better after seeing him; the two experience an immediate connection. At Pilar’s urging, Maria goes to Robert in the night, and their physical and emotional relationship helps her to heal the psychological wounds of the abuse she experienced. She devotes herself to Robert, promising to learn how to be a good wife and claiming that they are “one” person, a concept that Robert uses to convince her to go when he is injured and dying, saying she must leave so that both of them may live through her.
Pablo’s men primarily play supporting roles in the narrative, providing physical aid and conversation with Robert through which Hemingway furthers the major themes of the novel. Anselmo plays the largest role in the novel due to the relationship he builds with Robert and his role as a voice of compassion and reason. His devotion to duty and his compassion endear him to Robert, who is devastated at his loss, although he shows it through anger. Anselmo acts as a counter to the brutality of the war and those who give themselves to it on both sides. His own inner journey, given some space in the narrative when he watches the guard post in the snow, focuses on his faith. He claims to no longer believe in God, but he believes that killing is a sin that they must all cleanse themselves of after the war, and he reveals that he feels lonely without prayer. By the night before the bridge operation, Anselmo returns to God, praying for the bravery to stand firm in battle the next day and feeling less lonely for it.
By Ernest Hemingway
American Literature
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