63 pages • 2 hours read
Harlan CobenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Unable to drop in on Franklin Biddle until they reopen the next Monday, Maya invites Shane and a few friends to sweep her home for bugs. After getting the all-clear, Maya wells up, grateful for Shane’s help. She fills him in on her suspicion that Andrew’s death is connected to Claire’s and Joe’s before taking Lily for a mother-daughter day of apple picking, which Shane—relieved that Maya is taking a day off from sleuthing—deems “so cool” (275).
That night, Maya’s PTSD episodes return. The new drugs are not working, but she decides to muscle through it. After dropping Lily off at daycare, Maya drives to Philadelphia. Franklin Biddle’s campus is “pampered, patrician, privileged, [and] powerful” (277). Maya acknowledges the illusion of security that wealth can provide and the desire to “get deeper and deeper into a protective cocoon” (278). She meets the prep school headmaster, Neville Lockwood IV, who is complete with an argyle bow tie and tweed blazer. He heaps on condolences and praise about Joe, and Maya senses that Neville is angling for donations. He blanches when Maya brings up Theo. He confirms that Claire came to Franklin Biddle to poke into Theo’s death. Maya threatens him, thinking that Neville will not be forthcoming, but he cites the school’s Quaker ethos: “The more one knows, we believe, the more one is protected by the truth” (281).
Neville reveals that Theo died of alcohol poisoning after binge drinking and stumbling into the basement. His body was found by a custodian the next morning. Though Neville doesn’t see how the three deaths of members of the soccer team—Joe, Andrew, and Theo—could be connected, as a math teacher, he admits that the probability of the deaths being coincidence is low, especially when considering a key factor: Theo and Andrew were roommates. Andrew, a “sensitive boy” who lacked the “killer instinct” Joe had on the soccer field (283), took Theo’s death hard. When the students were granted a week off to mourn, Andrew did not return. Neville hints that he believes that Andrew died by suicide and that Joe’s murder could be a reverberation of sins from the past.
Ignoring Corey’s signal to meet him, Maya locates Theo’s mother, Raisa, a diner waitress who lives in a far less wealthy area of Philadelphia. Raisa recognizes Maya as Joe’s wife and a soldier but only lets her in when Maya claims that the suspects in Joe’s murder are innocent and that her son’s death could have played a part. Because Theo’s father, Javier, did landscape work for Neville’s cousin, Theo attended Franklin Biddle Academy on a scholarship in an effort to make the school more ethnically and socioeconomically diverse. Theo, who was as sociable as his father, was ecstatic. Raisa could not deny him the opportunity. She was devastated when Neville and another official came to tell her about Theo’s death, and they recorded everything on their lawyer’s advice. Maya notes that Raisa’s account matches Neville’s nearly word for word, as if the latter’s was rehearsed. Javier didn’t believe that his son would drink, let alone to excess, and wanted to raise the issue with the school. Raisa instead opted for the financial offer that Franklin Biddle made them so that her other sons, Melvin and Johnny, would have a chance at a better life; Melvin is a Stanford professor now, and Johnny is in medical school. However, Theo’s death and Raisa’s acceptance of the “blood money” destroyed Javier; he died of cancer two years later.
Raisa recalls that Andrew was truly sad at Theo’s funeral, unlike the other “rich-boy robots” who offered their condolences (293). Raisa believed that Andrew was grief-stricken over his best friend’s death. Javier read the circumstances of Andrew’s demise differently: “Grief don’t do that to a man. Guilt does” (293).
Maya finds an email address for Christopher Swain, Joe’s soccer team co-captain who was also on the yacht the night that Andrew died. Like the Burketts, Christopher operates in the upper echelons of Manhattan society as part of his family’s luxury real estate firm.
After two more calls from Leather and Lace, Corey’s code to check in, Maya heads to the club. Corey hops into her car and tells her to drive to Livingston. After making sure that they’re not being tailed, Corey reveals that his hackers found an email to Douglass regarding an unpaid bill for a storage shed behind a body shop. On the way to Livingston, Corey says that he uncovered some damning evidence about EAC Pharmaceuticals: A 3-year-old in India died after taking the fake drugs. He believes that Claire found this info and Tom Douglass, who will be their smoking gun.
Maya and Corey don ski masks to break into the shed. When they get close, an odor overwhelms them. Already knowing what they’ll find, Maya cuts the chain. The door opens, revealing a human arm. Corey gags as Maya takes a closer look; with his throat slit, the body matches Douglass’s description. Maya tells Corey to leave the scene so that he isn’t found out. She calls 911, ready to face the blowback herself.
Maya sticks to her story, telling local cop Demetrius Mavrogenous that she received an anonymous tip that Douglass, whom she knew was missing and had been in contact with Claire before her murder, was here; the door was already open when they got there. Detective Kierce arrives on the scene. Echoing Eddie’s sentiment that death follows her, Kierce says that Maya is the common denominator in three murders: Claire’s, Joe’s, and now Tom Douglass’s. Maya responds sarcastically, knowing that his hunch is just that. She also alludes to the Burketts’ bribery, which raises Kierce’s hackles. Since her car is already impounded by local police, Maya turns down Kierce’s offer of a lift in favor of a cab to Eddie’s house. When she fills Eddie in, Eddie comes to the same conclusion as Maya: Whatever happened on the yacht when Andrew died was “so bad that, all these years later, it’s still killing people” (311).
After putting Lily to bed and watching her for an hour or two, Maya sits down to write letters that are too personal and important to type up and email. Nearing dawn, Maya’s phone rings; it’s Caroline. She claims that she saw Joe and that he has a message for Maya: He’d see her soon. Maya calms herself, flexing and releasing her hand, as panic “simply [will] not do” (315). Before she can process the strangeness of the fleeting call, Kierce and Mavrogenous arrive to take Maya to the station, having found evidence in her car.
Maya quickly drops Lily off at daycare. The police then take her to Newark, where Kierce accuses Maya of hiring Rodrigo and Katen to kill Joe. Maya asks why, then, she would have identified the pair in the lineups. She also points out that if she wanted to double-cross them, as Kierce suggests, she wouldn’t have said that they wore ski masks when first questioned. Detective Mavrogenous shows her footage from a gas station, with Corey in her passenger seat. Though they can’t make out his face, Kierce asks if he was the contact who tipped her off. Kierce reveals that blood was found in Maya’s car, type AB-positive—the same as Tom Douglass’s.
Since the DNA test is still pending, the Newark police don’t have enough to hold Maya, but time is running out for her to put the pieces together. She wonders if Corey manipulated her and Claire: “[M]aybe it wouldn’t be wise to trust a man who had done so much to destroy her” (324). Maya point-blank asks Kierce if he’s taking the Burketts’ bribes. He denies it.
At home, Maya heads straight for the gun safe in the basement. All of her weapons are accounted for, including the two, bought out of state and untraceable, in the hidden compartment in the back. The secret hatch in the safe resembles her grandmother’s trunk, “carrying on the family tradition” of mistrust and secrecy (327). Christopher Swain returns her call, requesting her presence in Connecticut, alone. Maya conceals a loaded gun in a holster and then makes the drive, listening to Joe’s playlist again, with eerily prophetic lyrics of love and loss.
Christopher did not mention that he resides in an upscale rehab facility with a lot of security, including a manned gate and copious cameras among its lush greenways. Maya meets Christopher in the facility’s solarium. Though in a nice suit, he’s tentative and haunted. He correctly guesses that Joe swept Maya off her feet—his charm was evident even as a teenager. Christopher also correctly guesses that Joe’s murder was not a robbery gone wrong. Maya neither confirms nor denies this and asks about Andrew. With tears in his eyes, Christopher unburdens himself: He thinks that Joe pushed Andrew off the yacht.
Christopher tells Maya that Theo fit in at Franklin Biddle. Since he was an outgoing and warm boy, his difference in class was not an issue for his peers. Christopher was thrilled when Theo enrolled because he was a great soccer player. However, since they played the same position, Joe felt threatened by Theo’s talent. Joe was prone to flashes of anger and jealousy. In eighth grade, he put a boy in the hospital after beating him with a baseball bat. When a girl he liked agreed to attend a dance with a rival, a fire broke out in the science lab a week later, nearly killing the boy. Christopher says that he’s in rehab because of addiction stemming from adolescent trauma inflicted by Joe. Like Christopher, Theo abstained from alcohol in high school. One night, Joe, Andrew, Christopher, and two other boys jumped Theo, who went along with the prank good-naturedly. They tied Theo to a chair and put a funnel in his mouth. Andrew poured in beer until Joe produced grain alcohol. Andrew tried to stop his brother from going too far, but it was too late, and Theo had a seizure. Joe made Andrew help him move Theo to the basement, where he died.
Andrew was never the same, unable to sleep or eat, and ultimately pleaded with the others to come forward during their sailing trip. Christopher, who had started drinking to excess after Theo’s death, recalls Andrew heading up to the upper deck. Joe followed him a few minutes later. This challenges Judith’s theory that Andrew was alone and that no one knew he fell until the morning; if Joe was present when his brother fell, Christopher and Maya question why he didn’t he alert anyone. Later, no one spoke of the incident. The other boys on the boat graduated and went their separate ways. Christopher is only telling Maya what happened now because Joe is dead: “I finally feel safe” (343).
Coben presents The Lasting Consequences of Trauma and Secrets in these chapters. Eddie guesses that a betrayal “so bad” occurred on the boat “that, all these years later, it’s still killing people” (311). Coben captures the novel’s thematic perspectives in this statement as it conveys that trauma and secrets compound themselves in negative ways: As Claire’s death was caused by a rippled cast by Maya’s crimes on the Syrian-Iraqi border, Joe’s murder was caused by a ripple cast by the death of Theo Mora. Similarly, Maya’s and Andrew’s unresolved traumas also contribute to Claire’s and Joe’s deaths. The horrific circumstances of Theo’s death are laid bare by Christopher, creating a turning point in the novel as secrets are revealed, building toward the climax.
Judith’s and Joe’s extreme measures to keep their secrets are enabled by the disparity between the reporting of Andrew’s and Theo’s deaths. Andrew is presented as a “scion” of an empire, while Theo is presented as an unlucky scholarship student who drank himself to death. Andrew’s life is construed as having more value than Theo’s due to his purported promise. Coben presents this disparity through the motif of class to highlight the currents of privilege that enable secrets and murders in suburban areas that are safe for some and not for others.
Privilege hence connotes a sense of security throughout the novel. When approaching Franklin Biddle Academy’s campus, Maya calls it “pampered, patrician, privileged, powerful” (277); Coben uses alliteration with the plosive “p” to emphasize Maya’s bitterness, as though she spits the words. She notes that money buys “seclusion […] fences [...] insulation” in a description that encapsulates suburban privilege (277), as represented by the stone walls of the prep school. However, headmaster Neville Lockwood IV surprises Maya by being forthcoming. Though his institution had a hand in covering up Theo’s death, his twin beliefs in the empowering nature of truth and mathematics induce him to give Maya enough details to go on. While his worldview is markedly different from Maya’s, he acts according to his internal code. This adds a tone of hope within the novel’s exploration of secrets in the cocooned world of the rich, suggesting through Neville that Corey’s attempts to drive the powerful to do the right thing have merit.
Franklin Biddle’s grounds are a world away from the home of Raisa Mora, Theo’s mother, a diner waitress. Promising truth and justice, Maya gains access to Raisa’s version of the story of her son’s death. Money is a key factor in her story, as she accepted the payout that Franklin Biddle offered her so that Javier wouldn’t expose their role in Theo’s death. While the trauma of Theo’s death ultimately killed Javier, Raisa understands that financial stability is a powerful motivator since the “blood money” allowed her other sons to thrive (239). Raisa’s view reinforces the novel’s implication that money and privilege equate to security.
Christopher’s rehab facility is as lush as Franklin Biddle, with the exception of the proliferation of security cameras. Here, there is a dual layer of the illusion of safety that privilege affords. The insulated grounds keep the clientele’s secrets at bay, and surveillance gives the impression of a watchful eye of protection. However, the fact that Coben filters the surveillance through Maya’s perspective creates an underlying sense of threat. The security both keeps residents in and keeps undesirable people out. This contributes to the novel’s ambivalence about surveillance; it both protects and threatens people.
Coben develops his construction of Maya as an antihero in this section. Maya takes umbrage with the fact that the wealthy people care more about Andrew’s death than Theo even though she, too, is guilty of mistreating people (the accused murderers and the Iraqi victims) according to her perception of their value. Coben hence suggests the dangers of being unaware of one’s own privilege. Furthermore, even though she knows that she’s not an infallible arbiter of justice, she promises to avenge Andrew at the end of this section. With their shared mental struggles spurred on by the weight of unresolved guilt, Maya sees herself in Andrew and wishes to clear his name while absolving herself of her own misdeeds. Maya’s pursuit of justice is therefore muddied by her own unjust actions.
By Harlan Coben