63 pages • 2 hours read
Harlan CobenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Maya calls Judith and curtly requests to talk. In with a patient, Judith instructs Maya to come by her office in the evening. While Lily is staying at Eddie’s to play with her cousins, Maya returns home to find a car in her driveway—it is Dr. Wu, unannounced. She tries to dodge his questions, but he can tell that she’s not okay. She admits that she needs the PTSD episodes to stop, especially since scaring Lily. He offers her a new medication. She asks him about hallucinations, a term that Dr. Wu refutes. She’s having vivid auditory flashbacks that occur only at night, rather than imagining or seeing things that aren’t there. Maya is relieved, but it also means that she didn’t hallucinate seeing Joe on the nanny cam video.
In an effort to dispel their power, Dr. Wu asks Maya to describe the events that she re-experiences each night. She’s terse, eliding the fact that five civilians were killed, including a mother and her children. When he presses her on this detail, Maya stops him, annoyed that the female victim is categorized as a mother, as if her life had value simply because she had children. This is a deflection; Dr. Wu says that Maya is “angry at semantics because [she doesn’t] want to face the truth” (233). However, she knows that it’s not as simple as guilt manifesting the flashbacks. Maya wonders if hearing the audio from the incident would change his assessment. She cuts the impromptu session off when her phone buzzes, and she tells Dr. Wu that she needs to pick up Lily.
However, Eddie is not on the other line; it’s Leather and Lace. Per their agreement, Corey calls once from the club, a signal for Maya to come by. She’s buzzed into the employee entrance by security but asked to hand over her weapon. Maya refuses, and Lulu lets her keep her gun. Corey is smoking marijuana, further fueling his paranoia. He asks about Douglass, and Maya relays that he has been missing since before Joe was killed. Corey agrees to hack into Tom’s devices again to try and locate him. Corey becomes scared that his organization is no longer “airtight,” which would threaten the lives of his countless whistleblowers. They can’t go to the cops, however, as then Corey would certainly be exposed. Besides, given that Caroline suspects that Kierce has taken bribes, Maya no longer trusts the police. Trust is also tenuous between Maya and Corey, but Maya reminds Corey that he has something over her: the audio. She asks again why he didn’t release it, and Corey admits that it wouldn’t change anything for the military and that Maya already has to live with what she did. That is punishment enough.
Maya arrives at Judith’s office. Mary McLeod ushers Maya inside. Mary is not a receptionist like Maya thinks; rather, she is Judith’s colleague. Maya has been ambushed again by a psychiatrist. Mary talks about her son, Jack, who served two tours in the Middle East. Maya accuses Mary of making up a military son to put her at ease; it has the opposite effect. She storms out and heads to Farnwood, where Judith sits—“posed as though she were shooting a magazine cover” (247)—wearing pearls with a crystal glass in hand. When Judith asks about Douglass, revealing that she knows that he investigated Andrew’s death, Judith drops her drink. Neither woman moves an inch as the broken glass settles. The question staggered Judith, who either didn’t know about the payoffs or didn’t think that Maya would discover them.
Judith’s reaction to Maya’s assertion that Andrew’s death was no accident seems genuine to Maya. Judith vehemently denies that her son killed himself. Maya pushes further, telling her that Claire found out about Douglass before she and Joe were both murdered. Judith again falters when she learns that the same gun killed both her son and his sister-in-law. She finally admits to covering up Andrew’s suicide to preserve appearances. Though paying off Douglass is confirmed, Judith denies bribing Kierce, chalking it up to Caroline’s confusion, as Caroline has been institutionalized. Judith claims that Caroline hadn’t seen her brothers’ bodies due to the condition they were in, not because of some conspiracy. Like Caroline, Judith says, Maya needs rest and to stop pursuing old wounds, lest she hurt her sons even more.
When Maya picks up Lily, Eddie gives her intel on Claire’s E-Z Pass records—a week before her murder, she visited Douglass in the morning and then went to Philadelphia. Maya recalls that Joe and Andrew boarded at Franklin Biddle prep school outside of Philadelphia. She leaves a voicemail for Caroline asking her to check in. She muses that it’s part of the human condition to believe your own perspective while discounting others. Maya wonders if her own judgment could be trusted to be objective. She concludes, “But then again, screw objectivity, right?” (260).
Eileen is in her driveway when Maya pulls in. Shaking, Eileen reveals that Robby has been spying on her through the nanny cam. Photos were sent to her in the mail of moments like her kids playing on her couch as well as Eileen entertaining a date. Maya processes the news, wondering if the footage of Joe could have indeed been planted.
Maya calls Shane with another favor, a proposition he is dismayed to be used to. He agrees to send people by to sweep for bugs while reiterating that Maya should seek help from Dr. Wu. It’s a stalemate. After changing her internet passwords and signing into a VPN, Maya searches for information on Andrew. She finds a headline: “YOUNG BURKETT SCION DROWNS OFF YACHT” (267). After a night of partying with friends and family, Andrew was reported missing in the morning. Maya learns that Caroline and Rosa were on the yacht in addition to Joe and Andrew’s classmates.
Searching for information about Franklin Biddle Academy, Maya is surprised to find that another contemporary of Joe’s died during his time in high school—Theo Mora, also 17—six weeks before Andrew. Like Andrew, Theo was on the soccer team that Joe co-captained. Looking at a team photo, Maya finds three other teammates who were present on the yacht the night that Andrew went missing. Despite knowing the dangers of poking around in Burkett family history, Maya resolves to drive down to Franklin Biddle as soon as possible, promising, “I’ll figure it out Andrew. I’ll avenge you too” (269).
Coben explores the gendered pressures of motherhood in this section as he gets closer to revealing the truth about Maya’s culpability in the airstrike. Maya capitulates to Dr. Wu’s attempt at help only because she scared Lily; Shane’s admonishment that she has more important things to think about as a single mother sinks in. However, one of the things that Maya balks at when Dr. Wu makes her talk about the victims is his framing of one of the dead as a mother, as men are rarely identified as fathers. As someone who despises the reductive value of basing a woman’s worth on motherhood, Maya is quick to point out the patriarchal biases at play. Furthermore, Maya rebuffs Mary McLeod, who tries to empathize with Maya by mentioning her son’s tours of duty, rejecting the notion that she should instantly connect to motherhood. Maya wants to protect her daughter while rejecting the reduction of female identity. Coben hence points out the weight of Gender Expectations and the Performance of Identity through a character who wrestles with the pressures of motherhood. At the same time, he further constructs Maya as an antihero, as the dead mother is an offstage figure who no longer has the chance to protect her child as Maya protects Lily.
Judith emerges as a clearer antagonist in this section. She lures Maya to her office under the guise of agreeing to talk, but she pushes her agenda onto Maya, reminding her who is in charge. When Maya finally gets to talk with her, Judith retreats into another persona: the wealthy matriarch who is the picture of domestic luxury. Maya likens her pose, complete with pearls and a crystal glass, to a “magazine cover” (247), and Judith’s performance is just as glossy and thin. The broken crystal glass represents the shattering of Judith’s perfect persona in Maya’s eyes. Furthermore, Coben characterizes Judith as selfish and shallow as she reveals that she is covering up scandal on a personal level, which she views as more destructive than the corporate malfeasance of which Corey thinks Douglass has evidence.
While presenting a cast of characters who risk a lot to cover up secrets, Coben explores the differences between subjective and objective truth. Maya is aware of her inability to remain objective as she investigates the new leads. She muses that the judgment of a disgraced veteran suffering from vivid flashbacks probably shouldn’t be trusted: “But then again, screw objectivity, right?” (260). This discounting of objectivity contributes to the overall effect of the structure of the text. Coben omits the truth about Maya murdering Joe by thrusting the reader into her subjective experiences: Maya frequently twists herself into rationalizations for her behavior. Coben immerses the reader in Maya’s subjective experiences to sustain the tension of the mystery.
By Harlan Coben