45 pages • 1 hour read
Olga Tokarczuk, Transl. Jennifer CroftA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The narrator uses the motif of airport travel psychologists to explore the novel’s intersecting themes of movement, writing, and space and time. Since she was herself on the verge of pursuing a career in psychology, the narrator is drawn towards the lectures these psychologists offer to travelers waiting for their next flight. This branch of psychology focuses on desire, collapsing the distinction between space and time in favor of the concept of “towards.” Movement is at the center of their practice. The narrator uses these lectures to enhance her discussion of space and time as constructs that fade away when one pursues a life of travel. She lives her life according to a philosophy of movement and curiosity, as the travel psychologists’ lectures discuss.
The narrator observes the people attending these lectures as much as she listens to the lectures themselves (if not more), inspired by the possible stories these strangers contain. These lectures put her in contact with travelers interested in movement in the same way she is—not the kind of travelers she disparages for using the train or limiting their travel to yearly vacations. A small community forms around the travel psychologists’ lectures, allowing the narrator to feel as if she belongs and can write about the strangers she encounters, all of which coincides with the lectures’ themes of movement, desire, and discovery.
As a motif, the narrator’s writing habits develop the novel’s intersecting themes of preservation and movement. Her methods as a writer center around traveling. She observes strangers or pursues “pilgrimages” into historical figures while studiously maintaining her anonymity. The narrator’s philosophy to “not leave any unexplained, unnarrated situations” encourages her to fill in the blanks of strangers or historical figures’ personalities through writing (177), which allows her to connect with others during her solitary travels; the stories become her community. Additionally, the narrator preserves her memories and impressions of others through writing. She immortalizes, draws connections, and demonstrates the contextual nature of writing practices.
After introductory notes on herself in the opening fragments of the novel, the narrator allows her writing to characterize her and incorporates her own personality traits in the fictional characters she writes about. She admires cross sections because “each slice is part of the whole, but it’s governed by its own rules” (312). As Flights is built of fragments of travel writing and fictional vignettes, it works as a cross section of the narrator’s character itself. Each piece of writing or character she interacts with reveals some aspect of her personality or interests, dispelling the notion of static personality that she learned as a psychology student and demonstrating her belief in an identity that moves, incorporates others, and creatively engages with travel experiences.
Philip Verheyen’s preserved, amputated leg symbolizes the connection between preservation and travel. Verheyen’s obsession with dissecting his leg is a form of internal travel to the nexus of his phantom limb pains: “It’s hard to believe that parts of one’s own body are discovered as though one were forging one’s way upriver in search of sources” (186). The body is thus a site for travel and discovery. For Verheyen, this travel creates a reclusive and unstable lifestyle while simultaneously offering his scientific community the discovery of the Achilles tendon. Verheyen’s knowledge travels to others due to his success with the preserved leg.
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