47 pages • 1 hour read
Octavia E. ButlerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The Chapter 9 Summary contains a sex scene.
The next week, Shori and Wright return to the ruins and search the rubble. They find a gold chain Necklace of a bird, which Shori then wears. Wright notes that Shori looks like an “elfin little girl” (60). Suddenly, a helicopter arrives, and a blond, pale man steps out. He immediately recognizes Shori and calls her by her name. He introduces himself as Shori’s father, Iosif Petrescu, and explains that the ruins were where she and her mothers, the Matthews, lived because males and females of their species live separately. He also explains that their species is called Ina, and that they are different from fictional vampires. Ina cannot be created, only born; they must sleep during the day and drinking blood allows them to live for hundreds of years. The humans they drink from are called symbionts; they live longer, healthier lives in a “mutualistic symbiosis” (63). Iosif reveals that Shori is 53 but still considered an Ina child; she will continue to grow and be able to bear children at around 70.
Iosif tells Shori and Wright that he was the vampire who bit and ordered the gunman to guard the ruins, because he believed the murderers might return to relive their crime. 78 Ina were burned alive at the ruins, including Shori’s mothers and symbionts, and Iosif does not know who is responsible. Iosif covered up the crime by making it seem like an accidental burning of abandoned houses, so as to not call attention to their species. It is revealed that the man whom Shori killed in the cave was one of Iosif’s people sent to search the ruins for survivors. Iosif is angry and grief-stricken by the news but satisfied that Shori feels guilty.
Iosif explains that the Ina are a “distant cousin” of humans; while the two species can have sex, they cannot breed. He reveals that Shori’s dark skin is a result of her mothers’ genetic experiments to help her survive sun exposure. Shori’s DNA is a mixture of human and Ina. Iosif points out that Wright’s relationship with Shori could be seen as improper, but invites them to live with him so they can exist freely and so he can teach his daughter more about Ina life. Shori and Wright are reluctant but agree to visit his community first.
Shori and Wright fly to Iosif’s compound, as Iosif plans living arrangements. Once there, they meet some of Iosif’s symbionts who all recognize Shori but whom she cannot remember. Iosif shows Shori around his home and advises her to treat her future symbionts—as she will need more than just Wright—with respect and trust in order to keep the peace. He tells her that Ina saliva contains an addictive chemical that keeps symbionts alive and healthy; once bitten, without it, they die unless another Ina claims them. Shori meets her brother, Stefan, and his symbionts as well. The man whom Shori killed in the cave, Hugh Tang, was one of Stefan’s symbionts. Stefan tells Shori about her three mothers—the Black human woman who donated her DNA (Jessica Margaret Grant) and the two eldermothers who conducted the genetic experiments. Shori asks if these experiments could be the reason why her family was murdered, but Stefan and Iosif reject this idea because the experiments would have benefited all Ina.
Shori is overwhelmed by all the new people and information in the compound. She notices she feels uncomfortable in Stefan’s extended presence, and Iosif tells her that this is why older Ina males and females must live separately; their pheromones can distract each other. Still, Iosif wants Shori and Wright to live with them because he fears for his daughter’s safety. Shori remains unconvinced but agrees to return to Iosif’s community in a week.
On the way home, Wright angrily confronts Shori about his lack of freedom, the “harem” he unwittingly joined, and his jealousy toward future symbionts (84). They have sex and discuss what they learned from Iosif. Over the next week, Shori visits the other people she bit and breaks their connections, convincing them that their encounters were dreams. She visits Theodora, feeds from her, and asks her to join her growing family. Theodora still doesn’t understand her attachment to Shori, but she is lonely and wishes to join. Shori shares what she knows of her own past and memory loss. She plans to return for Theodora in a year when she is more settled, but the latter is impatient and wants to leave immediately. Shori agrees to return for Theodora in two weeks.
When Iosif does not come for Shori and Wright as they agreed, Shori fears the worst. She searches for his hidden compound by scent and eventually finds burnt rubble similar to the ruins of her original home. She smells dead human and Ina flesh, and discovers that her father, brother, and their symbionts have all been murdered. As Shori grieves and continues to search the rubble, she runs into Brook, one of Iosif’s symbionts, and Celia, one of Stefan’s—both of whom she met the previous week. Celia attacks Shori, assuming she is responsible for the fire because she killed Hugh Tang. Shori learns Brook and Celia escaped the fire as they were away visiting relatives. She convinces them that she had nothing to do with the fire. Brook reveals that Iosif owned another house where they could regroup. As they rendezvous with Wright, Shori worries about Brook and Celia as they need an Ina to survive—inadvertently making her responsible for them.
When the group arrives at the second house, Brook and Celia accept Shori’s invitation to join her new family. Brook explains that Ina females have stronger venom than males because the Ina are a matriarchy. Once a male mates with a female, which requires feeding from her, he becomes addicted and is no longer fertile with other females. Shori recognizes that keeping Brook and Celia is beneficial because they know more about Ina life. She tries feeding from Celia, and the experience is uncomfortable for both of them; switching Ina hosts feels unnatural but is necessary for symbiont survival should their original Ina die. After Shori does the same with Brook, she returns to Wright. Suddenly, she hears people outside and smells gasoline.
Shori runs outside and finds human men pouring gasoline all over the house. She stealthily kills one man and takes his gun. Wright, Brook, and Celia run from the house as Shori kills two more men. Wright and Celia take the fallen men’s guns and begin shooting the rest of the men. When they hear police sirens, the men run away, and Shori and her symbionts flee in their cars. After some distance, they stop at a supermarket to buy supplies. Brook suggests that they are only alive because Shori does not have to sleep during the day like other Ina; she was awake to sense danger. Still, Brook seems uncertain as to whether or not Shori will be able to take care of them because of her amnesia. They use Wright’s money to buy clothes and food, while Shori feels frustrated and helpless by her own ignorance and growing responsibility.
In this section, we meet more characters from Shori’s past who all seem to have some sort of emotional claim on her—despite her not remembering them. Shori’s father and brother are understandably protective of her given the attempt on her life. They want Shori to live with them, but if she had immediately agreed to do so, her life would have been endangered in the attack that killed them. Shori’s grief upon learning of her relatives’ deaths may be grounded in guilt, in her thinking she could have helped them given how effectively she stops the attack at Iosif’s safe house. Before his death, Iosif’s protectiveness borders on possessiveness, which Wright feels threatened by. They both compete for Shori’s idea of “home.” Iosif tells her that the ruins were her former home, and that he wants his community to be her new home; Wright believes he is Shori’s new home. Shori is caught between her past and potential future as she struggles to identify the concept of “home” for herself. Everything is new to her, but she’s starting to understand that a home can be multiple things. Wright is her new home because of their bite bond, but Brook and Celia are becoming familiar too: “their scent had become one of the many that meant ‘home’ to me” (104). Iosif and Stefan’s scents linger on Brook and Celia, which helps Shori feel more at ease despite having just “met” her relatives. They leave a powerful, emotional mark on Shori even after death.
Iosif and Stefan also leave Shori with a stronger sense of duty to her species. In the wake of their deaths, she is responsible for Brook and Celia’s survival. They become part of her “Found” Family, despite her lack of concrete knowledge. When Shori realizes she has to steal money for their escape, she voices moral reservations: “I don’t want to do it. I don’t feel good doing it, but I’ll do what’s necessary to sustain us” (128). She also encourages communication from her symbionts: “Ask me questions when you want to know things. Tell me whatever you believe I should know. Complain whenever you want to complain. But don’t talk to other people when you mean your words for me, and speak the truth” (122). The Ina history and biology that Brook and Celia share with Shori are essential and make their new relationship truly symbiotic. Shori keeps her symbionts safe, and they help her with mundane tasks like shopping without raising suspicion; because Celia is Black, she can pose as Shori’s mother while they buy clothes. The women must learn to trust each other. Brook and Celia are both wary of Shori’s Ina capabilities, so by learning to trust her own instincts, Shori can secure their faith in her actions. The group’s survival relies on Shori dealing with her inner turmoil as much as it does her physical prowess. She must confront her amnesia-fueled ignorance and the loss of her family in order to honor her father and brother and keep her new family alive.
By Octavia E. Butler
African American Literature
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Coming-of-Age Journeys
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Family
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Fantasy
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Hate & Anger
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Memory
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