55 pages • 1 hour read
Mai CorlandA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The six comrades arrive at Dal’s estate, but Dal is not there because his business is keeping him in Tamneki. His head of household settles the group into rooms, but Euyn is too paranoid to bathe in his own room, so he goes to find Mikail, who promises to keep watch while Euyn uses his bath. Mikail promises Euyn a passionate night, and as Euyn slips into the hot water, he wonders why Aeri isn’t shaken by the countless deaths of the previous day.
Aeri wanders around the estate and contemplates keeping Royo by her side forever as her attraction for him grows. She hears him laugh for the first time when she imitates his demeanor, and this moment makes him more endearing. She and Royo meet Mikail and Euyn in the hallway, and Mikail offers to gather weapons for them. Aeri asks for a dagger.
For once, the six comrades enjoy a high-quality dinner and are full of stories and laughter. Overwhelmed, Sora leaves, struggling with the necessity of betraying the others in order to secure the crown and save Daysum’s life. Ty finds her, and when he asks if she is all right, she sobs into his arms. After she settles, she asks Ty how he can be so kind, despite having a father like Seok. Ty stumbles into confessing that he loves her. When she doubts him, he clarifies that he only followed her into Xingchi Forest to save her from his father’s wrath, and he also explains that by whipping Daysum himself, he saved her from a harsher punishment at his father’s hands. He explains that he has never been able to forget her. Just as Sora is about to answer his feelings, she sees someone spying on them through the window.
In Aeri’s room, Royo feels an uncomfortable amount of lust for her and leaves to patrol the area. He locks the door before he leaves and instructs Aeri to remain in the room. As he patrols, he tries to clear his head, and he encounters Mikail and Euyn on the way. He wonders what will happen after the assassination and where Aeri will go. Halfway through his patrol, Royo senses that something is wrong. Upon rounding a corner, he meets Sora. As they stare at one another, someone lets out a dying scream.
Euyn worries that he was the assassin’s target. Mikail uncovers the dagger used to kill the man and asks if it was one of Royo’s, but Royo confirms that he did not kill anyone. Everyone accounts for their whereabouts, and no one admits to being the assassin’s murderer. According to Mikail, the assassin did not want to kill anyone, as palace assassins do not miss their intended target. Mikail theorizes that the man was likely here to meet someone. They bring the body inside to examine it.
As they search for the man, they find nothing to identify him or his purpose. Ty reveals that he thought he saw a shadow as they were leaving the burning warehouse in Oosant. Ty asks Aeri about her origins, and the conversation devolves into general distrust among the group. Sora suggests that this might be a plot by Dal to sow doubt among them. Mikail orders the body to be burned and buried, and they resolve to confront Dal when he arrives the next morning.
The next day, they gather to meet the count in the dining room, but Euyn receives a letter declaring that Dal has died of a heart attack; Dal’s young child will inherit his position as count. Aeri wants to call off the assassination plan because Dal was supposed to be the means for Sora to meet Joon. Mikail grows frantic and adamantly insists on going through with the plan. He suggests using the northern count to gain access to Joon. Aeri once again proposes that they abandon their scheme, but Mikail reminds them of what is at stake, and everyone falls in line.
Aeri frets over the plan. When she and Royo return to their room, she wishes that they could stay together but knows that after they complete the assassination, her father will not allow her to have a relationship with Royo. Even so, she admits her feelings to Royo and asks him to stay with her forever. He pointedly does not say no.
They arrive in the capital, where people are making a show of mourning Dal’s death. Royo suspects that Mikail is the one who was meant to meet the palace assassin, but Aeri disagrees. Royo and Aeri gather everyone for dinner at their new inn and decide to order in. They find Sora and Ty in a compromising situation and laugh, and then they encounter Mikail, who claims that he has been finalizing the arrangements for the assassination the next day. Royo does not trust him.
Flustered, Sora composes herself and decides to trust Ty enough to tell him about her plan for the crown and Daysum. Ty reveals that he burned her indenture contract before they left Gain, so Sora is now legally free. Gently, Ty dissuades her from taking the crown because he knows that the others will kill both her and Daysum if she takes it. He proposes instead to bring Daysum to the palace once Euyn is crowned king, where she can be assessed by the palace healers. When Aeri doubts herself, he reminds her that she is made of steel and will succeed.
Euyn confronts Mikail and expresses his doubts about Mikail’s intentions, the plan, and their companions. Mikail counters Euyn’s worries and reminds him that he cannot physically torture their companions to ensure that they won’t double-cross them. Euyn asks if his sister is still supporting them, and Mikail confirms that there is no change in plans. The food arrives, and together, they toast to Joon’s death and Euyn’s reign. The whole group talks about they want from their future after the assassination. Mikail jokes about being the king consort, but Ty and Aeri are uncertain of what they want. Sora’s desire to free her sister is already known, and Royo simply wants Joon’s edict about the prisoners overturned.
Royo paces in his and Aeri’s bedroom, reviewing the details of their plan in his head, but Aeri is unconcerned. She gives him the diamond in advance to alleviate his worries. He attempts to express his feelings for her and admits that he doesn’t trust the plan. She invites him to her bed, and they fall asleep together.
Sora allows Ty to come into her room, and they discuss the future that they envision for themselves. Sora will not be able to stay in Gain because she will need to look after Daysum. Their discussion feels like a farewell, and Ty asks desperately if there is a chance that she might one day love him. She tells him that anything is possible, and he resolves to wait for her. She and Ty have sex despite the lingering fear that her body may be poisonous.
For the first time in the history of his relationship with Mikail, Euyn is incapable of feeling desire for Mikail because his doubts about his lover have grown too great. He confronts Mikail and claims that he cannot know and possess Mikail, body and soul, because of Mikail’s secrets. They argue about sharing secrets, and ultimately, Euyn is led to believe that Mikail is acting in his interest out of loyalty instead of love, while Mikail now believes that Euyn cheapens the meaning of loyalty. When Mikail leaves, Euyn realizes that his lover has evaded all of his questions.
Mikail goes to the center of the inn and watches as families go by. He recalls that when he was a child, he found his own family massacred during what would eventually be called the Festival of Blood. The event was engineered and led by Joon, who was determined to quash the Gayan rebellion. At the time, Mikail only escaped by pretending to be dead. He was found by a soldier named Ailor, who took him in and raised him as his son. He renamed himself Mikail after his favorite storybook hero. Now, he goes for a walk to clear his head and to solidify his resolve to kill Joon.
In this section of the novel, Corland examines The Moral Ambiguity of Rebellion within the context of the group’s Covert Resistance to Oppression, and these issues are both illustrated in Mikail’s reckless dedication to killing Joon, no matter the cost to himself, his lover, or his comrades. In Chapter 68, the author delves into the details of Mikail’s origin story, and when it is revealed that even his name is a fabrication, it becomes clear that his entire identity is tailored to fulfill his all-encompassing need to enact revenge on Joon for his murdered family. Corland highlights this notion by employing symbolic imagery, for the fire she describes in Gaya implies that the person who becomes Mikail undergoes a traumatic death and rebirth amidst the flames of destruction. As Mikail himself admits:
I don’t remember much from the time he [Ailor] found me until we silently watched the enormous funeral pyres from across the water. When the flames died down, he asked me to choose a new name—and from that day on, I was Mikail. The name of my favorite storybook hero (362).
In this passage, Corland uses the funeral pyres to imply that Mikail’s former life and identity have both perished alongside his family in the Festival of Blood. She showcases Mikail’s self-image and the role he wants to play in his covert fight against Joon, for by taking the name of a hero, he effectively declares himself to be one. However, the scene also smacks of zealotry, for although Mikail believes his actions to be righteous and justified, the events of the novel have also proven that he is perfectly willing to disregard copious amounts of collateral damage to achieve his goal. This unspoken reality makes Mikail’s sense of martyrdom all the more ironic, for rather than sacrificing himself or his welfare for his cause, he has thus far sacrificed others without hesitation, and even his affection for Euyn does not outweigh his resolve to see Joon’s assassination through. As he muses, “My family has waited long enough for their revenge. I will get it. Even if it means I have to sacrifice Euyn in the end” (363). Mikail’s extreme commitment to his revenge is therefore indicative of how he chooses to act under Joon’s oppressive colonization of Gaya. Although Mikail convinces himself that he is a freedom fighter, he exhibits a distinct carelessness for the welfare of others and focuses only upon accomplishing his ambition—an attitude that foreshadows the group’s failure to kill Joon at the climax of the novel.
Corland also uses this section of the novel to deliver the culmination of the enemies-to-lovers romance subplot that has been developing between Ty and Sora. This aspect of the story also exhibits a different side of Corland’s overarching exploration of Covert Resistance to Oppression. Unlike Mikail, who is fully committed to exacting revenge, Ty and Sora choose to separate themselves from the trauma of their past and embrace the possibility of a future together. This attitude reflects a more passive—but no less effective—form of resistance to an oppressive regime, for they decide to remake their lives as they see fit, despite the past abuses they have suffered. The author encapsulates this change in their relationship through the shared expression “I’ll wait for anything” (355), which alludes to Ty’s persistent patience and love for Sora and to Sora’s newfound hope for a future that allows her to love someone freely, without the threat of death or Seok’s overbearing presence. As Sora’s hatred of Ty dissolves into mutual love, they both risk themselves in an immediate sense by daring to have sex even though they know that Sora’s body might have been rendered toxic due to her time at Seok’s poison school. Their connection in the moment is also overshadowed by the knowledge that they will have to overcome both Joon and Seok to remain together.
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