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46 pages 1 hour read

Ashley Elston

First Lie Wins

Fiction | Novel | Adult | Published in 2024

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Interlude 6-Chapter 22Chapter Summaries & Analyses

Interlude 6 Summary: “Alias Wendy Wallace—Six Years Ago”

Lucca receives a message from Mr. Smith via a delivery man she’s seen on another job who calls himself George. This message sends her to a college in Florida where she’s to take on the alias Wendy and study the life of the college’s football coach, Mitch Cameron. Wendy studies footage of Cameron interacting with other coaches, college officials, and donors to the college’s football program, but isn’t able to find any incriminating evidence against the coach. Wendy receives further instruction from Mr. Smith that she’s to remove Cameron from his position without causing a scandal or forcing him to quit. Wendy accomplishes this by blackmailing one of the football team’s donors. After Cameron is successfully removed without scandal, Wendy meets with Tyron, one of the team’s star players whom she grew to admire during her surveillance. She warns Tyron about the perils of taking money from donors, and learns from him that Cameron had been anticipating his removal from the college.

Chapter 19 Summary: “Present Day”

Evie and Ryan arrive in Oxford, Mississippi, where Mitch Cameron lives. Evie, posing as Wendy, asks Cameron for financial help after reminding him that she helped him get out of the coaching job in Florida. She had deduced from the conversation with Tyron that Cameron had hired Mr. Smith to get him out of that job. This enrages Cameron who, goaded by insults from Evie, chases her down the street screaming profanities. Evie had hoped for this reaction, because she and Devon have bugged Cameron’s phone and Evie wants to goad Cameron into contacting Mr. Smith, which he does. This way, Evie can learn how Mr. Smith communicates with his clients. Evie and Ryan drive on to Nashville and sleep in a motel.

Interlude 7 Summary: “Alias Helen White—Four Years Ago”

Mr. Smith gives Lucca the alias Helen White and sends Helen on a job unlike the others he’s given her: She’s to steal a piece of art from an oil tycoon named Ralph Tate, but she won’t be the only one on the job. Mr. Smith has put a number of employees on the job and whoever gets the painting first gets a bonus. Devon and Helen initially assume that Tate must be keeping the painting in a heavily guarded room, but later deduce that this room is a decoy and Tate keeps the painting in a “laundry room” that has more wires going into it than any laundry room should. Helen, now posing as a woman named Kitty, seduces Tate’s son and gains access to the house while Tate is hosting a Fourth of July party. Working together, Devon and Helen complete the heist and impress Mr. Smith, who wanted to see which of his employees would be able to figure out the laundry room decoy.

Chapter 20 Summary: “Present Day”

In Nashville, on the way to see Andrew Marshall, Evie reflects on how she sought out Mr. Smith’s other employees on the Tate job after she got the painting. She found only one. Her interaction with this person forced her to reevaluate why she’s in this line of work.

Evie finds Andrew Marshall, who is now the Governor of Tennessee. She asks him if he would be willing to do her a favor soon, and he confirms that he’d do anything after Hilton Head. After leaving, Evie runs into George who tells her that she should be in Atlanta retrieving the lock box as per Mr. Smith’s request. He says that Mr. Smith has more incriminating photos of her and that he’s afraid of what Mr. Smith will ask him to do to her if she doesn’t comply. Evie meets up with Devon, who confirms that George was probably taping the conversation between Evie and Marshall. This is what Evie had hoped for—she wants Mr. Smith to think that Marshall owes Evie a favor because Evie has material on the governor that she never turned over. This is also what Mr. Smith thinks she did with the Connolly/Holder job. The Marshall conversation incites Mr. Smith to send the Atlanta police department more incriminating footage of Evie and Holder, which Devon hacks into. Meanwhile, Devon is using the information they got from Cameron’s bugged phone to uncover Mr. Smith’s real identity.

Chapter 21 Summary: “Present Day”

Evie returns to Ryan at the motel. She tells him that she’s going to shower while he goes out for pizza, but at the last minute she decides to go to the vending machine for food to ease her headache. While there, she hears two male voices in the hall that say the name Amy Holder. She hides and sees that the men talking are Ryan and George. She sees George pass Ryan papers. Evie returns to the room, devastated by the revelation that Ryan has been in Mr. Smith’s employ this whole time. When Ryan returns he continues his act as the ideal boyfriend.

Chapter 22 Summary: “Present Day”

Evie wakes before Ryan and goes through his belongings. She finds the batch of information about Ryan’s business that she delivered to Mr. Smith—it’s not a copy, but the original that she sent. This causes Evie to wonder if Ryan could be Mr. Smith. Initially she writes off the idea because the timelines don’t add up: Ryan would have been in college when Mr. Smith first contacted her. Then Evie realizes that there was a gap in her contact with Mr. Smith after he first hired her, but her communication with him resumed six years ago. This aligns with Ryan taking over his family’s business after his grandmother’s death. Evie wonders if Ryan took over the Mr. Smith job from his grandparents.

Evie calls Devon to tell him what she’s learned and that she’s leaving town alone. She goes back to Eden, her hometown, and cons her way into a local doctor’s office. There, she inserts a drive into the office’s server and uploads some files. When she leaves, she gets a message from Devon that, using the information from Cameron’s phone, he’s revealed Mr. Smith’s true identity. He sends Evie a picture of Mr. Smith’s face.

Interlude 6-Chapter 22 Analysis

This section of the novel significantly develops the core theme of The Malleability of Identity. The Tate job interlude is the one in which Evie’s identity is at its most malleable. Evie becomes Helen White in order to begin the job. When she learns that using Tate’s son will be the best way into the Tate residence, she assumes a second identity on the fly to ingratiate herself with him. Evie’s ability to spontaneously generate identities speaks to her mastery of this craft; her ability to become the type of woman who will both be appealing to Tate’s son and off-putting to the son’s family demonstrates her skill in self-sexualizing in order to influence other’s perceptions of her. This job allows Evie to put all her identity-shifting skills to use; she has reached a point in her development where she can switch her goals and use these skills to face Mr. Smith. The novel therefore reaches its climax as Evie reaches the pinnacle of her professional skill.

Evie’s mastery of her skills as a con artist also takes on a sinister quality in this section of the novel, developing the theme of Duty and Decency. Evie has learned from Mr. Smith that every person in the mark’s life can potentially be leveraged. At the end of the Mitchell job, Evie approaches Tyron, one of Mitchell’s star players who is almost certainly destined to become a professional. In the moment, Evie’s motivations for approaching Tyron seem to be altruistic—she warns him that people are watching him. Later, though, it’s revealed that Evie’s motives were also self-serving; she uses Tyron once he’s become famous to get herself out of a difficult situation. Evie feels very comfortable stepping into a white-savior-adjacent role in a young Black man’s life to garner power for herself. Her subsequent relationship with the older Tyron is apparently friendly, but this doesn’t erase the troubling racial dynamics that marked their first interaction.

Elston continues to use the non-linear narrative structure of First Lie Wins to find ways to generate tension, in particular to bring The Malleability of Identity to a resting place in Evie’s character. This section of the novel sees Elston using identity ambiguity to create suspense. When Devon finally uncovers Mr. Smith‘s true identity, Elston doesn’t reveal through Evie’s narration who that identity belongs to. At this stage in the story, Evie suspects that Ryan is Mr. Smith. By neither confirming nor rejecting this theory, Elston uses ambiguity to spin out the thriller’s tension, leading into the novel’s finale.

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By Ashley Elston