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51 pages 1 hour read

Tony Abbott

Firegirl

Fiction | Novel | Middle Grade | Published in 2006

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Symbols & Motifs

1960s Shelby Cobra

A “fat” red, 1960s Shelby Cobra, “red as blood and fantastic” (129) is Tom’s dream car. In all Tom’s imaginary adventures, he rescues Courtney and the two of them roar off together in a red Cobra. Tom shows genuine enthusiasm for the Cobra: He studies up on it in car magazines and looks for it at car shows. Tom originally thinks it a sign of Jeff’s friendship that the one thing Jeff knows about Tom is how important the Cobra is to him.

The car is symbolic of the private, slightly selfish side of Tom’s personality before he meets Jessica. Tom values the Cobra for its power, physical appearance, and the status it conveys both in his imaginings and in real life. Tom knows that Courtney will be impressed when he and Jeff drive by her house in the Cobra.

After meeting Jessica, Tom’s outlook on life changes. Tom values the example Jessica sets, prioritizing what is important in life, as she endures her treatments and continues with life and school against all odds. Tom also values Jessica’s friendship. He can talk with her, which he cannot do with Jeff. The Cobra is Jeff’s attempt to keep Tom as his friend, rather than lose him to Jessica, whom Jeff despises. The Cobra represents the choice Tom must make—either return to his old self, ignore his connection to Jessica, and tacitly affirm Jeff’s lack of compassion, or choose Jessica’s friendship and personal self-growth. Even though the car is everything Tom imagined and hoped for, Tom refuses the ride and rejects Jeff’s nickname of Cobraman. Tom’s difficult choice reflects his change in life priorities; he chooses a meaningful friendship over superficial pleasures. 

The Human Torch / Comics

Comics and superpowers are motifs that appear throughout the novel. Tom’s imaginary world is largely inspired by the comic books he and Jeff share. Comics inform Tom’s sense of self and his idea of who he wants to be. Tom envisions himself as a superhero, albeit one with odd, limited powers which better suit a regular person like himself. Tom, however, uses his powers for his own benefit: to win Courtney. When Jessica points out that superheroes typically help others, Tom is initially resentful. By the novel’s end, however, Tom’s sense of self has changed. Although he still sticks to small powers, he contemplates someday using them for the greater good, showing how Jessica’s influence helped Tom engage more with the real world, and “get out there.”

The comic, The Human Torch, illustrates Jeff’s cringeworthy callousness and his dislike of Jessica. The Batmobile’s immolation and Jessica’s injuries make Jeff search for The Human Torch, one of his father’s old comics. The Human Torch is Marvel’s first superhero, debuting in Marvel Comic #1 in October 1939. The Human Torch was originally an android named Jim Hammond who was able to harness the powers of fire and who appears as a flaming human figure. The character changed in 1961, when teenager Jonathan Storm gained fiery superpowers and became the Human Torch and one of the Fantastic Four. Jeff’s interest in this superhero is not complementary to Jessica. Instead, it demonstrates his perception of her as inhuman. Tom, in contrast, is grateful that Jessica did not see the full title of this comic sticking out of his backpack which shows Tom’s compassion and the fact that he does see Jessica as a person.

Normalcy

Tom mentions his desire for things to be back to “normal” several times during the novel. This motif of normalcy informs the theme of accepting differences. Jessica represents the opposite of normal in Tom’s class; the abnormal, or undesirably different. Jessica alters the class dynamic in a negative way, causing fear, discomfort, and even hatred, as demonstrated by Jeff. Jessica is perceived as an outsider to the community. The class largely responds to the perceived threat of Jessica’s presence by excluding her. Some students exclude Jessica by ignoring her and not engaging with her. Others, like Jeff, campaign to increase her “otherness” by stressing her physical difference while emphasizing their own group normality. Their reaction is human nature, but especially ironic, given that they are in a Christian school, whose teachings should promote the importance of inclusion: “Therefore welcome one another, as Christ has welcomed you, for the glory of God” (Romans 15:7).

Normalcy, the absence of abnormality, becomes a positive for the class. When Jessica is not there, Tom and the others relax. Jessica’s presence is a “heavy weight” that lifts when she moves away. Jessica is painfully aware of the friction she causes, telling Tom when she is leaving that “You can get back to normal in school now” (133). The class’s desire for normalcy precludes accepting Jessica’s difference. Tom understands, however, that if Jessica is integrated into the community through the election, she will no longer be an outsider, and, “We would all get over the problems about her being burned and different […]” (123). Empathetic Tom is one of the few who tries to include Jessica and believes that Jessica could become a part of a new class normal.

The Family Photograph

The family photograph Jessica carries is a symbol of her complex feelings about herself. It represents who she was before her accident, and it also reminds Jessica that she is no longer just that person. Jessica is physically different and has also grown stronger by surviving the trauma of her experience.

Although Jessica tells Tom she is focused on “more important things” like living and getting better, Jessica is still a teenage girl, and she suffers emotionally from the loss of her former life. She is hurt by the fear, hatred, and criticism that she now endures from her peers. The fact that Jessica tells the other students that the girl in the picture is her sister indicates that Jessica does not want the others’ pity and it is also a way of distancing herself from what she used to be. Jessica also shows this desire to detach from who she is now in her desire to lay still, and glide away from the disfigured body she is trapped in. Yet Jessica cannot quite let go of what she used to be.

The fact that Jessica’s mom is cut out of Jessica’s copy of the photo shows Jessica’s mixed emotions towards her mom. First, Jessica tells Tom she hates her mother, later modifies to sometimes hates, and then displays her love towards her. Jessica feels all these emotions.

Tom is struck by how pretty Jessica looks in the photograph, and it makes him physically ill to think of how vibrantly active she once was. Tom learns that the Jessica he knows is the same girl from the photo: just different on the outside, and stronger on the inside. Tom imagines Jessica’s face from the photo merging with her current appearance into something new, signifying how Tom has come to see Jessica as a whole person: both the girl in the picture and who she has become.

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