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August WilsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
When Rose agrees to become a mother to Raynell, she does so despite her unwillingness to be a wife to Troy any longer because the baby is innocent and “you can’t visit the sins of the father upon the child” (74). This is the first moment in which the Maxson family cycle of inflicting generational trauma is broken. As a girl, however, Raynell does not endure the same burden of expectation as Troy’s sons. Fences is largely about patrilineal influence and the way sons pay for their fathers’ mistakes. Troy grew up abandoned by his mother and under the full control of his abusive father. During Cory’s childhood, Rose’s influence as a mother is overshadowed and overwhelmed by Troy. Raynell’s mother dies in childbirth, leaving her motherless until Rose adopts her. Conversely, Lyons grew up fatherless, without the expectations and discipline Troy exerts on his other son but also with the ability to prioritize his passion.
For Troy Maxson and his father, Troy could only become a man by either usurping his father or leaving home. His father saw that Troy was becoming a threat when he discovered his son having sex at the age of 14. Since there is no room for two men in the house, Troy’s father fights back. He exerts dominance by beating Troy and raping Troy’s girlfriend. Troy fails to dominate his father, so he must move out. At 53, Troy has his own home, and he raises his son to fear him, knowing that one day Cory will try to usurp him, too. Troy holds his son back, refusing to allow Cory to become more successful than he was—particularly in sports, the arena in which Troy was unable to make his fortune. Troy treats his son as an enemy, especially as he notices that Cory is beginning to see himself as a man.
In the epigraph before the play, August Wilson states, “When the sins of our fathers visit us, we do not have to play host. We can banish them with forgiveness. As God, in His Largeness and Laws” (xxi). Cory both resents and emulates his father. He knows that his father doesn’t understand how football could be a different opportunity for him than baseball was for Troy. He doesn’t understand Troy’s resentment and lack of affection toward him, but Cory also keeps practicing swinging the bat, always dissatisfied that he isn’t as talented as his father. Cory badly wants his father’s love and approval. After Rose decides that Troy is no longer her husband, Cory decides that he no longer needs Troy as a father. It is notable that he uses the baseball bat to try to usurp Troy as the man of the house. After Troy’s death, Cory hopes finally to be free of his father, but his mother points out that Cory cannot escape the ways in which he is like his father because he is Troy’s flesh and blood. It becomes Cory’s responsibility to refuse to allow Troy to consume him and to allow his father’s sins and flaws to become his own.
For Troy, baseball was his American Dream. While he was in prison, Troy discovered that he had a talent for the great American pastime. After his release, he began to build himself up from nothing as a baseball player. He found himself a wife and started a nuclear family. Because the major leagues were not integrated, however, Troy could not go any further than the Negro leagues. After Troy’s career ended, he watched Jackie Robinson become the first Black man in the major leagues, followed by other Black men whom Troy bitterly believes are inferior to Troy at the peak of his ability. Troy ends up as a garbage man and manages to win a job driving the truck. The idea of hauling garbage—of handling what others discard—is an indignity to Troy, who believes strongly that he could have been a star.
At 17, Cory is presented with the opportunity that Troy never had. He has become a high school football star and has the chance to use that talent to get a college education that he could never otherwise afford. When Troy bars Cory from this option, it seems like simple cruelty or jealousy, but Troy has good reason to distrust White athletic recruiters. Bereft of choices and expelled from his home, Cory joins the Marines. Like his father was as a young man, Cory seems to be on the cusp of achieving the American Dream. He began with nothing and has worked his way up to become a colonel, and he is planning to get married and start his own family.
However, joining the military is a choice that echoes that of Gabriel, whose experiences highlight how the military is not always an efficacious way to achieve success. For those in poor neighborhoods, and particularly poor Black neighborhoods, the military becomes one of very few options for personal advancement—but this chance at advancement comes at the risk of death or great bodily harm. Similarly, athletics present the risk of severe injury or even death. These minimal options show how racism limits the American Dream and how opportunities are not available equally regardless of talent or intelligence. When Troy dies, he has worked for his entire life, yet he feels ashamed that the only reason he can afford the house he lives in is because he used the money from Gabriel’s war injury. Fences shows that hard work and determination are not enough to achieve the American Dream because the playing field is uneven.
Troy is preoccupied with death for the majority of his life, and he will not accept that his body is aging. In the first scene of the play, Troy establishes Death as an embodied being. Much as he fought his father to achieve his own manhood, Troy sees his near-death experience as a fight to keep his own life. Unlike his father, however, Troy knows that death will eventually return. Troy insists that he can still compete at baseball because the alternative, stepping aside to accept that there is a new generation that is perhaps even more talented, requires him to accept his own mortality. When Alberta dies, Troy rages at death. He sees Alberta’s death as a personal affront, and he is determined that the fence he builds will protect what belongs to him. Troy promises to fight death when death does finally come for him, and when Troy dies, the bat in his hand and smile on his face suggest that perhaps he did just that.
To Troy, Cory is not his legacy or someone who can inherit and carry on Troy’s potential, but a harbinger of death. When Cory comes of age, Troy believes that he will become as irrelevant to his son as his own father did to him after Troy left home. In Troy’s final altercation with Cory, Cory holds the baseball bat, and Troy challenges him to kill him with it. Cory can’t do it, and Troy gloats at Death, taunting it to fight him. By surviving his son’s coming of age, Troy feels that he has cheated death again. Ultimately, though, death is freedom and rest. Troy’s death brings the broken family back together. Gabriel, who has promised Troy multiple times that Troy is on the list to get into heaven, finally blows his horn and prepares the way for Troy to be at peace.
By August Wilson