55 pages • 1 hour read
Jonathan Safran FoerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source material contains references to rape.
Yankel fears that he will die in bed. He covers all the clocks in the house with black cloth. He also reads Brod’s diary while she is bathing. Brod has a vision that seems to involve her moving into the future. In the vision, she enters a house where a wrinkled woman is washing dishes. Past the woman is a bureau filled with books, papers, and pictures. One photograph shows a girl holding her mother's hand. Brod imagines the woman in the picture as her own mother. She goes upstairs and finds a bedroom with a made bed. A scrap of paper on the bed references Augustine and is dated 1943. Brod goes into the attic and sees a boy reading a story to a girl. The story is called, “The First Rape of Brod D.” It tells the story of the 13th Trachimday festival, on March 18, 1804. Brod is walking home after riding on the float dressed as a mermaid and is approached by Sofiowka. But the boy falls asleep before he tells more of the story.
Brod is 12 years old and dressed as a mermaid for the Trachimday festival. She does not want to go but feels obligated as the most beautiful girl in Trachimbrod. The shtetl is draped in white string, and the floats are covered in butterflies. Brod sits on the Trachimbrod float, and when she gets to the right place in the river she throws sacks in the water. The men dive in after the sacks, reenacting the attempted rescue of Trachim. The man who pulls up the winning bag gets the gold inside. Afterward, there is a party during which everyone gets drunk and has sex, and all this love creates a light that’s visible even from space. Brod goes home, takes off her mermaid costume, and finds Yankel dead. The man who won the diving contest, known as the Kolker because he is from a nearby town, Kolki, is at her window. He says he will not leave without her. She says he must do something for her. This man, we find out, will be Jonathan’s great-great-great-great-great grandfather.
At this point, there is an imagined scene between Jonathan’s mother and his grandmother. Together, they watch a man land on the moon. The astronaut says that he sees something and looks out towards Trachimbrod.
In a letter, Alex thanks Jonathan for the duplicate photo of Augustine. Jonathan has suggested changes to Alex’s story that would make him look better. He has also apparently suggested, again, that Alex take the dog out of the story or kill her off, but Alex refuses. Alex also asks Jonathan to write more about his grandmother, to make it easier to write about his grandfather. He is worried about Grandfather, who is crying at night. Alex also tells Jonathan more about his home life. His mother doesn't make dinner anymore to get back at his father, and his father goes out every night and comes home very drunk. Alex takes care of Igor and keeps his brother with him at these times. Alex is upset by Jonathan’s telling of Brod's story and all the lies and secrets being kept.
The next morning, Alex and Grandfather are already awake when the alarm goes off because neither of them has slept. Alex goes up to Jonathan’s room to wake him up, and Jonathan tells him that the dog has chewed up his passport and important documents. Alex does not tell him that he let the dog into his room. At breakfast, Alex serves as translator between Jonathan and the server. He tells her that Jonathan is a Jew and then feels badly for doing so. She asks to see Jonathan’s horns, which Jonathan does not believe when Alex tells him.
After breakfast, they wake up Grandfather, who is sleeping in the car, and continue their journey. Jonathan does not know how to get to Trachimbrod, and neither does Grandfather. They both thought the other person would know. They stop at a gas station but no one has heard of Trachimbrod. The man at the gas station draws them a map of the area, and they get back on the road. While traveling, Alex and Jonathan talk about Odessa and falling in love, and Grandfather tells a bit about his family. Alex wants to know more, specifically about what the family did during the war, but he does not ask. They stop again, and Alex has to ask men in a field for directions to Trachimbrod. The men humiliate him, and Alex loses his temper with Jonathan.
Alex asks a number of people about Trachimbrod throughout the day. Nobody has heard of it, but everyone seems angry when he asks. Finally, they stop at an old house. An old woman is there and claims to not recognize the name of the town. Alex shows her Augustine’s photo and asks her repeatedly about Trachimbrod. Finally, she says she has been waiting for them. Alex tells her once again that they are looking for Trachimbrod and she says they have found it.
Brod’s story is coming out in bits and pieces. She seems to have visions that allow her to glimpse the future of the story that Jonathan is telling. She sees a reference to her own rape, but the details remain just out of reach to her. She also seems to somehow visit the old woman’s house in modern Ukraine and sees a reference to Augustine. In this way, Safran Foer begins to draw the two narratives, Jonathan’s and Alex’s, together. They will continue to draw closer until they converge and reveal the events during World War II that changed everything.
As Alex’s letters to Jonathan continue, he slowly reveals more of the truth about his life. Igor isn’t clumsy, but a victim of their father’s physical abuse, and Alex’s role as Igor’s protector becomes clear. With this, another part of his true reality is revealed, and the revelations about Alex contribute to the book’s theme of reality being a constructed thing. As a character, Alex is growing and changing, becoming more honest about himself, and making himself more vulnerable. Alex realizes that Jonathan wants him to leave his story unedited because it is funny, but draws a line between being laughed at and laughed with.
When Jonathan suggests other changes, such as “killing off” Sammy Davis Jr. Jr., Alex refuses again, showing a commitment to the truth, as he sees it, in his account of their journey. Throughout the course of the novel, the truth becomes a major preoccupation of Jonathan’s, and how best to represent it becomes a preoccupation of Alex’s.
By Jonathan Safran Foer