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28 pages 56 minutes read

Ottessa Moshfegh

Eileen

Fiction | Novel | Adult | Published in 2015

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Chapters 1-3Chapter Summaries & Analyses

Chapter 1 Summary: “1964”

The narrator begins recollecting her life as a twenty-four-year-old woman in a small New England town she calls X-ville. It is December 1964. To show how different she has become in the fifty years since the narrative takes place, the narrator gives her past self the name of Eileen Dunlop. She describes her depression, struggle with body dysmorphia, turbulent relationship with her mentally unstable father with an alcohol addiction, and her job as a secretary at X-ville's juvenile penitentiary, which she calls Moorehead. The narrator begins her story a week before she ran away to New York City on Christmas. Since then, she has had no contact with her family or anyone she knew in X-ville.

After returning from work each day, Eileen drives to the local liquor store to buy her father a bottle of gin. Though Eileen loathes her father, she obeys his demand for alcohol. She has locked up all his shoes in the trunk of her car so that he can’t leave the house. Her car’s exhaust is broken, so she drives with the windows down in the freezing cold. Eileen often fantasizes that the icicles that hang above the house’s front door will fall and impale her.

Chapter 2 Summary: “Friday”

Eileen arrives for work at Moorehead. That day, Moorehead celebrates the retirement of the prison’s psychiatrist, Dr. Frye. The narrator describes the mundanity of her job and her fear of the violence displayed by the guards and inmates. She spends most of her time fantasizing about one guard, Randy, and how to make him notice her. 

Eileen is obsessive about her body and protecting it from other people’s notice or touch. She has never been intimate with another person, and though she fantasizes about Randy, she is disgusted by the thought of someone else seeing her naked. She is isolated and lonely. She has begun saving money and plans to run away to New York City when the time is right.

During visiting hours at Moorehead, Eileen hands out mock surveys to the mothers waiting their turn to help them focus their anxiety on a specific task. Eileen enjoys visiting hours. She is often in the room with Randy, who is a former Moorehead inmate himself. Eileen decorates Moorehead’s Christmas tree before leaving.

At home, an X-ville police officer waits for her outside. A complaint has been filed against her father, who aimed his gun from the window at schoolchildren walking home. Eileen thinks nothing of the notice as her father has received many similar ones before. Eileen’s father believes he is being conspired against, that their home is under threat from mysterious enemies he calls “hoodlums.” That evening, her sister Joanie visits; it is the last time they see each other. Joanie lives with her boyfriend in X-ville and shares none of the responsibilities of caring for their father.

Chapter 3 Summary: “Saturday”

Six feet of snow falls on X-ville overnight. Eileen spends the morning in bed. Neither her nor her father bother to feed themselves or clean the house. Eileen drives to Randy’s apartment and watches him, a frequent habit of hers on the weekend. Her fantasies about Randy are her only entertainment. When she arrives at Randy’s apartment, his motorcycle is gone. She decides to go to the cinema, then a boutique, where she shoplifts three pairs of stockings. Eileen describes her ability to put on a “death mask,” or compose her expression in such a way that she seems to have no emotion.

Back home, she and her father share a bottle of whiskey. Eileen reflects on the difficult relationship she has with her sister, Joanie, and the resentment she feels toward her: “She left home at seventeen and abandoned me for a better life with that boyfriend of hers” (64). Though Joanie visits occasionally, she doesn’t take care of their father. Eileen feels trapped as the caretaker. Their father always preferred Joanie for her beauty and sociability, further complicating Eileen’s relationship with him.

Chapters 1-3 Analysis

The narrator writes from a place of relative satisfaction with her life: “Now I live alone. Happily. Gleefully, even” (4). Even though the narrator and Eileen are the same woman, the narrator uses a different name to designate her twenty-four-year-old self and separates herself from the woman she used to be: “I was not myself back then” (2). She writes to chronologize the last days of “Eileen,” her former self, and her escape from X-ville, though she relays no further motivation. The narrator does not admit to remorse or guilt, nor the desire to write and absolve herself of these feelings. Rather, the narrator is fueled more by curiosity for the woman she used to be in X-ville.

The narrator feels that her personality is completely different than Eileen’s. Eileen exhibits depressed, suicidal, and maniacal tendencies. She is lonely and unhappy. Instead of enjoying intimacy with others, she escapes into fantasy and obsession. She expresses her deep need for attention as “desperate enough to do anything—just short of murder, let’s say” (55), which foreshadows her murder of Mrs. Polk. The narrator is unreliable; she can only write from memory. However, she gives an honest portrait of Eileen, emphasizing her many faults, obsessions, and self-loathing.

Though the narrator acknowledges the turbulent political and social climate of the United States in 1964, Eileen herself is unmoved by such events: “I mostly pondered myself and my own misery” (17). Eileen’s world is so narrowed that outside events don’t impact the plot. The narrator writes exclusively of herself, revealing that she has continued to be as self-obsessed as she once was as a young woman in X-ville. From her point in the future, the narrator mocks Eileen’s aversion to sex and intimacy.

Eileen’s sister Joanie acts as a foil for Eileen, highlighting Eileen’s character through contrasting traits. Unlike Eileen, Joanie is a “real” woman: She lives with a man in their own home and has always been comfortable in her body. Joanie is free from having to care for their father. Much of Joanie’s sexual and personal freedom offends Eileen, as she cannot act in the same way. Instead, she is bound to care for their father, and in so doing remains in her childhood home, unable to act on her sexuality. 

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