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18 pages 36 minutes read

Nikki Giovanni

Ego Tripping

Fiction | Poem | Adult | Published in 1968

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Themes

Female Pride and Empowerment

Most of the poem’s lines begin with “I,” drawing attention to the poem’s speaker who identifies herself at the end of the second stanza as “a beautiful woman” (Line 15). The speaker’s repetition of the first person focuses attention on the most important individual in the poem: the speaker herself. The speaker is not only the most important person in the poem; she also happens to be the most important person who has ever existed since the beginning of time. The speaker’s hyperbolic assumption of her self-importance has both figurative and thematic significance; the exaggerations are metonymic because the speaker substitutes herself for the entirety of the female gender within the Black race.

The speaker employs a bold tone as she lists her many accomplishments, indicating her pride in herself. She includes her children among her many accomplishments, and they are all famously important historical figures: Her daughter is Nefertiti, an ancient Egyptian queen known for her beauty and intelligence; and her sons, Hannibal and Noah, are a Carthaginian general and a patriarch of the Old Testament, respectively. The speaker’s son Hannibal is three years old when the speaker gives him an elephant for his birthday, which is the same age as Giovanni’s own son at the time she wrote this poem.

The speaker shifts shapes throughout the poem, at once a mother of goddesses and heroes, an architect and builder of various wonders of the world, and a queen; she also identifies with the planet Earth, which is often characterized as “Mother” Earth, when she credits her bodily functions for providing humanity with rich natural resources like “the nile” (Line 14), “diamonds” (Line 35), “uranium” (Line 36), “semi-precious jewels” (Line 38), “oil” (Line 41), and “gold” (Line 45).

African Heritage and Identity

The publication year of “Ego Tripping,” which is 1972, coincides with the year of Giovanni’s first experience traveling to Africa. The speaker of the poem mentions several places located on the continent of Africa, like her birthplace in the Congo and the ancient Egyptian monuments, as well as the land bridge between north-east Africa and the Middle East, “the fertile crescent” (Line 2), the Nile River, and the Sahara Desert. These allusions to African geography suggest that Giovanni is celebrating the influence of African nations on the rest of the world, drawing attention to the many cultural contributions to human civilization that originated in Africa.

Nature

Another recurring theme that runs throughout the poem relates to two different interpretations of the word “nature”: divine nature, which concerns attributes of a supernatural being, like a god or goddess, and the natural world, which concerns such scientific elements as weather, geography, and natural resources.

The speaker of the poem claims to possess a divine nature that is uniquely her own, elevating her status to that of a god or goddess. She identifies herself as a “divine” (Line 6) being of formidable power and strength, who has access to extraordinary objects like stars that provide “divine perfect light” (Line 6). The speaker’s divinity enables her to give birth to her daughter, who is also a goddess. From this position as a divine matriarch, the speaker of the poem has the power to pass on divine qualities to generations of gods and goddesses to come.

The speaker’s divine nature is inextricably linked with the natural world, as she also refers to herself as a “gazelle” (Line 21) and compares herself to a “bird in the sky” (Line 51). When she is thirsty, she calls on her supernatural powers to relieve her discomfort with “an ice age” (Line 10), which soothes the speaker alongside a drink of “nectar” (Line 9). By pursuing physical relief of thirst from both divine and natural sources, the speaker demonstrates to the reader that she identifies with both the divine world and the natural world; the dual nature of the speaker’s essential being draws attention to her omnipotence as she identifies with both natural and supernatural spheres of existence.

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