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101 pages 3 hours read

Lauren Wolk

Echo Mountain

Fiction | Novel | Middle Grade | Published in 2020

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Themes

The Duality in All Things

The duality in all things is the novel’s most prominent theme. It circulates through each character, key plot moment, and Ellie’s thoughts as she learns about herself and the mountain she lives on, “wobbling on the tightrope between yesterday and tomorrow” (71). Ellie defines herself as a girl divided in two and expresses it metaphorically by comparing herself to the animals around her:

I myself was two opposite things at the same time. One: I was now an excellent woods-girl who could hunt and trap and fish and harvest as if I’d been born into it. Two: I was an echo-girl. When I clubbed a fish to death, my own head ached and shuddered. When I snared a rabbit, I knew what it meant to be trapped. And when I pulled a carrot from the sheath of its earth, I, too, missed the darkness. There were times when this two-ness made me feel as if I were being stretched east and west, my bones creaking and crying as they strained back toward one (16-17).

Ellie knows that she must survive on the mountain and help her family, and she knows that to do so she must hunt animals, collect honey from bees who also need it, catch fish, “and more besides” (39).

One of the most common dualities in the book is expressed in Ellie’s regular comparisons between animals and humans. Ellie empathizes with the bees, the fish, and the dogs that her family owns. She does not view herself as distinct from them the way others do. Ellie looks at Cate’s dog, Captan, and sees herself in him, referring to him as “a dog split in two” (335). Captan also represents a bridge between two worlds. He is the first to connect one-on-one with Ellie when he urges her to come up the mountain to meet Cate. Ellie even feels a dualistic emotion towards Captan at first, stating, “I hoped the dog would come back, I hoped he wouldn’t” (47).

Ellie also sees her father in Quiet and Quiet in her father. After Quiet seems to be dead, Ellie revives him and he survives. Ellie hopes that her father’s story will be similar, and she makes repeated attempts to startle him back to consciousness. She and her family also regularly bring the dogs in to visit Ellie’s father, and Quiet seems to understand and identify with him, nuzzling himself against the man’s neck as he sleeps. When Quiet finally opens his eyes weeks after being born, Ellie is hopeful that it is a sign of her father’s soon-to-be awakening.

Ellie is not the only one drawn into dualities by life on the mountain. Her family, especially her sister and mother, feel torn between the town life they remember and the life they have now on the mountain. They both seem to have left their hearts in town, hoping to return there one day, even as Ellie and her father settle more and more into mountain life. This duality extends up the mountain to Cate and Larkin’s family and others amongst them. Cate and Larkin are from a culture of people who have lived on the mountain for hundreds of years. They see Ellie’s family and their neighbors as outsiders and different from them. Ellie and her family view Cate as an old hag at first, perhaps even a witch, and are warned to stay away from her. It is not until Ellie is forced up the mountain out of desperation to help her father that their worlds begin to interconnect. Ellie’s and Cate’s worlds further intersect through the mandolins that Larkin’s father crafted. Ellie’s mother owns one, and this fact helps warm Cate and Larkin to her and vice versa. When Ellie’s mother plays her mandolin for the first time since the accident, the split between worlds heals, and Ellie’s father and Cate are both able to go on living normal, healthy lives.

The Force of Healing

Ellie’s journey is catalyzed by the people in her life who need to heal, including herself. It begins in the first chapter, when Ellie saves Quiet after her mother pronounces him dead. Afterward, Ellie finds that she is on a long path of trying to save everyone she cares about, including her mother and sister, Cate, and the animals around her. Looking back, Ellie realizes that her story of healing really began when she saved her brother from the falling tree, sure that he would have died otherwise. Although their father was struck down, it was all to save Samuel. Her father’s accident serves as the primary motivation for Ellie as she searches for ways to revive him.

Ellie has a natural instinct to try to wake her father from his coma after she revives Quiet. She begins by splashing cold water on her father, which has little effect, and slowly progresses to more drastic tactics. Ellie creates a brew that she feeds to her father, intentionally crafted from healing balsam, river water, dew from grass, and Ellie’s own tears of mourning. Finally, she places of a jar full of angry bees against the side of his head, sending venom directly into his wound. She does this after being stung herself and experiencing the sensation of it all, recalling:

Bee venom, even in a bee-sized dose, was a sharp and painful business, more shocking than a burn or a hard slap. But it also infused, in me, a good kind of sharpness. A keenness. As if the poison were medicine as well, brewed from the best the mountain had to offer: something ancient and pure and perfect (271).

Ellie knows that the nature around her is brimming with healing secrets, and that she is aware of only a few of them: “Them and the trees and the flowers and every other kind of doctor to be had” (323). It turns out in the end that the source of healing Ellie was seeking was not in some brew or venom; instead, it was a more spiritual kind of healing in the music of her mother’s mandolin. Despite this conclusion, both Ellie and Cate are convinced that Ellie’s efforts to stir her father were part of a long and arduous journey of awakening. In healing her father, Ellie sees that her family begins to heal alongside him, coming together as they were before the accident. Ellie feels absolved of her guilt and able to move forward.

Along with healing her father and her family, Ellie also takes it upon herself to try to heal Cate. She has never dealt with such a thing before but dives into the task as if it is natural for her. Her father taught her to learn by doing, and that is exactly how Ellie learns to tend to Cate. She does as Cate instructs her, digging the maggots out and applying honey. Later, Ellie invents her own unique method of cleaning the wound when she melts deer hide into glue, creates a dam around Cate’s wound, and slowly pours the vinegar into it without washing away the honey. Cate and Ellie are highly similar, and Cate even calls Ellie a hag, remarking, “Nothing at all wrong with being a hag […] Nothing wrong with being smart that way. And anyone who thinks otherwise needs to think again” (300). Ellie’s mother remarks that she would make a fine doctor if only she were male, and Cate notes that she could be a nurse as well. Ellie believes she may be something else entirely: “I never thought about being a doctor—that wasn’t the word that had ever come to mind—but doing the work to wake my father and mend Cate had made me feel so very good that I wanted to be more like that girl. The one who tried to make people well” (166). Ellie’s and Cate’s tendencies toward natural healing methods were a common staple of the Great Depression era, as many people could not afford doctors or were, like the characters of the novel, isolated far away from town.

Persistence in the Face of Great Obstacles

Ellie faces many obstacles, beginning with her family’s move to the mountain after losing everything in the stock market crash. Ellie’s family struggles to start their new life on the mountain but makes it work, and Ellie soon adapts to this wild existence. When her father is struck down in an accident, Ellie learns how strong she can be when faced with such challenges, stopping for nothing to do what it takes to heal her father and by proxy her family. Fire serves as the symbol of Ellie’s persistence and drive, and she professes this several times throughout her narrative: “So I made up my mind to listen to the flame in my chest, which sighed and roared and sighed again like a long piece of music I knew by heart but still seemed to be hearing fresh” (169).

After Ellie’s father falls into a coma, her family starts to drift apart. Her sister and mother see her as responsible for the accident, and Ellie seems to be the only one who is truly hopeful that her father will eventually wake up. Ellie resolves to try everything she can think of to stir him, including splashing him with cold water, throwing a snake into his room, and seeking help from the mysterious old hag up the mountain. Ellie persists even as her mother punishes and rejects her, keeping faith that her actions will eventually lead to a complete resolution of her family’s problems. Ellie’s persistence slowly pays off as her father begins to stir and groan, leading to his eventual waking.

Ellie persists through another difficult challenge: the task of healing Cate’s leg wound. After Cate was attacked by a fisher, Ellie found her in her cabin with a life-threatening leg wound. Ellie took it upon herself to take care of Cate, fetching honey for her wound and being stung many times in the process. Ellie does not give up on Cate, even as she worsens and Cate herself loses hope that she will get better: “In those twelve words, I heard the beginning of some kind of goodbye” (303). Larkin proves himself to have the gift of persistence like Ellie, and he never gives up on his grandmother. In the novel’s conclusion, he disappears to fetch a doctor from town. The doctor stitches up Cate’s wound, ensuring her survival. Cate notes that all difficult things must be taken on in small pieces: “Step by step. That’s the way out of something hard” (291).

Echo Mountain features several strong female characters who persist through great struggles. It can thus be considered a feminist novel. Ellie is the best example of this, as she manages to bring her father and family back together while also helping Cate, all when she is only 12 years old. Ellie’s mother remarks at one point that Ellie would make a fine doctor if she were a boy, indicative of the times that Ellie is living in. Ellie’s mother manages to hold her head above water during a time of crisis and keeps her family cared for through it all. Esther, Ellie’s sister, similarly holds her head high and shows her strength when she cares for her father and Cate. Cate is another strong female character in the novel; rather than simply accepting her fate, she persists and maintains hope that she will improve with Ellie and Larkin’s help. Cate also survived the death of her son and complete ostracization from the town and family she knew. It is no surprise that Ellie is growing into a strong and confident woman, as she is surrounded by women who model it.

Appearance Versus Reality

During the course of the novel, Ellie and her family, along with Cate and her family, learn that things are not always as they appear. In the exposition, Ellie hears of an “old hag” who lives up the mountain and is instructed to stay away from this woman. Ellie is an open-minded and curious person and wonders if the woman might be able to help her save her father. She goes up the mountain in search of help and finds that Cate needs just as much help as she does. The illusion of prejudgment is one that holds Ellie and her family back from healing, as Ellie’s mother and sister blame her for the accident and Ellie adopts this blame as her own. By the novel’s conclusion, Ellie resolves to “never again make up [her] mind about anything too quickly. Not ever again” (347).

Cate has a wild and grizzly appearance when Ellie first meets her. She is lying in bed with a dead rabbit (brought by her dog, Captan) next to her head and a badly infected leg wound with maggots swirling around it. In her wisdom, Ellie knows there must be more to this picture than meets the eye, and she resolves to find a way to help Cate. As she learns about Cate and her past life as a nurse and healer, Ellie is certain that helping Cate will somehow lead to her father’s revival. Like his owner, Cate’s dog, Captan, has a horrid appearance and is first seen as a mysterious and potentially dangerous wild dog with a blood-filled tick over his eye. Ellie soon finds that Captan is only seeking someone to come to the cabin and help Cate, and that his disheveled appearance is easily mendable with her sister Esther’s magic touch.

Just as Cate and the other mountain people are prejudged by the newly arrived townsfolk, Larkin and Cate see Ellie and her family, as well as their neighbors, as people to be wary and mistrusting of. Larkin senses there is something different about Ellie, however, and reaches out to her in secret by leaving her carvings. Larkin later admits that he did not approach Ellie because after Cate was blamed for Mrs. Lockhart’s sickness, Larkin felt that it was “enough of a reason […] to think bad things about people from town” (191). Although Ellie feels hurt by this, she understands why Larkin and his people, who have lived on the mountain for hundreds of years, would be cautious of people from town who came out of desperation. Unlike the townspeople, Larkin and his family choose to live on the mountain, and they find it offensive that anyone would think of it as a last resort. Through Ellie and eventually her family, Larkin learns that the people he believed to be intruders were more similar to him than different. Larkin’s mother also has a hand in illustrating this theme, as she first appears simply as a dark and callous woman but is later revealed to be the beloved wife that the mandolin is named after who is struggling with grief after losing her husband.

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