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89 pages 2 hours read

Miguel de Cervantes

Don Quixote

Fiction | Novel | Adult | Published in 1605

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Part 1, Chapters 20-29Chapter Summaries & Analyses

Part 1, Chapter 20 Summary

Quixote and Panza search for water to drink. As they search in the dark, they hear a strange clanking sound. Quixote delivers a long, florid speech about courage as he listens to the sound. Panza is terrified. He insists they ignore the sound, tying Rocinante’s legs together to prevent Quixote from investigating. Quixote calls Panza a coward, but he cannot understand why Rocinante refuses to move. He agrees to wait until morning to search for the source of the noise. To distract his master, Panza passes the time by telling the story of a male shepherd who fell in love with a female shepherd. After the female shepherd delighted in making the male shepherd jealous, the male shepherd decided to leave her. He traveled to Portugal to escape her, but the female shepherd followed him.

When the male shepherd reaches a river, he asks a goatherd to take him across. The goatherd uses his boat to move his 300 goats across the river, one at a time. Panza recounts how the goatherd moved each goat and insists Quixote keep track of all the goats. When Quixote fails to track the goats, the men argue. In the morning, Panza unties Rocinante’s legs. The men investigate the sound and find a hydraulic machine used to manufacture fabric. Quixote is embarrassed, then amused. Panza finds the situation to be incredibly funny. He laughs at Quixote, who then hits Panza and insists the confusion only proves his courage. He insists Panza show him the respect a squire should show to a knight. 

Part 1, Chapter 21 Summary

As the rain begins to fall, Quixote becomes convinced a man in the distance is wearing a famous golden helmet that once belonged to the knight Mambrino. Panza mocks the idea; the helmet is actually a shiny brass basin, worn by a barber riding a donkey. Quixote rushes toward the barber, who leaps from his donkey and runs away into the night. His basin falls to the ground. As Panza laughs, Quixote holds up the basin and decides that a magician has transformed it out of spite. Panza takes the barber’s saddle from the donkey, and the men return to the road. As they travel, Panza wonders whether they should sign up to serve for an emperor rather than wandering the countryside. At least, he reasons, they may get paid. Quixote refuses to go to any court before he has become famous through his good deeds. He tells a story in which he eventually becomes a famous knight. Panza, he explains, will be a count. All they need to do is find a king with a war to fight and a beautiful daughter to marry. 

Part 1, Chapter 22 Summary

As they continue their journey, Quixote and Panza find a dozen men chained together under the guard of four armed soldiers. The men are convicts who have been sentenced to hard labor as rowers on a ship. Quixote decides he is responsible for the prisoners. He talks to them about their crimes, and he becomes increasingly sympathetic even though the men may be lying to him. When Quixote asks the soldiers to free the prisoners, they refuse. Quixote attacks and, in the confusion, the prisoners are freed, and the guards run away. In exchange for their freedom, Quixote asks the prisoners to go to Dulcinea and tell her about his great deed. The men refuse—they need to hide from the authorities instead. When Quixote becomes angry, the prisoners throw rocks at him. They knock Quixote and Panza to the ground, steal their clothing, and run away. 

Part 1, Chapter 23 Summary

Worried the Holy Brotherhood will be searching for the escaped prisoners, Panza recommends that he and Quixote hide in the Sierra Morena Mountains. They ride to the mountains. Quixote’s mind is filled with stories about knights while Panza is only worried about food. They discover a large, abandoned bag, and when they search it, they find luxurious clothes, gold coins, and a notebook. Panza takes the gold coins as payment for his suffering while Quixote investigates the notebook. Inside is a long, sad love poem and a letter to a woman, accusing her of being deceitful. Returning to the road, Quixote spots a naked man clambering quickly over a pile of rocks.

When the man disappears, Quixote decides to investigate. Panza is worried the man is the owner of the abandoned bag and that he will want his money. They journey on and find a goatherd with his flock. The goatherd explains how, half a year before, a young aristocrat named Cardenio came to the mountains to serve a self-imposed exile. As the goatherd is explaining Cardenio’s story, Cardenio emerges from the forest. Quixote spots the naked man and in a panicked, impulsive moment, he embraces Cardenio. 

Part 1, Chapter 24 Summary

Cardenio sits with the other men and tells them his story. He reveals he once fell in love with a beautiful young woman named Luscinda. Before they could marry, however, a Duke named Ricardo invited Cardenio to visit him in Andalusia to become a companion to his son. Cardenio felt he had no choice but to say yes, so he traveled to Duke Ricardo’s estate. He became good friends with the Duke’s son Fernando, who was in love with a local peasant girl. Desperate to take his mind off his romantic infatuation, Fernando asked to visit Cardenio’s home. By the time they departed for Cardenio’s home, Fernando had slept with the local woman and grown tired of her. After hearing about Luscinda, however, he began to fall in love with her, just like Cardenio. When Cardenio mentions a book he gave to Luscinda, Quixote seizes upon the reference and launches into a long discussion on the topic of chivalry. He argues about the subject with Cardenio, who hits Quixote and runs away again into the night. 

Part 1, Chapter 25 Summary

Inspired by his stories of chivalric knights, Quixote decides that an act of fantastical passion might help demonstrate his worth. He will mimic Amadis of Gaul and seclude himself while acting in a wild fashion, hoping to demonstrate his love for Dulcinea. At the same time, he orders Panza to deliver a letter filled with love poetry to Dulcinea. He recognizes her from Quixote’s wild descriptions and realizes that she is not the beautiful, innocent young woman Quixote believes her to be. When Panza complains that this knightly chivalry seems absurd, Quixote blames cunning, malicious magicians for making him seem foolish. As Quixote and Panza talk, a famous murderer named Gines de Pasamonte (one of the prisoners who Quixote freed in an earlier Part 1, Chapter) steals Panza’s donkey. When Panza discovers the theft in the morning, he is so sad that Quixote promises to give him three of his own donkeys when they finally return home. The men continue and reach a point on a mountainside where Quixote wants to perform a demonstration of his love for Dulcinea. He strips naked and performs two somersaults while Panza records the feat in a letter to deliver to Dulcinea. Quixote excuses his lurid fantasies by claiming that, for him, Dulcinea is just as good as any princess and that poets and romantics must indulge reality a little. Panza takes the letter and travels alone to find Dulcinea. 

Part 1, Chapter 26 Summary

As Quixote wanders the forest writing sad poetry, Panza goes in search of Dulcinea. He stops at the inn where he stayed a few days before and finds that Master Nicolas and Pero Perez are staying there as well. When they ask him about Quixote, he recounts their adventures thus far. They ask to see Quixote’s letter to Dulcinea, but Panza realizes he has lost it.

He recounts what he can for the men, who transcribe the jumbled words into a new letter. After writing everything down, Perez and Nicholas worry that Quixote has lost touch with reality. Panza frets about his friend, so the men console him by assuring him that Quixote is braver than he is smart, so there is no fear that he may be forced to join the church. Panza will definitely get his donkeys, they assure him. When Panza leaves the room, however, the men hatch a plan to bring Quixote home. Their plan will include dressing Perez as a woman in need of a knight. They convince Panza to help them by indulging in Quixote’s ludicrous promises that he will be made a governor of an island. 

Part 1, Chapter 27 Summary

Borrowing women’s clothes from the innkeeper’s wife, Perez and Nicholas follow Panza back into the mountains. Perez dresses in the women’s clothing while Nicholas disguises himself as a squire with a fake beard, though they disagree over which man should dress as a woman. As Panza goes to search for Quixote, the two men encounter Cardenio. Panza has already warned them about Cardenio, but they want to hear his story nonetheless. Cardenio finishes his story, explaining how Fernando tricked him into leaving the village for a few days. While he was away, he received a letter from Luscinda in which she explained she will marry Fernando. Cardenio traveled back to his village and, in a brief conversation with Luscinda, listened to her explain how she will die before she marries anyone. Cardenio watched the ceremony from a hiding place. He saw Luscinda faint just after the ceremony and, convinced she had killed herself just as she planned, he ran away to live a life of despair in the mountains. 

Part 1, Chapter 28 Summary

Perez, Nicholas, and Cardenio encounter a young woman dressed in a man’s clothes. She reveals herself as Dorotea, the young girl who was in love with Fernando and who was tricked into sleeping with him. Having heard about Fernando’s marriage to Luscinda, she set out in search of her former lover, but she has so far been unable to find him. She claims she would rather not find him at all than to find him and discover that he is married. At the time, she was traveling with a servant boy. Cardenio recognizes the names and turns pale. Dorotea explains that she reached Luscinda’s town and heard about the wedding and Luscinda fainting and revealing a letter in her clothes that claimed she was already engaged to Cardenio.

The letter also revealed her intention to kill herself after the wedding. Fernando was furious and had to be prevented from killing Luscinda himself. He left the town. When Luscinda recovered, she learned that Fernando and Cardenio were both gone. She ran away to search for Cardenio while Dorotea continued her search for Fernando. When Dorotea was in a secluded part of the woods, however, the young servant boy accompanying her tried to rape her. She pushed the boy off the edge of a cliff and, fearing punishment, disguised herself as a boy. She found work as a shepherd, but when the other shepherds also tried to assault her, she ran away again. 

Part 1, Chapter 29 Summary

Cardenio reveals his true identity to Dorotea. He hopes they can both be happy and they can both be reunited with their respective partners. Perez recruits both of them to search for the missing people, including Quixote and Fernando. Nicholas explains the situation with Quixote to Cardenio and Dorotea, and Dorotea promises to help. She takes the role of the damsel in distress, meaning that Perez does not need to disguise himself as a woman. When Panza returns, he believes that Dorotea is an actual princess named Micomicona of Micomicon, a place in modern day Ethiopia. Hoping this is a princess that Quixote can impress and possibly marry, Panza eagerly leads her to meet Quixote. Nicholas accompanies them, disguised as Dorotea’s squire.

When they meet, Dorotea theatrically falls to her knees and begs Quixote to help her by killing a giant who is terrorizing her kingdom. He accepts the mission. In the meantime, Perez works on a disguise for Cardenio. Once the disguise is complete, Perez waits by the side of the road. When Quixote arrives, the priest begs his friend for help. Slightly confused, Quixote agrees. When Perez says he was robbed by a group of escaped criminals, Quixote blushes but accepts this mission as well. Dorotea explains that the route to her kingdom passes through Quixote’s village, so they should return immediately. 

Part 1, Chapters 20-29 Analysis

Until this part of the novel, Quixote’s actions have been disconnected from consequences. He has helped and hurt people, but his actions have been largely limited to individuals, meaning that he can escape consequences by abandoning that person. The boy he saved from whipping will later return and blame Quixote for his pain, but the incident with the galley slaves causes institutional issues that reach beyond the consequences of interfering in the lives of individuals. Quixote meets the men being taken away to the galley on the road, and he is intrigued. He is empathetic to the men in a way the guards are not.

Even as the prisoners are potentially lying to him, he tries to see the good in each of them. Quixote’s empathy for the persecuted men illustrates why he is a captivating character. He is sincere in his desire to help, even though the men are unreliable and have been found guilty by the courts. People may doubt Quixote’s status as a knight and may accuse him of delusion, but he is sincere in his desire to help people.

Unfortunately for Quixote, the prisoners do not share his fundamental humanity. He frees them, and they chase him away with rocks when he tries to talk to them. The immediate consequences are painful for Quixote, but he manages to escape. The lingering consequences continue beyond this section of the book. Not only is Panza’s donkey stolen by one of the freed prisoners, but an arrest warrant is issued for Quixote. The arrest warrant represents an institutional repercussion, the likes of which he has not yet faced. Rather than an individual returning to hurt or blame Quixote, he has now incurred the wrath of the state. He could be arrested and imprisoned; the courts will not entertain his delusions in the same way individuals have. In this instance, Quixote has committed a real crime with real ramifications. Though his intentions may have been good, the reality of the situation is that he freed murderers who were found guilty in a court. The incident adds nuance to Quixote’s claim that he is working on behalf of justice and honor. For all of his adherence to the chivalric code, he must contend with the harsh reality of the law.

The characters’ relationship with stories is an important part of Don Quixote. Not only is Quixote inspired by the tales of knights he has read about throughout his life, but he is also inspired by the stories he hears from the people he meets. Quixote has no influence on the story about Cardenio, for example, but he feels inspired into action after sitting and hearing about the man’s plight. His ability to empathize with others in a short span of time shows why he is a compelling character. His ability to relate to people and to stories shows why people are drawn to him: He is genuinely interested in the tangles of their lives. Quixote can be accused of delusion and absurdity, but his sincerity is never in doubt. His has occasional dalliances with lies and excuses, but his relationships with other people are built on real respect and a sincere desire to learn. 

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