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89 pages 2 hours read

Miguel de Cervantes

Don Quixote

Fiction | Novel | Adult | Published in 1605

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Part 1, Chapters 10-19Chapter Summaries & Analyses

Part 1, Chapter 10 Summary

After Quixote wins his fight against the Basque coachman, Panza approaches him to discuss his reward. While Panza wants to talk about the governorship of the island Quixote promised him, Quixote dismisses his queries. They are not currently embarked on an island-acquiring adventure, he explains, but they will be in the near future. As they ride away, Panza worries they will be chased by the religious police who protect monks in the country. He believes they can hide from the Holy Brotherhood in an old church. Quixote insists that knights like himself have nothing to fear from the Holy Brotherhood as they are not beholden to such laws. Instead, he examines his broken helmet as they eat a simple meal and Panza dresses Quixote’s wounded ear. As they eat, Quixote decides he will not eat for the foreseeable future, just like the knights in his books. However, he eventually concedes he may eat if he needs to do so. They sleep out in the open, near a herd of goats. Sleeping under the stars makes Quixote feel like a real knight. 

Part 1, Chapter 11 Summary

Quixote and Panza share a meal with the men who watch over the herd of goats. Quixote makes a show of inviting Panza to dine with him as though they were social equals. After they finish their meal, Quixote shares a story about a historical period when humans shared food with one another. At that time, he insists, people were honest, modest, and chaste. Nowadays, he says, the world has become darker and more complex. As a result, knights are required to defend the helpless, innocent people. The goatherders listen without interjecting. Eventually, they are joined by a local boy. The boy joins the men and sings a song about a beautiful girl who ignores her lover. When the song is over, one of the goatherders rubs an herbal remedy on Quixote’s wounded ear. 

Part 1, Chapter 12 Summary

A goatherd tells a story about a young man named Grisostomo, who fell in love with a wealthy female shepherd named Marcela. Many men became shepherds just to be near the beautiful, wealthy Marcela, though she refused all proposals. According to the story, Grisostomo died that exact morning as the result of a broken heart. Quixote listens to the story and promises to attend the young man’s funeral. He sleeps in the shepherds’ hut that night and dreams of Dulcinea.

Part 1, Chapter 13 Summary

The next day, Quixote and Panza join the goatherds as they travel to Grisostomo’s funeral. The goatherds quickly become aware that Quixote is experiencing delusions, so they entertain themselves by asking questions about knights. Quixote responds sincerely to their questions, insisting he is undertaking important work in the name of God. The shepherds try to find flaws in his reasoning, but Quixote dismisses them all. When they arrive where the funeral takes place, Grisostomo’s friend Ambrosio is stopped from burning the dead man’s diary, which is filled with poems dedicated to Marcela. A man named Vivaldo argues that the diary should be kept as a warning to other young men about the dangers of unrequited love. Vivaldo reads one of the poems.

Part 1, Chapter 14 Summary

Vivaldo reads a poem named Song of Despair, written by Grisostomo. The poem describes Marcela’s cruel indifference and Grisostomo’s complete despair. The reading is interrupted by the arrival of Marcela, who wants to defend her reputation. She argues she is not responsible for Grisostomo’s death and speaks eloquently about the nature of love and beauty. After she finishes her speech, she leaves the funeral. Quixote rises up and brandishes his sword, determined to protect Marcela’s exit as she retreats into the forest. The funeral resumes, and Grisostomo is buried. His papers are burned. 

Part 1, Chapter 15 Summary

Quixote and Panza search for Marcela in the forest. Quixote wants to offer his protection to her, but the men cannot find her. As they rest, Rocinante spots a herd of female horses nearby. Rocinante approaches, but the mares attack him. Quixote tries to defend his horse. He takes on a group of men who are near the horses, but after knocking down one of them, Quixote and Panza are badly beaten. The men depart and leave Quixote and Panza on the ground. Quixote decides the beating is a warning from God because he has fought against men who are not knights, thereby breaking the chivalric code. He decides Panza should be responsible for any fights against non-knights from now on. Panza, nursing his wounds, asks why being a knight should involve so much pain. When Quixote insists that suffering is honorable, Panza says he does not care about honor. Quixote asks for help to mount Rocinante and then sends Panza to find somewhere to stay for the night. When Panza finds an inn, Quixote deludes himself into thinking it is a castle. 

Part 1, Chapter 16 Summary

At the inn, the owner’s wife and daughter help their maid Maritornes to tend to Quixote’s and Panza’s wounds. They are placed in a room with a mule herder. During the night, Maritornes visits the mule herder. In the dark room, Quixote mistakes Maritornes for a princess of the castle and believes she has come to visit him. He holds her close but apologizes they cannot be together because he has dedicated himself to Dulcinea. As Maritornes struggles to get free, the mule herder jumps out of his bed and attacks Quixote. He tramples Quixote, whose bed collapses under the force of the attack. The innkeeper is awakened by the sound. Meanwhile, Maritornes finds herself in Panza’s bed, and they begin to fight. The innkeeper bursts into the room and joins the brawl, certain that Maritornes is responsible for the violence. The captain of the local police force is staying in another room. The brawl wakes the captain, who investigates and finds Quixote unconscious on the floor. He announces that Quixote is dead. 

Part 1, Chapter 17 Summary

Quixote regains consciousness in the dark. He finds Panza and tells him about the princess who tried to seduce him in the night, only to be foiled by some mysterious enemy. Panza complains about his injuries and says the same enemies attacked him as well. He is beginning to understand the painful life of a squire. Quixote decides to make a magical herbal potion to heal their wounds and sends Panza to fetch the ingredients that he has memorized from a book. The innkeeper hands Panza everything required, and Quixote mixes them together in the attic room. He drinks the mixture and immediately vomits. Then, he falls asleep for three hours.

When he wakes, he announces he feels much better. He believes his improvement shows that the balsam works. Panza—who also drank the potion—is not as healthy. He is exhausted and convinced he is about to die. Quixote wonders whether his recipe only works for knights. He leaves his friend to recover at the inn and goes in search of a new adventure. Before he leaves, however, the innkeeper presents him with the bill. Quixote insists that knights do not pay bills and then rides away on his horse. The innkeeper presents the bill to Panza, who echoes Quixote’s reasoning. Panza is accosted by a group of cloth merchants. They place him on a piece of cloth and toss him in the air for their amusement. Quixote hears his friend’s screams, so he rides back to the inn. He tries to stop the men, but they only stop when they grow tired. Maritornes fetches food and wine for Quixote and Panza; they try to leave without paying again, but this time the innkeeper steals a set of saddlebags from Panza in lieu of payment. 

Part 1, Chapter 18 Summary

Quixote and Panza ride away from the inn. Panza believes they should return home, but Quixote insists they continue on their adventure. Quixote spots a herd of sheep and decides the sheep are actually two armies in the midst of a battle. He joins the imaginary battle, riding through the herd until a group of angry shepherds throws rocks at him. They also throw candied almonds, which hit Quixote and causes a great deal of pain. As he drinks his magical herbal potion, another almond knocks it from his hand and into his teeth. Quixote’s teeth are knocked out, and he falls from his horse as the shepherds run away. Quixote blames magicians for tricking him. As the potion begins to take effect, Quixote vomits on Panza. In turn, the disgusted Panza vomits on Quixote. Then, Panza goes to search through his saddlebags for something to clean the vomit. As he is considering abandoning Quixote, he realizes his saddlebags are gone. The men have no food, so they search for somewhere to sleep. 

Part 1, Chapter 19 Summary

As night approaches and without food, Quixote and Panza encounter a funeral procession carrying a man’s remains back to his home. However, Quixote is convinced the people are carrying a wounded knight. Despite his attempts to stop the procession, the mourners have no interest in talking to him. Offended, Quixote attacks. The mourners retreat, convinced that Quixote is some kind of devil sent to fetch the dead man to hell. When one mourner explains the reality of the situation to Quixote, Quixote insists he was right to attack. Panza is impressed at the way Quixote defeated the funeral procession. He decides that Quixote should be known as the Knight of the Sorrowful Face due to his pathetic, miserable expression caused by tiredness and missing teeth. Panza steals food from the mourners, and he and Quixote retreat to a valley to eat the meal. 

Part 1, Chapters 10-19 Analysis

A frequent motif in Don Quixote is the stories within the main story. The structure of Don Quixote is such that even Quixote’s narrative is contained within the framing device of Cervantes piecing together his story to write the novel. When Quixote stops and listens to a story, either a book or an anecdote, the structure becomes a story within a story within a story. These stories—such as the poem read by Vivaldo or the goatherd’s story about Grisostomo—are usually simpler tales of tragic romances.

The inclusion of the stories is an allusion to the chivalric texts parodied by the novel, in which the knights would seek out romantic adventures rife with virtue and honor. In contrast to the knights in the chivalric stories, the characters in the stories Quixote hears are lustful sinners who lie, cheat, and steal. The contrast between the virtuous knights and the modern sinners creates a justification for Quixote’s point of view. He may be living a delusion, and he may be mistaken, but Quixote is not wrong when he suspects his contemporary society is lacking in virtue. The more scandalous stories he hears, the more his actions and beliefs are justified. The stories within the stories within the stories provide validation for the overarching plot of Don Quixote.

As well as the moral tales of virtuous knights and sinful men, Don Quixote contains scenes with broad and bawdy humor. When Quixote mixes a potion together, for example, he and Panza spend large parts of the chapter vomiting all over each other. Cervantes himself is aware of the contrast between Quixote’s high-minded idealism and the novel’s occasional moments of absurd slapstick comedy, claiming that literature needs to appeal to all parts of society. The vomiting scene creates an immediate contrast between the poems about doomed love, the tragedy of the funeral, and the absurdity of Quixote insisting that an inn is a castle. This contrast is a useful reminder to the audience that even the most high-minded members of society are fundamentally silly and human. Quixote is a noble with delusions, and Panza is a peasant lacking good judgment, but both men are brought down to the same level as they drink the potion and cover each other in vomit. The occasional burst of unexpected humor is a reminder of the essential humanity that brings the characters together.

Panza might lack Quixote’s social status and privilege, but he is not without his pride. The scene in the inn where he is captured and tossed in the air on a blanket becomes a particular point of pride for the squire. The incident occurred, and he is embarrassed that it happened. Later, however, he will insist a mistake has been made and there was some degree of trickery involved. As Panza begins to buy into Quixote’s delusions, he also buys into his master’s excuses. Quixote blames cunning magicians for all of his failures, so the scene where Panza is tossed in the air becomes another example of these magicians’ foul play. Panza uses the magicians excuse initially because his is embarrassed, but as time passes he begins to believe this is what truly happened. The contrast between the first portrayal of this scene and Panza’s later revisionism demonstrates the extent to which he comes to believe in his master’s delusions. Opportunism eventually gives way to sincerity. 

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