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40 pages 1 hour read

Stephen King

Dolores Claiborne

Fiction | Novel | Adult | Published in 1992

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Pages 283-342Chapter Summaries & Analyses

Pages 283-342 Summary

The police find Joe’s body a week later. Selena returns a few days before the discovery after learning her father was missing. She confronts Dolores, asking if her mother had a hand in his death. Dolores lies to her daughter, but confesses to her interrogators that after that conversation, “the coldness started to come in,” and the relationship between them became strained (285).

After the discovery of Joe’s body, an autopsy is performed. Dolores is called to the constable’s office to speak with the county medical examiner, Dr. McAuliffe. Suspicious of Dolores, the doctor questions her about the bruises on her neck, her decision to buy Joe alcohol, and why she didn’t hear Joe’s dying cries as he lay in the well. Fearing that McAuliffe believes her guilty of Joe’s death or at least unresponsive to his yells for help, Dolores asks if he thinks “[she] pushed [her] husband down into that well” (296). Her direct and aggressive response persuades the coroner to reframe his line of questioning. When the constable steps in to defend Dolores from the accusation that she might have hit Joe with a stone as he tried to escape the well, Dolores sheds a tear. The interview ends and despite his questions at the inquest, McAuliffe cannot pin the death of Joe on Dolores. “Death by misadventure” is the verdict, although Dolores notes that over the years, rumors have circulated about her possible role in Joe’s death.

While Dolores got away with Joe’s murder, she relates that many aspects of her life changed after his death, some for the worse. In particular, she worries about Selena, now 44, who lives in New York, never visits her mother, and may have a drinking problem. Dolores took her maiden name again and continued to work for Vera.

At last, Dolores begins to discuss the final day of Vera’s life. Despite her periods of forgetfulness, Vera experiences what Dolores describes as a “bright day” (314). The two women sass each other while Dolores hangs the laundry in the yard. Suddenly, Dolores looks up and notices that Vera is no longer in her wheelchair. She hears Vera scream her name, claiming the dust bunnies are coming for her. Dolores runs to the house and finds Vera standing part way down the front stairs. Before Dolores can reach her, Vera falls.

Haunted by the memory of Joe’s fall and the similarities between Vera’s and Joe’s calls for help, Dolores has difficulty functioning. She goes to the fallen Vera, who, knowing she is dying, asks Dolores to end her suffering. After kissing Vera’s hand, Dolores heads to the kitchen and grabs a rolling pin, but when she returns to Vera, Dolores notices that the older woman is already dead.

At that moment, the mail carrier arrives to find Dolores holding the body of Vera. The rolling pin on the stairs seems suspicious to him as does Vera’s ability to walk to the stairs. He demands Dolores call the police immediately. She does and provides a statement before returning to her home.

Dolores’s empty house and the memories of her children haunt her. Little Pete died fighting in Vietnam, after which “the life went out of the house” (334). Dolores muses that while Joe Junior never felt an attachment to his family home, Selena continued to mentally live within the house. Mourning Vera and her lost family members, Dolores cries herself to sleep and wakes to a call accusing her of murdering Vera. After dreaming of Vera, Dolores wakes to the sound of gunshots and sees a group of men who yell that she is a murderer and should leave the island. She decides to “make a clean breast of everything” (342).

Pages 283-342 Analysis

In the novel’s resolution, Vera’s death allows Dolores to finally have a voice—telling the truth of Joe’s abuse and her own revenge. While Dolores never suffers the ordeal of prison or her children’s sure knowledge that she killed their father, important changes occur that impact Dolores’s life and relationship with her children. Dolores lies to Selena, who suspects her mother of playing a part in Joe’s murder, which leads to their estrangement. When retelling her story, Dolores explains how her decision to murder Joe hurt her relationships, in particular her relationship with Selena. She tells her interrogators, “All it cost [Dolores] to protect [Selena] from him was the deepest part of [Selena’s] love for [her]” (286). Thus, Dolores, in an act of protection and love for her daughter, lost her daughter’s love. Indeed, Dolores believes that Selena paid for her father’s abuse and her mother’s murder of him more than anyone else. As their relationship becomes strained, Dolores is haunted by Selena’s questions, and hears her daughter asking “Is it my fault? Am I the one who has to pay?” (309). Finally telling the truth about Joe’s death and having her abuse acknowledged by her interrogators allow Dolores to find some redemption for the lie that drove her and Selena apart. Perhaps this redemption is what ultimately allows them to meet again after so many years.

Dolores becomes haunted by Joe in a way that parallels Vera’s haunting by her deceased husband pointing to the psychological and emotional price paid in a Revenge Tragedy for taking justice into one’s own hands. As Dolores tells her interrogators, she’s heard the sounds of Joe’s murder for the last 30 years. Even when engaged in other activities, like sweeping or sitting down to lunch, Dolores continues to hear the sound of Joe’s breaking jaw, “or the thud when he hit bottom. Or his voice, comin up outta the well” (312). Vera, while often senile, experiences a similar haunting. Her fears of dust bunnies and wires cause her to break into screams, and when she lies dying, she admits to Dolores, “I’m tired of seeing my husband’s face in the corners when I’m weak and confused” (323). Thus, while both women break free from their adulterous or abusive spouses, they each remain obsessed with the men’s deaths and must relive the moments of murder—the cost of their vengeance.

In this section, Dolores once again connects to the memory of Jessie, the abused girl, in the moments prior to Vera’s death. In addition to hearing Joe’s cries and mentally reliving his murder through Vera’s fall, Dolores also confronts the vision of an abused girl, pointing to the shared trauma of Violence against Women.

While Vera’s death mirrors Joe’s in many ways, Dolores is able to experience this death not as a horrific murder, but instead as a moment of escape and peace. When Vera asks Dolores to kill her and end her suffering, Dolores is spared having to actively relive her murder of Joe (bashing in Vera’s head with a rolling pin) when she finds Vera already dead. Her final moments with Vera are filled with comfort, rather than violence as she holds her employer in her arms, free from the guilt of killing a second time—an additional moment of redemption and absolution for Dolores.

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