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61 pages 2 hours read

Renée Knight

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Fiction | Novel | Adult | Published in 2015

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Chapters 1-10Chapter Summaries & Analyses

Chapter 1 Summary: “Spring 2013”

Content Warning: The source material discusses sexual assault, drug addiction, and suicide.

In the middle of the night, Catherine Ravenscroft throws up in the bathroom. She has been reading a new book before bed, The Perfect Stranger, and she recognizes herself as the main character. The book reveals a long-held secret she has been keeping hidden, which she thought no one else knew about. Catherine’s husband, Robert, wakes up to check on her, and she lies that she is fine. Catherine and Robert recently moved into a new house after their son, Nicholas, moved out. Catherine goes downstairs to drink a glass of water, and she feels exposed—physically and emotionally.

Chapter 2 Summary: “Two Years Earlier”

Stephen Brigstocke recounts his forced retirement from being a private school teacher. He used to be popular when he taught older grades, but since his wife Nancy’s death and his move to teaching younger children, he became jaded. Stephen dislikes teaching children because he finds them boring. The private school forced Stephen into retirement after he gave a seven-year-old student lengthy personal criticism on a summer vacation essay. Stephen had originally been hired by a friend who wanted to help Stephen’s financial situation, but there were too many complaints against Stephen to ignore.

Chapter 3 Summary: “Spring 2013”

Catherine and Robert return home from an awards show after-party celebrating Catherine’s recent documentary project. Robert goes to bed, but Catherine stays up to research The Perfect Stranger. She discovers that the book was self-published under a pseudonym, which leaves her no clues about its author. Catherine hasn’t been able to sleep since receiving the book, as her anxious thoughts keep her awake. Catherine’s secret involves her son Nicholas, who almost died as a five-year-old child while on vacation. Catherine regrets not telling Robert the truth when the incident happened, and she feels it’s too late to be honest now. Catherine worries about how she received the book, fearing someone broke into the house and placed it on her nightstand.

Chapter 4 Summary: “Two Years Earlier”

Stephen explains that seven years after Nancy’s death, he finally went through her old clothes. He took most to a charity shop, where he became a regular customer, but he kept one of Nancy’s cardigans that she wore since they were first married. Stephen and Nancy were both writers, but once their son Jonathan was born, both became teachers. Stephen was happy to give up writing because he knew he wasn’t as talented as Nancy.

Stephen decides to use his free time for a new writing project. He wants to write a history of the Martello towers—small forts built in the 19th century—where he and Nancy once vacationed. On his way to the library, Stephen thinks he sees Nancy’s ghost, but it is just a woman wearing one of Nancy’s coats from the charity shop. The incident shakes Stephen, but he recovers when he gets absorbed in his research. Back at home, Stephen continues his work at the writing desk he shared with Nancy. He reads one of her unpublished manuscripts, comforted by her youthful voice.

Chapter 5 Summary: “Spring 2013”

In the morning, Catherine rushes out of the house to see Robert off to work. Afterwards, she goes for a run through the neighborhood, stopping in a cemetery. She sees children’s headstones, and pictures what it would have been like if Nicholas were among them. She is grateful Nicholas is alive and that she didn’t have to burden Robert with the weight of her secret those 20 years ago.

Chapter 6 Summary: “Two Years Earlier”

Stephen wakes up the next day enthusiastic about continuing his work. He digs through his and Nancy’s shared dresser for paper. In his efforts to dislodge the paper, he finds a hidden purse. The purse contains innocuous items like keys, as well as a package of photos. Stephen looks through the photos, expecting to see family pictures, but he finds sexually explicit images that his son took of an unnamed woman. Stephen is furious that Nancy left him to discover the photos now that she can no longer explain what they are. Fueled by anger and betrayal, Stephen tears through his house looking for other hidden items.

Chapter 7 Summary: “Spring 2013”

Catherine lies awake considering her secret from Robert. She first lied about the incident when she claimed that she was depressed because she wanted to go back to work—that spending all day at home with Nicholas brought up bad memories. Catherine even lied about helping a sick friend so she could get away for a weekend. When she returned, the buzz of work helped to occupy her mind.

Catherine gets out of bed and brings the book with her. She goes into the spare room and unpacks the last boxes from the move, hoping to figure out how the book came into her house. Robert startles Catherine while she is deep in thought about Nicholas’s independence. When Catherine asks him about the book, Robert denies buying it; he worries she is making small talk to avoid a bigger conversation. He asks her about wanting to return to work, and Catherine, lying, confirms this suspicion. Catherine suddenly remembers that she received the book in the mail, forwarded from their old address. She is relieved the author doesn’t know where she lives now. She turns her focus to preparing Sunday dinner for Nicholas.

Chapter 8 Summary: “Two Years Earlier”

Stephen tries to continue his project, but the sight of the photos and the keys distracts him. He visits his son Jonathan’s apartment, noticing rotten smells and dying flowers. He finds a dead mouse in a forgotten trap and other evidence that the apartment has been long abandoned. He opens a locked drawer in Nancy’s old writing desk, and he finds items that belonged to Nancy and Jonathan: Nancy’s notebooks and an untitled manuscript; and Jonathan’s knife, cigarettes, and deodorant. Stephen feels hurt that Nancy hid a manuscript, and he takes it with him.

Chapter 9 Summary: “Spring 2013”

Nicholas goes through the boxes in the spare room, unsure of what to take. Catherine tries to make up for her impatience with exaggerated doting on his childhood items. She and Nicholas talk awkwardly about his new apartment and his job at a department store. Catherine thinks back to Nicholas’s underachieving school career, grateful that he has a steady job. Nicholas is dissatisfied with his forced independence.

As Robert and Nicholas watch football, Catherine reads more of The Perfect Stranger, flipping to the parts “she knows will hurt her” (44). She falls asleep and wakes as Nicholas is about to leave. He notices the book, a copy of which he has also received. Catherine pesters him about the book, but Nicholas doesn’t know who gave it to him. Unlike Catherine, Nicholas finished the book and reveals that the main female character dies at the end. Catherine hides her fear as Nicholas leaves.

Chapter 10 Summary: “Eighteen Months Earlier”

Stephen reads and re-reads Nancy’s manuscript, feeling invigorated by her voice on the pages. He furthers this closeness to his wife by copying the manuscript out by hand. He puts the photos up on the wall, since they are key pieces of the story Nancy wrote. At the end of each day, Stephen reads the manuscript aloud to Nancy’s spirit. After a year of work, Stephen has the manuscript completely handwritten and typed.

Chapters 1-10 Analysis

Renée Knight structures Disclaimer in chapters with alternating perspectives between Catherine and Stephen. Catherine’s narrative is told in the third-person point of view, which offers a voyeuristic view of her actions and feelings, highlighting how closed-off Catherine’s internal world is and reflecting her desire to keep the secret hidden. The third-person perspective also mirrors Catherine’s work as a documentary filmmaker. She is used to pointing the camera at her subjects to draw out their stories; now, with the publication of The Perfect Stranger, it is like the camera and its questions are pointed at her. By contrast, Stephen’s narrative is told in the first person, so he shares his feelings and actions in his own words. Stephen’s subjectivity creates a similar unreliability to Catherine’s third-person narration. Although Stephen’s narration appears like a confessional to the reader, his intense emotions twist the understanding of events. For example, when he first looks at the photos, Stephen quickly comes to the conclusion that the woman in the photos, who the novel later reveals to be Catherine, was purposely posing for Jonathan: “She was looking straight into the camera. Flirting? I think so. Yes, she was flirting” (26). This refusal to hesitate or doubt about interpreting what he is looking at is striking: Stephen goes from question (“Flirting?”) to uncertainty (“I think so”) to complete assurance (“Yes, she was”) within seconds, convincing himself not to look for alternate meanings, although the novel will later reveal that this is actually a misreading of the images.

A common feature of psychological thrillers like Disclaimer is the withholding of information. Here, Knight offers clues about Catherine’s secret about her vacation in Spain, which is the core of the text’s mystery. Catherine reveals that the secret involves her son Nicholas almost dying when he was five, and that there is another related incident that Robert “would have sunk under the weight of” (23) that the text continues to conceal. The photos Stephen finds hint that there is a sexual angle to the secret, and that the Brigstockes are the authors of the book that seeks to expose Catherine, though Knight doesn’t yet reveal the connection between the two families. Moreover, Knight also conceals that Jonathan Brigstocke is dead—all we get is the hint that his apartment is long abandoned. In a bait-and-switch moment, Stephen finds a dead mouse that is described as possibly the body of his son: “and there it was. A body. Rotting. Neck broken, mouth open, teeth bared, giving off that inside-out stench of putrefaction. I should have known. Death” (39). When this tense passage is revealed to be about a mouse, Knight tricks readers into assuming Jonathan is alive, which makes the later revelation of his death more shocking.

This section introduces the two main characters at moments of massive change. Catherine is a successful documentary filmmaker and a workaholic, though underneath this ambition and drive is her desire to keep her mind always occupied. Although she is typically together and calm, Catherine has recently become so anxious, paranoid, and riddled with delusional thoughts that she has transformed into almost another person: “The face that looks back at her is not the one she went to bed with. She has seen this face before but hoped never to see it again” (1). Catherine’s fear, induced by the book she has received, has completely altered her. Stephen is also at a moment of upheaval after his wife’s death and his forced retirement. Stephen describes his growing apathy since Nancy’s death, unlike earlier in his life, when he was more enthusiastic and creative: “Since Nancy died though, I have allowed things to slide a little. Well, okay, a lot. It is hard to believe that, once upon a time, I was voted Most Popular Teacher of the Year” (7). To counter his grief-induced stagnation, he searches for his creative spark; in the process, he reconnects with the talent of his wife through her work.

Knight introduces one of the text’s main themes, The Psychological Toll of Isolation and Secrets, in this section. Catherine’s desire to keep the truth about her sexual assault hidden isolates her from her husband and her son. Catherine frequently lies to her family to keep up appearances. For example, she pretends her anxiety symptoms are the result of getting too drunk at the award show: “She hears herself, sounding so normal, so plausible. Shaky fingers could be a hangover” (21). She doesn’t want to burden her husband and son with her secret after 20 years, but in exchange, her relationships with them are surface-level. She must deal with the secret alone, experiencing psychological pain that manifests not only in paranoia and anxiety, but also in physical symptoms like nausea, sweating, and insomnia. Stephen’s isolation is induced by the death of his wife and his dismissal. His consuming grief inspires delusions; he starts talking to Nancy’s spirit and imagines he sees her out on the street. Stephen chooses to conjure up his deceased wife to keep him company, rather than attempting to move forward from her loss. As he copies out her manuscript for a full year, he fantasizes that he “felt Nancy smiling at me, encouraging me on” (49).

The text’s three main symbols first appear in this section. Chapter 1 introduces The Perfect Stranger, the book Stephen and Nancy Brigstocke write about Catherine’s secret. To Catherine, the book represents the threat of exposure, whereas the Brigstockes see the book as a means of justice. Jonathan’s photographs, the catalyst for Nancy writing the book, are another major symbol. The photos put into question the validity of documentary evidence, which the novel posits can be interpreted in multiple ways by people guided by different emotions and motivations: To the Brigstockes, the photos establish the indisputable fact that Catherine had sexual relationship with Jonathan; however, the photographs also obscure the reality of what really happened between Jonathan and Catherine. The final symbol is Nancy’s cardigan, which Stephen keeps because of the memories associated with his wife. The cardigan comes to symbolize Stephen’s desire to keep Nancy’s presence alive in his house, even at the cost of his own psychological wellbeing.

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