50 pages • 1 hour read
Danielle ValentineA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide refers to miscarriage, sexism, and misogyny.
Anna Alcott is a dynamic protagonist whose IVF and pregnancy journeys constitute the plot of Delicate Condition. Anna is an accomplished actress who saw some success early in her career for a television show called Spellbound. Since then, she finds herself in a lull in her career during which she marries Dexter Harding and begins to try to conceive. Anna’s plans shift with the unexpected success of her film The Auteur, which vaults her into the world of media appearances, nagging publicists, and unwanted attention from the public. Over the course of the novel, Anna must navigate both the pressures of unexpected fame as well as the difficultly of conception via IFV and the horrors of the resulting pregnancy.
Having lost her mother at a young age, and being isolated from other friends by her line of work, Anna has few people in her life with whom she is emotionally intimate. Anna’s husband, Dex, is superficially very supportive of Anna’s IVF treatments and continually offers input about Anna’s routines, habits, and body that he believes will help her. At the start of the novel, Anna perceives their relationship to be stable and happy even though Dex regularly engages in gaslighting and mansplaining behaviors. Anna’s other closest friend is the actress Siobhan Walsh, whom Anna trusts innately. Anna and Siobhan have an easy, joyful relationship, and Anna regularly turns to Siobhan for the advice and emotional support that Dex fails to offer.
Anna begins the novel as a fairly anxious person; she notes that she was terrified to meet one of Dex’s ex-wife’s friends for fear that the woman would automatically hate her. Anna’s experiences over the course of her pregnancy exacerbate this anxiety, pushing her into paranoia about the people in her life and the changes happening to her body. As Anna’s body begins to deteriorate and transform from the pain of her pregnancy, which stems from the spell of the coven, Anna begins to embrace the violent, destructive impulses that she has long harbored but never acted upon. Anna’s movement toward embracing these impulses sees her reevaluating the roles of the people and institutions in her life that she’s always trusted: She stops going to her doctors in favor of seeking information from people like Io Preecher and, crucially, she stops giving Dex the benefit of the doubt and begins to understand that he doesn’t value her as a person. As explored more thoroughly in the Chapters Analysis for Chapter 9 and Interlude 9, the conclusion of Anna’s arc in the novel is somewhat ambiguous. She’s pushed to a place of inner monstrosity by the events leading to the car crash and, after the birth of her child, chooses to join Siobhan’s coven. It’s left open to interpretation whether Anna’s choice to join the coven is altruistic or self-serving. Yet regardless of her motives, she ends the novel having achieved everything she set out to do: She has both a healthy child and an immensely successful career. This conclusion ties into the theme of Monstrosity as Female Survival, with the novel indicating that patriarchal institutions’ perception of women who prioritize their survival as monstrous may not be entirely incorrect—perhaps monstrosity is indeed necessary for women to succeed in that endeavor.
Dexter Harding is a successful New York businessman who marries Anna after the failure of his first marriage to a woman named Adeline. Dex is, superficially, very invested in Anna’s IVF journey and her resulting pregnancy; he shows up to all of her treatments, keeps track of her medications, and even makes food for Anna so she can more easily follow her doctor’s dietary suggestions. Even from the outset, though, Dex is an emotionally distant partner who routinely ignores Anna’s feelings of pain and confusion. He is often absent from the house, spends a great deal of time on the phone without telling Anna who he’s speaking to, and refuses to tell Anna much at all about his past experiences with Adeline.
Dex is fairly static character. He becomes nervous about—and exasperated by—Anna’s spiraling physical condition, but he otherwise doesn’t change his outlook or emotional state over the course of the novel. Dex shows occasional moments of vulnerability, such as when he confesses to Anna that he would be “harmed” if she got an ultrasound after her miscarriage, but these instances of emotional vulnerability typically come at Anna’s expense as Dex prioritizes his desires over hers. As Anna begins to see Dex more clearly, which includes stumbling across his affair, she learns that Dex left Adeline after the woman refused to conceive only to start cheating on Anna when she began struggling to conceive. Dex represents a patriarchal society that values women only for their reproductive capacity. Dex is eventually killed after Anna bites off his finger while he’s driving her to the hospital; even in his final moments, he never truly understands his wife’s emotions or sees her as more than a vessel for his offspring.
Siobhan Walsh is Anna’s best friend and a famous actress in her own right. Siobhan is, in Anna’s estimation, a liberated and fully self-realized person: She is “[c]ompletely, effortlessly herself, the kind of woman who knew where to find the best secret bars in Paris, who perfumeries named signature scents after, who had a lover on every continent” (40-41). Siobhan shares the closest, most tender emotional intimacy with Anna and is a key figure in the theme of The Necessity and Limits of Female Friendship. During their conversation while Anna is in the restaurant’s bathroom, Siobhan is able to ease Anna’s anxieties through humor without dismissing them; she is a counterpoint to Dex in that she allows Anna to open up and express herself however she needs to.
Siobhan has a cancer relapse, and it is this relapse that—unbeknownst to Anna—sets into motion the horrific events of the second half of the novel. It’s revealed at the end of the novel that Siobhan, part of a coven of fertility witches, has performed a spell to revive Anna’s miscarried fetus and to prepare that fetus to become a vessel in which Siobhan herself will be reincarnated. This revelation entirely shifts Anna’s understanding of who Siobhan is and what she wants. Anna suffers brutally because of Siobhan’s spell and because the coven was unable to tell her what was happening. When the truth emerges, Anna asks Siobhan if their friendship was ever genuine or if Siobhan befriended her only to use her for her body. Siobhan’s response—that Anna’s “friendship has meant more to me” (396) than Anna could know—is brief. Yet Anna interprets the response, along with the fact that Siobhan performed the spell while she was dying, as an act of good faith and a sign that Siobhan never intended to use her. Siobhan’s failures to obtain Anna’s explicit consent at any stage of this process, though, raise questions about the ethics of her actions. The final interlude shows that Siobhan has been reincarnated as Anna’s child. This ending offers no resolution to the question of the morality of Siobhan’s actions, but it does show that Anna and Siobhan have forged an even closer bond than they had before.
Io Preecher is the novel’s only character who appears both in Anna’s narrative and in an interlude that tells her own story. In the 1980s, desperate for money, Io agreed to become a pregnancy surrogate. The pregnancy was nightmarish—Io suffered bizarre cravings and odd bodily transformations. Yet her friends and the medical professionals attending to her dismissed her suffering, reflecting the broader issue of Patriarchal Institutions’ Failure to Acknowledge Female Pain.
Io spends the rest of her life trying to understand what happened to her during that pregnancy, and her research leads her to other women who suffered from similar symptoms during their pregnancy. Slowly, Io begins make connections, find doctors like Dr. Hill who seem to be targeting women desperate to get pregnant, and uncover individual members of Siobhan’s coven. Io publishes the results of her progress in a blog, which eventually attracts Anna’s attention.
Io Preecher is figured as a malevolent force in the novel; she takes and publishes pictures of Anna without Anna’s consent, and she’s described as “harmful” (391) by Olympia when Olympia explains why Io was never asked to join the coven. Io is an example of a woman who exists outside the networks of female-led communities. Io aims to do similar work to what Siobhan’s coven does—she wants to help pregnant women understand why their bodies are experiencing the pain they’re experiencing. Because Io works in isolation, however, without access to the knowledge of what the coven does, her work ends up harming the coven’s female-centered community.