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53 pages 1 hour read

Sebastian Barry

Days Without End

Fiction | Novel | Adult | Published in 2016

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Character Analysis

Thomas McNulty

Content Warning: This section of the guide makes reference to violence, racism, anti-gay bias, anti-trans bias, and sexual violence.

Thomas McNulty is the narrator and protagonist of Days Without End. Thomas’s perspectives exist in dual timelines; he narrates the novel from memory, beginning with his experiences at approximately age 17, with the actions described growing closer to the “present” of the novel. At the end of the text, when Thomas is approximately 40 years old, the two timelines converge, and Thomas looks forward to a future spent with family. Over the course of the novel, Thomas engages in various forms of gender exploration, and finds himself increasingly preferring to wear women’s clothing, which he does whenever circumstances allow. By the end of the novel, she considers herself a woman.

Thomas’s assessment of his life is predominantly practical as pertains to the horrors he sees and participates in as a soldier in the American Indian Wars and the Civil War. Though he expresses mild doubt about the righteousness of the conflict between the American army and Native Americans, he does not hold himself personally accountable for the atrocities committed over these wars, even when they are committed by his own hand (but under orders). Rather, he views his position in the army as something done out of practicality, as a means of survival. His perspective on the Civil War is different and more driven by ideals, though he takes cues on these ideals from those around him, such as Black poet Beulah McSweny or his commanding officer Major Neale.

Thomas’s primary devotion is to his partner, John Cole, with whom he is in a relationship for the duration of the novel. Thomas reliably describes John as the person who brings happiness and love to his life, and regularly expresses gratitude for knowing and loving him. Being with John Cole and later their adopted daughter, Winona, is the guiding force behind Thomas’s moral compass. For example, though he expresses dislike of the violent, racist views and actions of the Confederate soldiers when he is a prisoner of war during the Civil War, he expresses no discomfort with the racism of the minstrel show in which he and John perform. Rather, he only appreciates the opportunity to wear dresses in public and show off his love for John as part of the act.

John Cole

“Handsome John Cole” is Thomas’s love interest in the novel. Though he is present throughout the text, John has very little influence on or voice in the narrative. Thomas will occasionally report what John has said about certain events or topics, but he often drifts to the edges of the narrative, there as a steady companion to Thomas but requiring little narrative attention. John has some Native American heritage, though he does not know the specifics of his ancestry; this sometimes leads to a sense of discomfort in his participation in the American Indian Wars, though this discomfort is not fully formed and appears only intermittently. This heritage sometimes leads John to be subjected to racist comments from his fellow soldiers, though the rarity of this suggests that John might be white-passing, which allows him certain freedoms within the highly racist society of 19th century America.

Like Thomas, John is motivated primarily by his family, especially once he and Thomas adopt their daughter, Winona. John quickly takes to the role of the proud father, and frequently insists that Winona is the smartest, best, kindest, and prettiest girl in America. Though Thomas is uncertain of the morality of keeping Winona with them when she is summoned back to the Sioux in exchange for Major Neale’s daughter, John has no such quandary; he is determined to keep his daughter, no matter what.

Major Neale

Major Neale (briefly promoted to Colonel Neale during the Civil War) is Thomas’s and John’s commanding officer throughout much of the novel. Major, as Thomas calls him, opposes the excess violence that many of the soldiers commit against Native Americans; when Watchorn rapes a Yurok woman, for example, Major arrests him and brings him in front of a military tribunal, which results in Watchorn being killed by firing squad. However, when opposing the status quo of unchecked racist violence toward Native peoples, Major still has a wavering commitment to his vision of justice: Even after Watchorn’s arrest, Major allows the man to take part in the celebration thrown by the townsfolk to celebrate the soldiers’s massacre.

Major is a devoted father and husband, a quality that leads to his moral downfall. After his wife and daughters are kidnapped by the Sioux (in revenge for the company’s murder of the family of the Sioux leader, Caught-His-Horse-First), and only one daughter left alive, Major loses any ideals he had about supposedly fair practices in warfare. Instead, he orders his men to kill everyone in the Sioux village, including children. When he is court-martialed for this offense (an ironic twist to his spearheading the court-martialing of Watchorn), Thomas suspects Major guilty of killing the man who accused him. This suspicion from a once-loyal soldier further indicates Major’s moral decline, though the novel does not reveal if Major is, in fact, guilty of this particular crime.

Winona Cole

Winona is Thomas’s and John’s adoptive daughter, though due to anti-gay bias, she is known exclusively as John’s daughter. Originally a member of the Oglala Sioux community, Winona is taken to Fort Laramie to be educated at Mrs. Neale’s school before forming an attachment to Thomas, who takes her with him when he leaves the army. Winona is a static character, shown mainly through the attitudes of her adoptive parents, who consider her uncommonly good, kind, smart, and beautiful. Though Thomas thinks occasionally of the implications that racism have on the violence in Winona’s life, this line of thinking does not extend to explore Winona’s perspective.

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