42 pages • 1 hour read
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In first-person narration, Vilma wishes she were her Indian grandmother and had followed Sancher onto the funeral pyre. She believes he rescued her, and that her tragic life began at birth: Ignored by her father Sylvestre and resented by her mother Rosa for her dark skin, she seeks refuge in books and studies. Sylvestre eventually pulls teenage Vilma from school, having promised her in marriage to a wealthy family friend. One day, she encounters Sancher in the forest, and links him to Mira’s pregnancy. She decides to get pregnant too, to retaliate against her mother. Vilma goes to Sancher’s house, where she finds him on the veranda typing a book—Crossing the Mangrove. He is tormented at night, asking her if she can see the figure waiting for him. He writes all day and visits her at night. Sancher has flashbacks of fighting in Balombo, Angola, and cries when Vilma tells him of her pregnancy. They live like father and daughter from then on.
The third-person omniscient narrator introduces undocumented Haitian handyman Désinor. He enjoys the food at Sancher’s wake, as he often goes hungry. Still, he resents any charity he is given and wishes to join his friend Carlos and unnamed lover in America. Désinor began a sexual relationship with a man due to financial reasons; he could not afford to pay a female sex worker. There are always rumors of police raiding plantations, looking for men without documentation. When he runs away from one such raid, Désinor finds himself in Rivière au Sel. He meets fellow Haitian people, who recreated their homeland in Beaugendre. He prefers to remain alone and read letters from Carlos. Désinor eventually meets fellow Haitian man Xantippe, and the two smoke tobacco that Xantippe grows. In the present, he envies Sancher, as he no longer has to suffer life.
In first-person narration, Dodose recounts her father’s death, which ended the family’s comfortable life. She is required to marry a wealthy Black man, Emanuel, and lives the life of a martyr despite his importance in the community. He is interested in local politics, but secretly admires European culture in a period of growing nationalism. Dodose begins an affair with a Frenchman, and is happy for the first time since her marriage. However, her lover is recalled to France and her husband is exiled for his political activism. She becomes pregnant with Sonny, who suffers a brain hemorrhage shortly after birth. Emanuel says the hemorrhage is Dodose’s fault, and her guilt makes her wonder if he knows about her affair. One day, she encounters Sancher, who mentions getting medical help for Sonny. She lashes out at him, but with Sancher dead, she decides to help Sonny and begin her life anew.
The third-person omniscient narrator introduces Lucien, who initially believed his friend Sancher was a fellow revolutionary—but discovered he was disillusioned. In the past, he becomes a revolutionary and atheist while studying in Paris, to the disappointment of his wealthy, religious mother. When he hears from his friend Carmélien about Sancher the Cuban writer, he is determined to meet him. When they meet, Sancher reveals he is neither Cuban nor a writer—rather, he was born in Medellín, Columbia to a wealthy family. He speaks of his family curse—which began in Guadeloupe and kills male members in their early fifties—which Lucien dismisses as superstition. Still, the men become fast friends, and Lucien decides to write a book about Sancher’s life instead of a revolutionary struggle.
In first-person narration, Mira decides her son Quentin will travel the world to discover who Sancher was. She remembers how she changed for Sancher, finding pleasure in serving him. In the past, he admitted he never slept with a woman more than once, and wished a volcano would erupt and kill everyone. In the present, Mira vows to never return to the Gully, nor Aristide’s bed.
The third-person omniscient narrator recounts how historian Emile became Sancher’s friend. Sancher brings Emile to his house and offers him his pile of yellowing papers—the history of his family who escaped punishment by fleeing France for England. Emile decides to honor his friend’s death by pursuing an oral history project. He spots Xantippe at the wake and recounts being bullied for his dark skin. For financial reasons, he was unable to pursue studies abroad, instead staying in Guadeloupe and becoming a nurse. Still, Emile dreams of finding a place where he will not be judged by his skin.
In first-person narration, Xantippe describes himself as god-like, naming various tree and plant species. However, he also recounts being a “Maroon” (a Black person who escaped enslavement) and meeting his beloved wife Gracieuse. However, an uprising led to his crops being burned, as well as his house and family. The French police were told villagers were jealous of Xantippe’s success. This is described as Sancher’s crime, but Xantippe decides to leave him alone since the time for revenge is over.
As the sun rises, the third-person omniscient narrator states the villagers wander home—except for Sancher’s close friends, who prepare coffee. For some, Sancher’s death provides justice, and for others, the courage to follow their dreams. The villagers wonder if he was a supernatural creature or messenger who will return someday. Dinah believes he was a messenger, and starts her new journey by opening a Bible.
Like her father Sylvestre, Vilma wishes to immerse herself in a romanticized Indian past. She specifically wishes to join Sancher on a funeral pyre in an act of sati: Hindu practitioners are publicly cremated after death, and widows used to be “encouraged” to join their husbands in death. This could be done for religious or economic reasons, a way to escape poverty or prevent a widow from inheriting her husband’s property. For Vilma, it would be a way to publicly declare her love for Sancher. Sati was made illegal in India in 1987, the year the novel was published. Lucien is another character who romanticizes Sancher, and even decides to immortalize him in a book. Sancher himself is a failed writer, spending hours typing the titular Crossing the Mangrove. If taken literally, this project could be read as further proof of his own Mama Sonson-like clairvoyance: He knew of his impending death, and perhaps the villagers’ reactions to his death.
This section continues to explore marginalized identities through undocumented Haitian handyman Désinor and Haitian “zombie” Xantippe. Both Guadeloupe and Haiti were colonized by French forces and populated with enslaved people after the Indigenous population was decimated. Haiti won its independence after the Haitian Revolution (1791-1804), while Guadeloupe continues to be considered part of France. Despite Haiti’s history of revolution, the novel’s Haitian characters are marginalized in Rivière au Sel. Désinor’s marginalization is furthered by his same-sex relationship, which is explained as a matter of affordability rather than sexual orientation. Likewise, Xantippe’s marginalization is furthered by his silence, revealed to have been caused by the loss of his family.
“First Light” signals the beginning and end of Sancher’s night-long wake. Throughout the wake, each villager had the opportunity to reflect on their relationship with the mysterious man as well as their own struggles. Sancher’s death is framed as Christ-like, as Jesus sacrificed himself for the sins of others—in Sancher’s case, the sins of his ancestors. The villagers speculate his supernatural return, echoing his confession to Cyrille about choosing Cuba for his rebirth. Again, his death brings the village together and inspires them to truly live.
Afro-Caribbean Literature
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Class
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Class
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Colonialism & Postcolonialism
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Family
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Fear
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French Literature
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Hate & Anger
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Memory
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Pride Month Reads
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Women's Studies
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