84 pages • 2 hours read
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Crooked House is narrated by Charles, a young man serving in England’s diplomatic service during World War II. Towards the end of the war, he falls in love with 22-year-old Sophia, a Foreign Office worker. Sophia is smart and charming but never speaks about herself, leading Charles to speculate on her “unusual background.” All she will divulge is that she lives with her large family at Swinly Dean, in “a little crooked house.” (3) The family is presided over by her beloved grandfather, the spectacularly wealthy Aristide. Charles and Sophia get engaged but agree to delay their marriage until the war is over.
Charles and Sophia stay in touch through letters before both returning to England several years later. They agree to meet for dinner, but as Charles reads the papers on the day of their reunion, he learns that Aristide has passed “suddenly” at the age of 85. There are two separate death notices, one from his “beloved” wife Brenda and one from his children and grandchildren.
At dinner, Sophia tells Charles that although the terms of their agreement are now fulfilled, she can’t marry him anymore. She suspects that her grandfather was murdered due to the strange circumstances of his death. As Charles is in the Diplomatic Service, and his father is the Assistant Commissioner of the Scotland Yard police force, Sophia is afraid that their marriage would shame him unless her family is cleared of all suspicions.
Charles visits his father, Sir Arthur Hayward. Arthur is heading up the Aristide investigation. Charles reveals that he intends to marry Aristide’s granddaughter, and his father concedes that would be no problem if “the right person” (11) killed the old man.
Arthur recounts the family’s saga—Aristide emigrated from Smyrna, Greece to England as a young man. After opening several successful restaurants, he went into catering and other business ventures, always finding ways to circumvent the law for maximum profit—he was “crooked, yes, but not a crook” (13). Despite being unattractive, he was charming and well-liked. He found a love connection with his first wife Marcia de Haviland. The two moved to Swinly Dean and built a house called Three Gables. Marcia died in 1905; only their eldest son Roger and younger son Philip survived into adulthood. Philip has three children—Sophia, Eustace, and Josephine. All the remaining family members live at Swinly Dean along with Aristide’s elderly sister-in-law from his first marriage, Edith de Haviland, and the children’s nanny Janet.
Charles and Arthur are joined by Chief Inspector Taverner. Taverner is pessimistic about solving the case because Aristide was poisoned with the chemical eserine, found in his medicinal eye drops. The chemical was switched out for the insulin in Aristide’s daily injections. Their most obvious suspect is Aristide’s second wife Brenda, who administered the fatal shot. A good-looking woman, Brenda married Aristide when he was 75 and she only 24. A decade later, she’s grown suspiciously close to Laurence Brown, the live-in tutor of Aristide’s grandchildren. Although she is the chief suspect, anyone living in the house would have had access to the medicine cabinet and could have made the switch.
The next day, Charles drives with Taverner down to Swinly Dean, having agreed to ask for Sophia’s help with the investigation. He’s reluctant to take advantage of her position in the family but wants suspicion off her as soon as possible so they can get married.
Three Gables is a sprawling estate with “a strange air of being distorted […] a cottage swollen out of all proportion” (21). Sophia greets them and, after a talk with Charles out on the lawn, agrees to tell him everything she knows. She suspects neither Brenda nor Laurence the tutor, the former being too careful to commit a murder and the latter too cowardly. Yet she admits that any one of her relatives might be capable of killing, due to their “different kinds of ruthlessness” (23), from her uncle’s intense temper to her father’s emotional repression. She even believes herself capable under the right circumstances.
Edith de Haviland joins the group on the lawn to say that Janet is calling for Sophia. As they walk back toward the house, Edith tells Charles that she never liked Aristide, considering him an “ugly little common foreigner” (27). She admits that he was a generous man, however, having given each of his children and grandchildren enough money to make them financially independent. Like Sophia, Edith doesn’t particularly suspect Brenda. During their conversation, Edith pauses to point out the bindweed plants growing in the garden. She calls the climbing vine “hateful” and crushes a piece of it underfoot. Charles suspects that she is hiding knowledge below her curt exterior. He wonders what, if anything, could motivate her to kill.
Christie was renowned for her stories of scandalous murders set in English high society. Crooked House’s Leonides family is a typical set of Christie characters—wealthy, reputation-conscious people caught up in the complications of their lifestyle. Through various characters, Christie explores the subtleties of class-based discrimination among members of the upper class. Edith, born into wealth, looks down on her brother-in-law for being a self-made man and a “foreigner.” The Leonides descendants in turn revile Brenda for her working-class origins. Their high-class reputation is important to them; after Aristide’s murder, Sophia refuses to marry Charles until the family name is cleared, not wanting to involve him in shame or scandal.
Journeying to Three Gables, Charles soon learns that any of the Leonides family members could have killed their patriarch. This is another common scenario in Christie’s works: jealousy, scorn, and dislike abound, granting many characters a potential motive. Each Leonides has a different brand of cruelty, so none can be ruled out as suspects just yet. The only people Charles doesn’t consider as possible murderers are Sophia and her two young siblings. He admits to being biased by his love for Sophia and therefore not an objective judge of the situation. This uncertainty heightens the suspense of the narrative.
Brenda is the family’s favored suspect. She fits the archetype of a poor young woman marrying rich and then poisoning her old, defenseless husband. Throughout history, spousal poisoning has been an oft-sensationalized crime and the object of public fascination. At the time of its publishing, Crooked House’s readership might have been primed to expect such a crime to be committed by the young wife. However, Christie subverts the trope by having several characters acknowledge that while Brenda is “the right person,” she is probably not guilty. No one seems to truly believe that Aristide would let himself be caught off guard by his young wife. By all accounts, he was highly intelligent and prepared to defend himself—Sophia mentions that he stabbed two men in his youth.
These chapters introduce the recurring motif of crookedness. The word is used in several contexts to mean several different things. Sophia compares Three Gables to the house in the classic nursery rhyme, “There Was a Crooked Man.” It is a cottage-turned mansion, a leaning, teetering structure of excess. The mansion’s external structure reflects the relationships under its roof: unhealthy, overly close, and steeped in excess. There is also Aristide’s crookedness, as described by Taverner. The old man was crooked in the legal sense but seemed to have a good heart and morals.
Bindweed, the plant Edith crushes out in the garden, is another key symbol, representing the malevolence that lurks somewhere on the Leonides estate and possibly within the family’s bloodline.
By Agatha Christie