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84 pages 2 hours read

Avi

Crispin: The Cross of Lead

Fiction | Novel | Middle Grade | Published in 2002

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Chapters 49-58Chapter Summaries & Analyses

Chapter 49 Summary

Later, Widow Daventry brings food to Crispin. As he eats, she tells Crispin she has been married twice and had seven children, but both of her husbands and all of her children are dead. Crispin squeezes her hand, then asks her to read the writing on Asta’s lead cross. Widow Daventry says that Bear already told her what it says: “Crispin—son of Furnival” (215). She explains that lords often have children outside of wedlock. She adds that Bear guessed that Asta was someone who used to be connected with Lord Furnival’s court.

Based on the timeline of Crispin’s birth, Widow Daventry guesses that Asta was the daughter of a certain Lord Douglas. Lord Furnival abandoned Asta in Stromford when she became pregnant with Crispin and publicly announced that Lord Douglas’s daughter was dead. Now that Lord Furnival is dead, Lady Furnival fears that someone may use Crispin or Lord Furnival’s other illegitimate children to claim power, which explains why she ordered Aycliffe to kill him. Widow Daventry encourages Crispin to get as far from Great Wexly as he can.

Chapter 50 Summary

Sitting in the hiding place in the upstairs room, Crispin processes what he learned about his parents and how this new knowledge explains his experiences, such as the townsfolk shunning Asta as well as his mother’s ambivalent treatment of him. He realizes that Lady Furnival must have sent du Brey to tell Aycliffe to kill Crispin as soon as it became clear that Lord Furnival was dying. Aycliffe must have killed Father Quinel for knowing Crispin's identity. Bear, meanwhile, never told Crispin what he knew because he wanted to protect him.

Chapter 51 Summary

Crispin continues to think. He recognizes that his heritage as a Furnival involves the bondage Bear and Ball despise and which made his childhood so miserable. He resolves instead to work for freedom, starting by rescuing Bear.

Chapter 52 Summary

Later that afternoon, Widow Daventry tells Crispin she found someone to help him over the wall and advises him to give up on helping Bear. Gathering his and Bear’s possessions, Crispin prepares to leave; Widow Daventry refuses to accept payment.

After night falls and curfew begins, the man assigned to help Crispin arrives. Widow Daventry hugs Crispin goodbye.

Chapter 53 Summary

Without speaking, the man leads Crispin through back alleys. When they pause to hide from a group of passing soldiers, Crispin offers to pay the man to take him to the White Stag tavern.

The man leads him to the White Stag, then vanishes. Crispin knocks on the door and introduces himself as “Bear’s apprentice” and then by name. A moment later, someone invites him inside, where he sees several men with their faces covered by hoods. 

One of them, who seems to be Ball, asks Crispin why he came. Crispin explains that Bear was captured and taken to the Furnival’s palace. Ball and the others speculate that Bear will give them away if he is tortured. Ball also mentions that Bear used to agree with him and the other members of the revolutionary brotherhood but lately seems more cautious. When Crispin asks them to help him rescue Bear, they refuse, but one of them agrees to lead him to the town square.

Chapter 54 Summary

The man guides Crispin to the town square, then leaves. Crispin hears priests performing early morning chants in the cathedral. Praying for help, Crispin makes his way toward the palace. Seeing guards at the first-floor entrance, Crispin climbs up to the second level in the narrow space between the palace and a neighboring building. Then, by climbing over a stone statue of a lion, Crispin arrives on the second-level balcony. He moves inside to a small entryway. Hearing nothing, he opens the doors to two side chambers. One contains flags while the other has weapons. Taking a dagger, he proceeds from the entryway to the next room.

Chapter 55 Summary

Crispin is amazed to see a large, ornately decorated room, with the leftovers of a feast on a table. Seeing light coming from a doorway, Crispin looks inside and finds a room filled with gold, jewels, and religious relics, including a golden cross on an altar; an image of a knight kneeling before Mary, the mother of Jesus, also occupies the altar. Crispin sees that the knight’s face resembles his own and realizes that the knight must be his father, Lord Furnival. Crispin considers that the image of the knight does not match what he knows about Lord Furnival, and he realizes that his identity is independent of Lord Furnival. Crispin prays that God will administer justice to Lord Furnival “for what he truly was” (239).

A voice behind him asks Crispin what he is doing. He turns to see Aycliffe.

Chapter 56 Summary

Crispin panics, feeling his old fear of Aycliffe return. Aycliffe scolds Crispin, referring to him as “Asta’s son” and “filthy peasant,” then turns to call the guards. Before he does, Crispin reveals that he knows his given name and that he is Lord Furnival’s son. At first Aycliffe denies it, but he becomes agitated when Crispin reveals Asta’s lead cross.

Crispin asserts that Aycliffe fears that Crispin will seize power, then accuses him of killing Father Quinel. He promises to leave Great Wexly and never return if Aycliffe lets Bear go. Aycliffe turns to call the guards, but Crispin knocks him to the ground and threatens him with the dagger. At Crispin’s insistence, Aycliffe makes an oath to let Crispin and Bear go as long as they give him Asta’s cross as they leave and never return nor reveal Crispin’s parentage. Crispin commands Aycliffe to lead him to Bear.

Chapter 57 Summary

Aycliffe leads Crispin down winding stairs and through several pantries and hallways, past several sleeping servants. They then go down another flight of stairs into a cold, damp dungeon, passing several men who salute Aycliffe. At the bottom of the stairs, Aycliffe asks a soldier to lead them to Bear. The soldier does so, stopping at a locked door, which he then opens. Crispin enters to find Bear unconscious and tied up. Crispin cuts him loose, then wakes Bear, who lifts his bruised face. Bear is confused but follows Crispin out of the cell door, where Aycliffe, who is now armed, waits with a group of soldiers.

Crispin requests water and clothing for Bear, which the soldiers provide at Aycliffe’s signal. When Aycliffe hesitates to let Bear and Crispin pass, Crispin reminds him of his oath and threatens to read what is written on the cross. Embarrassed in front of the soldiers, Aycliffe agrees to take Crispin and Bear to the gates of the city. Moving slowly due to Bear’s injuries, the three of them go upstairs. At the entrance to the palace, Aycliffe asks Crispin to give him the cross, but Crispin says that he will only give him the cross once they are out of the city. At Aycliffe’s request, the guards let them out of the palace. Crispin retrieves a sack of his and Bear’s belongings from where he left it nearby, and they slowly make their way toward the gate, surrounded by an armed escort.

Chapter 58 Summary

As they walk, Crispin secretly hands the dagger to Bear. Once they reach the gates, Aycliffe loudly denounces him and Bear as “traitors,” then admits that he made a promise not to kill Crispin but offers a reward to anyone who will. He attempts to bribe Bear, but Bear moves Crispin behind him and pulls out the dagger. Using his sword, Aycliffe attacks Bear, who holds him off. Gradually, Aycliffe forces Bear backward toward a wall of soldiers with their spears extended, who move forward.

With a powerful blow, Aycliffe knocks the dagger from Bear’s hand. Crispin runs and picks it up. Aycliffe shifts his attention to Crispin and is about to strike when Bear grabs Aycliffe, pinning his arms to his side. Bear then throws Aycliffe toward the soldiers’ spears, which pierce Aycliffe before the soldiers can react, killing him. Picking up Aycliffe’s weapons, Bears threatens the soldiers, who allow Bear and Crispin to pass out of the gate. Before he leaves, Crispin drops the lead cross on Aycliffe’s chest.

Crispin and Bear celebrate as they leave the city. When Crispin places Bear’s jester hat on his head, Bear places the hat on Crispin’s head and declares him to be a free man, accountable only to God. Crispin plays a song on the recorder, and Bear sings about Lady Fortune. Crispin is happier than ever, ready to explore the world, and confident in his name and identity.

Chapter 49-58 Analysis

These concluding chapters see Crispin learn the truth about his identity and grapple with what it means, or doesn’t mean, to him. After telling him about his parents, Widow Daventry encourages Crispin simply to run away, a choice that he would likely have accepted prior to his experiences and development throughout the novel. Unlike his earlier decision to run away from Stromford to protect himself, Crispin chooses to remain behind, at least until he can help Bear and possibly resolve the situation with Aycliffe. Crispin’s decision to confront his problems rather than run away shows his newfound maturity.

The decision to stay in the city for the time being leaves Crispin with another choice: whether to present himself as Lord Furnival’s son and claim rights or power on that account. As he analyzes the situation, Crispin realizes that Lord Furnival directly opposes the freedoms envisioned by men like Bear. Not wanting to participate in the system that made his own childhood so miserable, Crispin makes a conscious decision to align his actions with his values and reject his Furnival heritage.

Crispin’s brief encounter with Ball and the other members of his society in the White Stag reveals them not to be unambiguous heroes. Instead, Ball is somewhat paranoid and feels that Bear and Crispin may be threats to his society. Unlike Crispin, he and the others feel no lasting loyalty or duty toward Bear. Their contrast with Bear’s more cautious approach suggests that, however revolutionary his ideals are, Bear is more of a moderate in practice, such as when he presents himself as a pilgrim to win the favor of local priests during his travels. To Bear, who isn’t sure that a full revolution is feasible, it makes more sense to simply live as good a life as possible under the circumstances and help others to do the same.

As his character continues to develop, Crispin shows remarkable resourcefulness in these concluding chapters. His sneaking into the Furnival’s palace requires sustained yet delicate physical exertion. Meanwhile, his quick response when Aycliffe appears echoes Bear’s earlier tactics for getting the best of Crispin: Like Bear, Crispin offers Aycliffe something he wants (the cross, and his own removal from the city), and in exchange he makes Aycliffe take an oath. Later, during the fight just before his and Bear’s escape from Great Wexly, Crispin helps Bear regain the upper hand when Aycliffe seems about to win, showing that he and Crispin now work seamlessly as peers and equals, which is reinforced when Bear names Crispin a free man.

Aycliffe’s fate, meanwhile, reveals the shallowness of his character. His attempt to bribe Bear to turn against Crispin backfires and reveals that, to Aycliffe, money is all important. His inadvertent death at the hands of his own soldiers symbolizes poetic justice for those who, like Aycliffe, rule by fear: They are defeated by the people they seek to control.

Thematically, the climax of Crispin’s journey involves his confrontation with his own Furnival heritage within the shrine or sanctum in the Furnival palace. At this point, it becomes clear that Crispin’s development follows the pattern of a hero’s journey, in which a protagonist reluctantly goes on an adventure, overcomes opposition, and changes as a result, often through a climactic encounter with a father figure. In this case, Crispin enters a room that makes the best possible case for him to claim his birthright as a Furnival: The room is filled with jewelry, and the painted image of his father demonstrates holiness and serenity.

Crispin, however, finds the scene repulsive and tainted by hypocrisy. Despite recognizing his physical resemblance to his father, Crispin only feels further separation from father, leaving him free to define his own identity for himself. This notion is further reinforced in Crispin’s decision to leave behind the lead cross, which connects him to his Furnival heritage, symbolically capturing his decision to make a full break from the past. As Crispin leaves Great Wexly a free man, his experiences once again bear out the assertion that death can be quickly followed by a newness of life.

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