45 pages • 1 hour read
Sayaka Murata, Transl. Ginny Tapley TakemoriA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Keiko’s days off are Friday and Sunday. On Fridays, she sometimes visits a friend, Miho, who is married and now lives in the area in which they grew up. They met at an alumni reunion before Miho was married, and now Miho occasionally invites Keiko to events featuring other women their age. This particular day, a woman named Yukari joins them and notes that Keiko’s speech pattern has changed since they last saw each other years before. Keiko has intentionally made herself sound like Mrs. Izumi and Sugawara, and Yukari notes that she used to sound more “normal.” Miho disagrees, but Keiko admits to the reader (but not to the women) that Yukari is right. Since her world changes all the time as new staff members are hired, the things that make up her adopted personalities also change. However, the women note Keiko’s change in wardrobe has been for the better, and Keiko smiles. She wonders who is actually smiling—the Keiko with different clothes or herself.
Miho and her friends all speak and eat in the same way, but Keiko cannot remember if they’ve always done so. The women discuss having children: Yukari and Miho already do, but another guest, Satsuki, admits she has been waiting for nature to take its course. Yukari turns to Keiko to ask if she’s still “stuck” working at Smile Mart (32). Keiko recalls her sister telling her that it is unusual for women in their 30s to be unmarried or without a professional job, so she lies about health issues that make having a full-time job difficult. At the convenience store, Keiko lies about having to take care of her family. Both are lies that Keiko’s sister created for her.
Satsuki asks Keiko if she has ever been in love or on a date; Keiko forgets to lie and answers truthfully that she has not. Miho notes that these days, it is acceptable to be gay or asexual. Regardless, the women say they feel bad for Keiko; she admits to the reader that she’s never been interested in sex. She remembers adults wanting to make sense of her hitting a boy with a spade, by assuming she had a history of abuse. This time, Keiko remembers to lie and explains she is too weak for romance because of her supposed health condition—and the conversation moves on. Keiko imagines herself back in the convenience store where everyone is equal. She strokes her right hand as she pictures the brightly lit store and what is happening in it right now.
Whenever Keiko wakes up early, she likes to walk the last few blocks to the store and watch the surrounding apartment buildings give way to office buildings. She likes the sensation that the world around her is eroding. Early in the morning, there is practically no one on the street; at night, the area is deserted. On Keiko’s walks, she likes to see if anything has changed in the neighborhood that will affect the store. Today, she notices a new building is almost near completion.
When Keiko arrives at work, she buys a sandwich and tea and finds the store manager in the back room (who worked the night before again). He is the eighth manager for whom she has worked, and she regards him favorably compared to previous managers—each of whom does not have a name, just a number. For 18 years, there has always been a manager, and Keiko often feels they are basically one creature. Manager #8 tells Keiko that he always feels good when she’s around and that they have a new employee, Shiraha. Keiko notes that Manager #8 speaks in a manner similar to Mrs. Izumi, but imagines that she affected his speech more than he did Mrs. Izumi’s. He thanks Keiko for coming in five days a week.
New employee Shiraha enters. He is tall and thin, and his shirt looks too big for him. Shiraha is shy and seems confused when Manager #8 tells him to ask Keiko for advice as she has been at the store since it opened. Sugawara enters just as the dynamic becomes awkward. Keiko is unnerved by Sugawara’s voice, it having grown in volume since the loud Manager #8 joined.
Manager #8 runs the morning meeting, telling the staff to focus on a frankfurter promotion. He then leads them in a chant of the workers’ pledge and six most important phrases. Shiraha mutters that the store is like a religion, and Keiko thinks the comparison is rather obvious. Upon being reminded that he should ask Keiko or Sugawara about anything he does not understand, Shiraha snickers that he could not possibly be confused about a part-time job at a convenience store.
Once the shift begins, Shiraha slacks off. He does not arrange the display case in the strict way that Keiko asks him to, and she finds him flipping through the training manual. He complains about the manual not being well organized and that convenience store work isn’t suited to men as they are hunters, not gatherers. Keiko reminds him that it is the 21st century, and that gender doesn’t matter in convenience store work. Sugawara grows to dislike Shiraha after he insists on placing orders on his first day. She tells Keiko how impressed she is that she didn’t lose her temper with Shiraha, noting that she has never seen her complain about anything. Keiko feels she is being accused of being fake and changes her expression to say that she does get upset—but does not let it show.
A regular customer, an old woman with a walking stick, announces to the workers that nothing ever seems to change in the store. Keiko agrees, though she notes that none of the workers or products were in the store when it opened. Everything is new, but in the same place as the products they replaced.
On her next Friday off, Keiko visits her sister at her apartment in Yokohama. It is her first visit since the birth of her nephew, Yutaro. When Keiko first saw Yutaro in the hospital window, he looked like an alien, but now he looks more human to her. Keiko’s sister comments that she should visit her nephew as often as she visits Miho and her child, but Keiko does not understand why one baby should be more important to her than another. To her, both babies look exactly the same, just as stray cats all look the same.
Keiko asks her sister for help coming up with new lies, but her sister says she’s being rehabilitated and won’t need them. Keiko’s sister notes that she has changed, and Keiko thinks her sister has too, pointing out to the reader that her sister now has crow’s feet and wears dull clothes. When Yutaro starts crying, Keiko imagines stabbing him with a cake knife to get him to stop. Her sister cuddles him instead.
The next day, the store seems tense when Keiko arrives: A strange man is walking around the store yelling at employees and customers. Keiko finds out this man is just a customer, not someone from the corporate office. After Keiko rushes to the register to replace Manager #8, the latter solves the problem without anyone needing to press an alarm. The store’s morning atmosphere normalizes, as if there was never a threat from the outside world.
Mrs. Izumi asks the manager who the strange customer was, but he says he’s never seen him before—and that he should be called should the man return. Mrs. Izumi then asks the manager to speak to Shiraha about his performance; Manager #8 admits that he had misgivings about hiring him. They both mention that he seems like a loser because he’s around 35 and has no other job prospects. Mrs. Izumi nudges the manager, and notes that Keiko is an exception to this perception. He agrees, noting that it’s different for men and women.
Manager #8 notes that he has seen Shiraha use his cell phone while working, which breaks one of the store’s rules. On the other hand, he noticed (via the store’s cameras) that Keiko never takes time off nor does anything less than outstanding work. Keiko is proud to be considered a “faithful disciple to the store” (49). As Shiraha enters, Manager #8 admonishes him for breaking the rules, and Shiraha accuses Keiko of spying on him. The manager explains that he watched the cameras and then takes Mrs. Izumi out to the floor to go over a display case. Shiraha tells Keiko that the manager seems to think highly of himself for someone who manages a convenience store. Keiko notes that she likes to look people in the face when they look down at her for her job. In Shiraha's eyes, she sees prejudice—albeit that of someone who repeats slurs without thinking, not someone who actually has deep-rooted hatred.
Shiraha keeps rambling about how all the employees are losers. Keiko recognizes that he is like her—someone pretending to espouse societal conventions. She asks him why he’s working there at all, and he tells her that he is looking to meet a woman suitable for marriage. However, he hasn’t found anyone among the employees (too old or too flighty) or customers (too domineering or snobby). Shiraha claims that women won’t look at him because he is not as strong as other men, noting it’s been the same since ancient times. Keiko tells him to get his uniform on and asks him if he realizes he’ll be fixed by the store, which normalizes everyone. He doesn’t hear her question.
On Monday, Keiko finds that Shiraha’s name has been crossed out on the shift roster. Manager #8 tells her that Shiraha stalked a female customer when she came in to retrieve an umbrella; he copied her phone number and tried to get her address. Shiraha had also tried to flirt with Mrs. Izumi and a girl who works the night shift.
Sugawara and Mrs. Izumi agree the store is better off without Shiraha and his sexism. Keiko joins in on calling him weird, but feels that she would be just as quickly dismissed should she ever appear too strange to be worth the trouble.
Keiko sees an old woman with a walking stick trying to pick up some jam. She helps and sees that the customer is like the first woman whom she greeted 6,607 mornings ago. That first old woman stopped coming years ago, but this other old woman was now a regular. She tells Keiko that nothing ever changes at the store, and Keiko agrees despite Shiraha being fired.
Keiko gets a call from home after having just agreed to help Miho with shopping for a barbecue. Keiko’s mother asks if she can visit on the way home from Miho’s party, noting that it’s been a while since they’ve seen her and that they didn’t see her on New Year’s either. Keiko declines, saying she needs to be in good shape to work the next day. Her mother asks how she is, and Keiko hears disappointment when she tells her that she is fine; she knows her mother would like her to conventionally advance in life.
Keiko looks at herself in the mirror, noting she has aged since the day she was reborn. While Keiko doesn’t care about her looks, she worries about growing too old to work at Smile Mart, as was the case for Manager #6. She has to stay in shape for the store.
The next morning, Keiko helps Miho with barbecue preparations. Around 15 people attend the barbecue, with only two others besides Keiko being single. While everyone else discusses new jobs or children, Keiko reiterates that her health is bad and this is why she has to work at the convenience store. Miho and Yukari’s husbands ask why she would stand on her feet all day if she has bad health and stare at her like she is an alien. Keiko notices Yukari’s husband’s spittle hitting some of the barbecue meat as he judges her. The men ask why she’s never been married, and Miho’s husband says it’s easy for women to find a man but difficult for men to find a woman. The women agree that they should try to set Keiko up with someone, and that she should post a picture on a dating site. They get distracted by a burning smell from the barbecue and eat the same meat that Yukari’s husband unintentionally spat on. They move away from Keiko, who thinks to herself that she has become an outsider like Shiraha.
On the way back from the party, Keiko feels the need to hear the sounds of the convenience store, so she stops by. The high school girl working is surprised to see Keiko, and the latter says she thought she’d place a few orders on her way home. The manager tells her that he already placed them. He also tells her that he still hasn’t filled their job opening and is being more careful about it since Shiraha’s dismissal. One man he almost hired was too old. Keiko notes that until she grows too old and needs to be replaced, she is still useful. She even agrees to take a last-minute shift and leaves the store, smiling.
In these sections of the book, the reader catches a glimpse of Keiko as she exists outside of the convenience store—and how the store has changed her. Yukari notes that Keiko used “to speak more normally” and now has “a different air about” her (30). Because Miho sees Keiko often enough, she doesn’t notice these subtle changes (fueled by her learning to play different “characters” in her life). Keiko actively mimics her coworkers, but other women are probably oblivious to the ways in which they absorb each other’s attitudes and mannerisms. These women even reward Keiko for dressing like them, with clothes from stores they frequent (31). This causes Keiko to wonder who her friends are actually talking to—the Keiko "with different clothes and speech rhythms” or herself (31). She almost seems outside of herself when socializing with so-called “normal” people. Being a cog, fitting into society, gives Keiko pride; furthermore, she believes it necessary to socialize outside the store in order to successfully fit in there too.
The barbecue at Miho’s place also reveals some key details about Keiko. Firstly, the reader learns that she lies in both worlds to explain away her “abnormalities.” Secondly, the reader learns that Keiko’s sister has conspired with her to aid in these lies. Finally, the scene sets up a contrast that will matter later in the story. While Keiko believes everyone is a product of their environment, she also knows that she is alone in intentionally absorbing the spaces she occupies. Keiko’s friends believe she is “stuck” working at the convenience store, and yet she alone constantly evolves and takes on new mannerisms (32). The other women are advancing in their lives, but they are “stuck” as fixed entities who interact with the same people every day. The world of the convenience store seems constant and fixed, and yet the people who make up Keiko’s world are individuals in their own right who eventually stop being “stuck” there. Thus, the book suggests that things can both change and stay exactly the same depending on one’s perspective.
The introduction of Shiraha provides another view of the so-called normal world. He intrudes on Keiko’s safe space in the convenience store with the views of the outside world. He acts as though convenience store work is beneath him, and that the store’s culture is “just like a religion” (39). On the other hand, Keiko is proud to be “a faithful disciple to the store” (49). Religions offer their followers a clear belief system, a purpose, a new life. The store has offered Keiko all of this and more.
Shiraha also shares outdated opinions on the roles of men and women in society. While common, his view is not considered socially acceptable. Thus, it is Keiko who comes across as normal when she tells him “we’re in the twenty-first century!” (41). Shiraha’s opinions are offensive, and yet they used to be the norm in Japanese society. Even the manager notes that ambition is “different for men and women” (48). Such views are another challenge to the idea that the conventional world is inherently good. Shiraha’s behavior being considered out of place in the present (when it was once the norm) suggests that the world changes—something Keiko notices on a personal level. She notices her sister’s signs of aging, but her sister only notices what is different about Keiko. Likewise, the old woman who announces that nothing ever changes in the convenience store is simply someone who cannot perceive change. As Keiko notes, everything that was in the store when it opened has been replaced by identical replicas of themselves. Everything seems the same, but to Keiko, everything changes and it makes no sense to dwell on what has changed or not changed about her. The same idea can be applied to Smile Mart’s managers, who all blend together into “one single creature” and receive no names, just numbers (35). They are technically different but also exactly the same.