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Clytemnestra receives a series of letters from her siblings and relatives. The first letter is from Polydeuces, expressing his disbelief at the news of Clytemnestra’s despair and refusal to eat or drink. He reflects on their shared understanding of death and pain and emphasizes the importance of Clytemnestra’s resilience, urging her to reclaim her strength and will and reassert her position as a woman of power.
Penelope, writing from Ithaca, shares gossip about Clytemnestra’s situation. She struggles to accept the stories of Odysseus’s involvement in the sacrifice of Iphigenia and expresses her difficulties with balancing her belief in these tales with her efforts to maintain faith in her husband. She also urges Clytemnestra to persevere and manage her anger appropriately, especially toward Odysseus.
Timandra’s letter is filled with anger and a desire for revenge against those responsible for Iphigenia’s death. She acknowledges Clytemnestra’s power and influence, encouraging her to use it to exact revenge. Helen’s letter, written from Troy, provides insight into her own life and the burdens she now carries. She talks about the hatred and blame she faces from the Trojans and her deteriorating relationship with Paris. She also expresses her concern for Clytemnestra’s well-being and state of mind.
The narrative shifts forward in time, relating Clytemnestra’s perspective nine years after Iphigenia’s death. She reflects on how her loss has transformed her. She now spends her evenings in the garden, plotting revenge against those responsible for her daughter’s sacrifice. Clytemnestra reflects that there are two types of wars: those fought on the battlefield and those fought within the palace walls; both require strategy and ruthlessness. One evening, Leon informs her of a mysterious man who seeks her hospitality but refuses to show his face. Clytemnestra instructs Leon to have the man wait until the next day. A flashback describes an earlier moment of intimacy between Clytemnestra and Leon as they shared their grief over Iphigenia’s death and found brief comfort in each other’s arms.
Clytemnestra awaits the arrival of the unknown man who has come to her palace seeking hospitality. He enters and addresses Clytemnestra by her name, a breach of protocol that surprises her. She commands him to reveal his face but cannot immediately place him. Clytemnestra learns that he has visited Mycenae before, and the conversation shifts to the topic of laws. The man mentions that vengeance can be a stronger law than hospitality. When Clytemnestra inquires if he has wronged her family, he admits to having wronged her husband, Agamemnon.
Adhering to the laws of hospitality, she allows him to stay in the palace despite his admission. Her servant, Aileen, performs the ritual washing of the guest’s feet and recognizes him. Clytemnestra reveals that she knows the man’s identity. He is Aegisthus, the son of Thyestes and the cousin of Agamemnon. Clytemnestra grants him a safe refuge in the palace despite the threat he represents. Later, Aileen privately tells Clytemnestra that Aegisthus saved her life when Agamemnon and Menelaus reclaimed the city. Clytemnestra remains wary of his intentions, unsure whether he desires vengeance or the throne. At dinner, Aegisthus interacts with Clytemnestra’s children, Orestes and Chrysothemis. Orestes greets Aegisthus with a veneer of politeness, while Chrysothemis engages him with stories. After dinner, Clytemnestra walks in the garden, reflecting on the lives of Helen and Leda. She remains determined to protect her family and kingdom from any threats, including those posed by Aegisthus.
Clytemnestra and her daughter Electra go to the market in the bustling streets of Mycenae. As they navigate the crowd, they encounter various vendors, and Clytemnestra reflects on a recent meeting with the elders, who insisted that she imprison Aegisthus. Clytemnestra, asserting her authority, refused, asserting that Aegisthus posed no immediate threat and that there would be no advantage to imprisoning him. Now, Electra and Clytemnestra discuss Aegisthus’s background. Electra reveals that Aegisthus was born from an incestuous union when Thyestes raped his own daughter, Pelopia. Aegisthus was raised by Atreus, the father of Menelaus and Agamemnon, and was unaware of his true parentage. Clytemnestra notes Electra’s intent to understand Aegisthus through these stories, but she also realizes that control is often an illusion, especially for women.
Later, Clytemnestra observes Aegisthus practicing with weapons. His movements are desperate and unrefined. Clytemnestra challenges him to a sparring match, and they engage in a vigorous and exhausting exchange. Clytemnestra uses the opportunity to gain insight into Aegisthus’s character and complex emotions. They discuss their weapons, which were both gifts from their mothers, and Clytemnestra notices his strength and manipulation, likening him to a wolf showing its teeth. After the encounter, Clytemnestra bathes, reflecting on her role as a mother. Aileen brings news of Chrysothemis’s nightmares and the palace gossip surrounding Clytemnestra’s decision to allow Aegisthus to stay. Clytemnestra dismisses the concerns, emphasizing her control over the situation. At dinner, Clytemnestra sits with Leon, her loyal servant, and discusses the elders’ disapproval of her rule. Leon states that the elders’ dreams of power are just that—dreams—and that enduring their dissent is part of the burden of leadership. An intimate encounter occurs between Clytemnestra and Leon, during which Clytemnestra reflects on her feelings and the sense of emptiness that pervades her life.
Fall arrives. In Mycenae, Clytemnestra reflects on the stillness and silence of her surroundings, likening them to Aegisthus’s eyes. During a meeting in the megaron with the elders, the throne’s future and Aegisthus’s presence are discussed. The elders express concern over Aegisthus’s potential claim to the throne and suggest imprisoning him. Clytemnestra insists that she has a plan to handle Aegisthus and reminds them of her successful rule over Mycenae. The discussion shifts to the situation in Troy, where a plague has struck the Greek army. Clytemnestra inquires about King Agamemnon’s well-being and dismisses the elders’ concerns about her leadership, demanding their respect and counsel.
Later, Clytemnestra speaks with her son Orestes in the practice yard, encouraging him to attend meetings with the elders to learn about leadership and politics. She advises him on how to handle the elders’ deceitful nature. Later, she observes a council in which young men offer their swords to replace a fallen warlord. Kyros, Eurybates’s son, is chosen despite a past incident in which he showed disrespect to Clytemnestra’s daughters. She warns Kyros that this is his chance to make her proud. Clytemnestra then overhears a conversation between Electra and Leon, in which Electra questions Leon’s loyalty to Clytemnestra and his knowledge of their familial past. Clytemnestra interrupts them, and later, Electra and Clytemnestra discuss Aegisthus. Electra admits her fascination with broken people, which prompts Clytemnestra to reflect on her own attraction to Aegisthus.
Clytemnestra encounters Aegisthus during an early morning walk. They engage in a candid conversation about their traumatic pasts, sharing experiences of violence, cruelty, and suffering within their families. They discuss Aerope, Atreus’s wife, and her influence over Atreus and Thyestes. A tense moment of unspoken desire and understanding occurs between them.
Clytemnestra decides to secretly follow Aegisthus to understand him better. She observes him in various places, including the streets of the citadel, the practice yard, and a tavern where he drinks alone. Despite her efforts to remain unnoticed, Aegisthus seems aware that he is being watched. One night at the tavern, a drunken merchant recognizes Aegisthus and confronts him, taunting and insulting him. The merchant even spits on Aegisthus, but Aegisthus refrains from violence despite his rage and leaves the tavern. Clytemnestra observes this incident and notes Aegisthus’s restraint and sadness. On another occasion at the tavern, Aegisthus intervenes to protect a young girl from being abused by a group of drunk merchants. Clytemnestra sees this and is moved by his unexpected act of protectiveness.
Later, Clytemnestra confronts Aegisthus in the armory, questioning his motives for helping the girl and demanding to know why he tolerates insults from others. During this intense encounter, they share a brief, charged moment of physical contact, and Clytemnestra puzzled by his reaction to her. Later, he surprises her outside her bedroom. He grabs her, covering her mouth, but she breaks free and boldly asks if he has come to kill her. He does not respond. Sensing his desire, Clytemnestra confidently steps into her bedroom and undresses. Aegisthus follows, and they become intimate, described metaphorically as “two knives slicing each other” (350).
The letters from Clytemnestra’s siblings and relatives provide much-needed exposition on the wider affairs of the world beyond Mycenae, as well as offering varied perspectives on Clytemnestra’s own situation. Additionally, these disparate narrative voices deepen the protagonist’s emotional landscape by demonstrating how profoundly her experiences have affected those around her. As Polydeuces, Penelope, Timandra, and Helen each offer their unique insights, their words of support highlight Clytemnestra’s role as a powerful woman who must find unique ways to navigate her male-dominated world, for her responsibilities as a ruler often hinder her long-standing quest for justice and revenge.
Amidst Clytemnestra’s many concerns, her interactions with Aegisthus are particularly significant, for these encounters reveal her willingness to embrace Moral Ambiguity and the Pursuit of Power. Aegisthus’s background is marked by violence and familial betrayal and mirrors Clytemnestra’s own traumatic past, and even though his continued presence in her halls raises eyebrows among her people and poses a potential threat to her family, she persists in exerting her will and using the power of her position to gauge his true motivations. As their duel and succession of conversations leads to the start of an intimate relationship, the essence of their mutual understanding is built upon the connections between their past suffering at Agamemnon’s hands. Fraught with complex power dynamics, Clytemnestra‘s blossoming relationship with Aegisthus also highlights her strategic acumen as she deftly navigates the potential threats and alliances he represents.
Greek tragedy is known for its exploration of Catharsis as a Mechanism of Emotional Release, and the term was famously defined by Aristotle as the therapeutic purging of emotions that an audience experiences upon witnessing a tragic play. While the term typically refers to the emotions of the audience rather than the play’s characters, this emotional purging represents a crucial analytical lens through which to discern the deeper nuances of Clytemnestra‘s journey. From chapter to chapter, her story unfolds amidst a backdrop of loss, grief, and the quest for vengeance, and she thus represents a classic example of a tragic hero whose flaws bring about her eventual downfall. For Clytemnestra, her journey is marked by loss—the sacrifice of her daughter Iphigenia, betrayal by her husband Agamemnon, and the complexities of her past. These events evoke a powerful obsession with vengeance that defines her actions. For Clytemnestra, the only form of catharsis she can hope to attain is the release of these emotions, which can only be achieved by acts of revenge, such as her murder of Cynisca. She also finds cathartic release during instances of confrontation and decision-making, as well as her relationship with Aegisthus. These moments allow her to confront and process her emotions and move toward a resolution, albeit a tragic one.
The relationship between Clytemnestra and Aegisthus also raises questions about the nature of love within the context of trauma. In Greek tragedy, love is often intertwined with suffering, betrayal, and vengeance, and all of these factors are apparent in their relationship. Their unlikely connection implies that love forged in tragedy is a complex, destructive force that drives people to extreme actions. Their relationship, marked by mutual understanding of suffering and a shared history of familial betrayal, allows both characters to process and release their long-held emotional pain. This cathartic element explains the otherwise irrational nature of their mutual attraction.
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