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Cassandra ClareA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Down-worlders and demons are two of the prominent groups within the Shadow world. Demons are creatures of pure darkness, who feed off the vitality of life until there is nothing left of a world but destruction and decay. It is never specified where demons come from, but since Shadowhunters prescribe to no particular religion, it may be that demons come from the various planes of evil, such as Hell and Naraka (the Hindu equivalent of Hell). The demons in City of Bones range from the weak and unintelligent ravener that attacks Clary in her home to Abbadon, the greater demon that is powerful enough to possess Madam Dorothea from another plane of existence. This suggests there is a hierarchy of demons and that the lesser creatures are like foot soldiers to the greater captains or generals.
There are many types of Down-worlders, and the most common are vampires, werewolves, warlocks, and faeries (nymphs, dryads, etc.). Warlocks and faeries are of mixed parentage. Warlocks result from the union of a demon and a human, where faerie origins are unclear but believed to be either the offspring of demons and angels or angels who were cast from heaven. By contrast, vampires and werewolves are created from demon viruses that have particular effects on humans. In all cases, Down-worlders are gifted with supernatural abilities. Warlocks and faeries have command of magic while vampires and werewolves benefit from superior speed and strength. Tensions run high between Down-worlders and Shadowhunters, but the different Down-worldder species also have feuds among themselves. This is partly seen at Magnus’s party and explored more in the rest of the series.
The Mortal Cup is one of the Mortal Instruments, for which the series is named. The other two are the Mortal Sword and the Mortal Mirror, which appear later in the series. In Shadowhunter lore, the Mortal Cup is the chalice with which the angel Raziel created the first Shadowhunter (Jonathan Shadowhunter) from whom all other Shadowhunters are descended. The cup may be used to transform humans into Shadowhunters, but it is believed that most humans would not survive the transition and be turned into forsaken, similar to what happens when humans are given Shadowhunter runes.
Much of City of Bones’s external conflict centers around the Mortal Cup. Twenty years ago, Valentine’s group sought to use the Mortal Cup to create more Shadowhunters to preserve the race. Unknown to his followers, Valentine truly wanted the cup so he could create an army of Shadowhunters and forsaken to destroy the Clave so he could rule over Shadowhunter kind. The cup represents how a single object may mean very different things. To the Clave, the Mortal Cup is a sacred item that may be used in times of need to increase Shadowhunter numbers, and it is a prized gift from the angels. To Valentine, the cup is a tool to be used for his purposes, regardless of whether it is used as the angels intended. In Valentine’s hands, the cup is a weapon and an instrument of torture, as he would use it to force humans to fight for him, destroying them in the process.
Runes are an integral part of Shadowhunter life. Most runes are temporary and used in battle, such as runes for strength and speed. Other temporary runes are used for healing, and very few runes are permanent, such as the one that helps Shadowhunters see the Shadow world. Shadowhunters are the only group who may use runes on their flesh. Humans exposed to runes will become forsaken, and while it is never specified what would happen to a Down-worlder who attempted to bear runes, it may be concluded that they cannot since Down-worlders are part demon in nature.
Runes may also be used on objects. In Chapter 11, Isabelle works runes into the outfit she wears to the party. Her shoes have runes for strength, which would put extra might behind a blow. Clary’s experiments with runes lead to her finding the Mortal Cup and also to discovering her unique talent to manipulate art with runes. Her mother hid the Mortal Cup using the same process, and Clary extracts it from its tarot card, turning the card to ash. Clary’s experiments in her sketchbook do not destroy the paper, which suggests that additional runes were used on the card to eliminate evidence of its existence once the cup was retrieved. It may also be that different materials bare runes differently, much like Shadowhunters may place runes on their skin where humans cannot.
By Cassandra Clare
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