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52 pages 1 hour read

Cormac McCarthy

Child of God

Fiction | Novel | Adult | Published in 1973

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Background

Cultural Context: The Serial Killings of the 1960s

Published in 1973, Child of God followed a decade when lurid, sexually motivated murders captured the public imagination in the United States. The rape and murder of 13 women in Boston from 1962 to 1964 by a man dubbed the Boston Strangler, the murder and rape of eight student nurses by Richard Speck in Chicago in 1966, and the Tate-LaBianca murders committed by the Manson Family in 1969 all brought the psychology of serial murder to the public’s attention.

A lesser-known crime of the same era was the murder of a teenaged couple, Orville Steele and Carolyn Newell, near Chattanooga, Tennessee, in 1963. Dubbed the Lula Lake Murders after the name of the popular lovers’ lane from which the couple disappeared, the search for and discovery of the couple dominated headlines in Tennessee, where Cormac McCarthy lived at the time. A known peeping Tom, 27-year-old husband and father James Blevins, was convicted of the murder of Steele and the murder and rape of Newell. However, Blevins was later acquitted. Like Blevins, McCarthy’s Lester Ballard is a 27-year-old voyeur who prowls a popular lovers’ lane in the Smoky Mountains. Though not directly stated, Child of God is likely based on these killings. Ballard shares many behavioral traits with Blevins though Blevins’s alleged crimes did not involve necrophilia. The novel traces Ballard’s downward spiral into isolation and explores the factors that exacerbate his violent tendencies.

Historical Context: Vigilantism in Sevier County, Tennessee

McCarthy incorporates the history of vigilantism in Sevier County in the 1890s into the plot and themes of his novel. The account of the White Caps and Blue Bills by Mr. Wade is historically accurate and illustrates the blurred lines between law enforcement, morality policing, and mob justice that reigned in the area at that time.

Historically, Sevier County was an isolated region in the Smoky Mountains of Eastern Tennessee. In nearby Knoxville, Sevier County residents were regarded as backward. The narrator John’s implied dislike of John Greer—who comes from Grainger County, bordering Knoxville—indicates this parochialism. Sevier County residents considered themselves self-sufficient people in the spirit of the American pioneer; however, their reliance on trade with the nearest cities belied this myth (Cummings, William Joseph. “Community, Violence, and the Nature of Change: Whitecapping in Sevier County, Tennessee, During the 1890’s.” 1988. University of Tennessee, Masters Theses. TRACE, p. 31). In Child of God, Lester tethers himself to this mythology of self-sufficiency.

The county’s vigilante justice was motivated by the elites’ desire to root out indecent behavior in the community, particularly among women, and to secure their economic status. Sevier County suffered an economic downturn during the Reconstruction era following the Civil War. However, with a small Black population and many veterans of the Union Army, this depression didn’t result in racial violence as it did elsewhere. Instead, Sevier County became economically stratified between the wealthy, who owned flat farmable land, and the poorer people who farmed the mountainous terrain. Worsening this stratification, many who inherited small farms lost them to unpaid taxes and had them sold at sheriff’s sales (31). In the novel, this is how Ballard loses his family’s farm. This economic stratification strained the sense of community in many parts of the county, resulting in a change in the nature of local vigilantism.

The main vigilante group that dominated the region was the White Caps, a secret society whose members wore white hoods and tacked notices to residents’ doors, warning them of the consequences of their alleged indecent behavior. Punishment involved public whipping, and victims often died. A rival group known as the Blue Bills arose to combat the White Caps, leading to a shootout known as the Battle of Henderson Springs in 1984 in which several individuals were killed. After a series of high-profile murders and conspiracies perpetrated by and against the White Caps, Sheriff Thomas Davis reformed the regional justice system and ended the group’s illegal activity.

McCarthy emphasizes the problem of mob justice in Child of God with the re-emergence of vigilantism following Lester’s murders. The gang that abducts Lester is prepared to lynch him, but their inept intervention backfires, reminiscent of the Blue Bills’ failures to stop the White Caps: In trying to force Lester into revealing his victims, they inadvertently free him.

In Child of God, McCarthy deconstructs the law-and-order resistance to vigilantism by portraying the court system as equally merciless. Wade’s account of the cruelty of the execution of Wynn and Tipton (real-life White Caps and murderers) illustrates that there was just as much desire for violence in state-sanctioned justice as there was in whitecapping, adding to the novel’s theme of The Violence Inherent to Humanity.

Literary Context: Gothic Horror and Freud’s Uncanny

In 1919, Sigmund Freud published a paper titled “The Uncanny.” Part psychoanalytical investigation, part literary analysis, the essay has since become a classic in the field of literary criticism because of its insight into this feeling commonly associated with Gothic literature. Freud’s analysis of what distinguishes the feeling of uncanniness from related feelings of fear, apprehension, and confusion offers a helpful frame for understanding the atmosphere and themes of Child of God.

Freud defines the uncanny as “the name for everything that ought to have remained […] hidden and secret and has become visible” (Freud, Sigmund. “The Uncanny.” Translated by Alix Strachey. Massachusetts Institute of Technology, 4). Uncanniness is consequently related to Freud’s idea that repressed desires inevitability resurface. Some of the uncanniness in Child of God is the result of such reemergence—most significantly, the disgorgement of the corpses previously concealed under the hidden sinkhole. This occurrence resembles a scenario Freud cites in a litany of mentions of uncanniness in literature: the feeling when walking over a buried spring or dried-up pond that water will suddenly emerge (3).

After providing this initial definition, Freud classifies the types of things that evoke the feeling of uncanniness. Often, feelings of the uncanny occur in an atmosphere of silence, solitude, and darkness; under these conditions, even a rationally minded adult may read ominous meaning into occurrences that under a different circumstances would be banal. These conditions induce a regression into the animistic world of childhood, in which magical thinking is typical. Children commonly treat inanimate things, such as dolls, as living. They may also believe that if they wish hard enough for something, it will come true. While adults supplant this type of thinking with reason, this superstitiousness remains subconsciously present. Lester presents this type of magical thinking when he sees the world as something animated by a malevolent force, which he spitefully wishes would attack him.

Finally, Freud identifies two of the most common evokers of uncanniness: “doubts [about] whether an apparently animate being is really alive; or conversely, whether a lifeless object might not be in fact animate” (5). Ballard’s necrophilia, his treatment of the bodies as dolls, and his prized stuffed animals all embody the horror of a mind’s inability to tell whether something is living or dead.

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