99 pages • 3 hours read
Kurt Vonnegut Jr.A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
John goes to Frank’s elegant house, designed and previously owned by Nestor Aamons. Finding that Frank is not home, John visits Newt on a terrace overlooking a waterfall. Newt shows John his black, scratchy painting in progress, which is of a cat’s cradle string figure and paradoxically contains neither a cat nor a cradle.
Angela appears with a man who introduces himself as Julian Castle. John asks whether Julian is a follower of Albert Schweitzer, a noted German theologian. Julian says that Schweitzer is not his role model but admits that Schweitzer influenced his view of Jesus.
John explains Newt’s painting to Julian, who agrees with its implication that life is meaningless and admits that he only mentioned Jesus as something to talk about. To prove his point that “man is vile, and man makes nothing worth making, knows nothing worth knowing” (169), he tosses the painting over the waterfall.
John asks Julian whether he is treating Papa Monzano, and Julian explains that Papa Monzano opposes his work since he administers Bokononist rites to those who are dying, including boko-maru, the touching of feet. According to Julian, everyone in San Lorenzo secretly practices Bokononism.
Julian explains that Bokonon invented his religion consisting of “better and better lies” when McCabe’s economic and legal reforms failed to help the people of San Lorenzo (172). At Bokonon’s request, McCabe outlawed Bokononism and instituted the hook as punishment to make the religion more attractive, though McCabe didn’t have anyone executed. He also periodically led unsuccessful manhunts for Bokonon.
Julian explains that the roleplay between McCabe and Bokonon did make the people happier, but it came at a price: McCabe and Bokonon began to grow into their respective roles, and McCabe even executed a few people by the hook, as does Papa Monzano.
As John, Julian, Angela, and Newt drink on the balcony, Julian speculates that Newt’s painting has been recovered by the poor villagers who live downstream and stretch a net across the water. Angela complains that her father was underpaid and underappreciated. At Newt’s suggestion, she goes to get her clarinet. He explains that her husband is unkind and unfaithful to her.
John is astounded by Angela’s musical range and expressiveness as she improvises on her clarinet to a recording of a jazz pianist. Afterward, Julian quotes a passage from The Books of Bokonon about people’s drive to seek understanding instead of simply existing as animals do. Newt compares religion to a cat’s cradle.
Frank calls John and tells him that he is keeping watch over Papa Monzano, who is dying. He asks John to stay put but refuses to say why, other than mentioning the Bokononist word, “zah-mah-ki-bo.” Julian translates the word as “fate—inevitable destiny” (184).
Over dinner, Julian reveals that Papa Monzano is dying of cancer. He mentions that McCabe named Papa Monzano his successor before shooting himself. Dr. von Koenigswald, a staff member at Julian’s hospital who tends to Papa Monzano, was a Nazi who worked in a concentration camp.
After dinner, Julian leaves. Stanley, Frank’s servant, points out landmarks around the island. Suddenly, a convoy of soldiers arrives and sets up defenses around the house, following orders to protect “the next president of San Lorenzo” (188).
The power goes out.
As Frank and Angela discuss Dr. Hoenikker’s siblings, John asks Stanley for a copy of The Books of Bokonon, which Stanley provides while denouncing the book. John reads Bokonon’s account of the origin of the solar system, in which the planets are the children of the sun and the moon, which Bokonon himself dismisses as “foma,” meaning lies.
John wakens to a series of bangs and lights as the electricity comes back on. He frantically runs to the common area, where he spots Newt and Angela, each carrying a small thermos jug containing a fragment of ice-nine, though John did not know at the time. Outside, John finds Frank operating a small electric generator, accompanied by Mona. Frank takes John aside for a chat.
Making awkward but friendly remarks, Frank leads John to his den in a cave under the waterfall. After explaining that he prefers technical, behind-the-scenes work, Frank offers John the position of president of San Lorenzo.
John asks why Frank doesn’t want to be president, and Frank explains that, like Dr. Hoenikker, he has good ideas but no talent for public speaking.
John refuses Frank’s offer and laughs at the absurdity of the situation. Frank recalls his peers making fun of him in high school, then confides that, rather than simply making models at Jack’s hobby shop, he had an affair with Jack’s wife.
In a sudden surge of inspiration, John feels drawn to Bokononism and accepts his fate to be San Lorenzo’s president. Frank admits there is one condition: John should probably marry Mona.
Frank leads Mona to the cave, and then leaves. For a moment, John is tongue-tied, but Mona offers to join him in boko-maru. Awkwardly, John removes his shoes.
A poem by John celebrates the loving connection he feels in his “soul” as the “soles” of his feet are pressed to Mona’s.
After boko-maru, John and Mona admit their love for each other, but John is upset when Mona says that she loves many people as much as she loves him since it is a principle of Bokononism to love everyone equally. John forbids her from engaging in boko-maru with anyone other than him, but Mona refuses to marry him under those conditions. John agrees to take up Bokononism.
Frank and John drive toward Papa Monzano’s castle. On the way, they pass Mount McCabe, San Lorenzo’s highest peak, which no one ever bothered to climb. Frank tells John that humankind is the only thing held sacred in Bokononism.
As they enter the heavily defended castle, John notices a hook that is reserved for killing Bokonon, should they ever be captured. John resolves to take down the hook when he is president.
John and Frank wait to see Papa Monzano alongside Dr. Vox Humana, a Christian minister with a bell, a Bible, a knife, and a chicken in a box. The minister explains that he had to create his own version of Christianity since Catholicism and Protestantism were both outlawed.
John and Frank find Papa Monzano lying in his bed, which was created from the lifeboat of the ship that brought Bokonon and McCabe to the island. As his condition worsens, Papa Monzano mentions ice but shows no interest in regular ice. He makes John promise to kill Bokonon and, together with Frank, tell the people the truth.
Papa Monzano calls for his last rites, but when Dr. Humana appears, he sends him away, saying that he is a Bokononist, not a Christian.
Dr. von Koenigswald offers to administer the Bokononist last rites to Papa Monzano even though he considers them “unscientific.”
Dr. von Koenigswald recounts the words of the Bokononist last rites, and Papa Monzano repeats them. The words describe God creating people out of mud and emphasize the privilege of living and being self-aware while looking forward to a heavenly state.
The titular symbol of the cat’s cradle comes into greater focus in this section. Newt’s explanation of the significance of the cat’s cradle in his painting highlights the gap between what people say and what is real, just as the cat’s cradle features no cat and is not a cradle. Newt’s interpretation is reaffirmed on several occasions when he mentions the cat’s cradle as an aside. For instance, when John is surprised to hear Angela’s marriage is not a happy one because of her prior statements, and Newt mentions the cat’s cradle in explanation; he also draws parallels to religion. The implication is that most people are, in fact, chronic liars, both to themselves and others, and in denial about the realities of their situation.
The setting of Frank’s home, including the waterfall and the people who live downstream, models the class differences that divide society in San Lorenzo. As an honored guest, John primarily associates with those in the higher levels of San Lorenzo’s socioeconomic hierarchy. The lower classes generally only appear in groups and are perceived in monolithic terms rather than individually. This divide is contextualized within the failure of McCabe’s economic reforms. Lingering inequality further highlights the unhappiness of most of San Lorenzo’s citizens, driving them toward Bokononism.
Vonnegut continues to enrich and deepen his conception of Bokononism in these chapters. His inclusion of select Bokononist words to replace English terms, such as “zah-mah-ki-bo” for “fate” and “foma” for “lies,” invites readers to review related concepts from a fresh perspective. Meanwhile, his account of the origin of the cosmos is absurd, failing to provide any real insight into the context of human experience and serving as a parody of such origin stories.
Frank’s character also comes into focus in this section. Like Dr. Hoenikker, Frank prefers to work on projects rather than interact with people. To him, the people of San Lorenzo are much like the people in the model city he created in Frank’s hobby shop. His affair with Jack’s wife, which is foreshadowed earlier by the mention that Jack’s wife left him, shows that Frank has little or no interest in conforming to social norms and expectations to avoid offending others.
John’s encounter with Mona is similarly illuminating. Here, John’s attraction to Mona influences him to embrace Bokononism. As an intimate rite, boko-maru is comically simple but also surprisingly effective. In this scene, it serves as a kind of tongue-in-cheek substitute for sex, as John’s elated poetic imagery in Chapter 92 attests, along with his jealous demand that Mona not engage in boko-maru with anyone but him. Bokononism inverts the Christian norm of marital fidelity, however, with Mona’s explanation that the religion demands that she love everyone just as much as she loves John. Full of apparent contradictions as she is, John struggles to understand Mona, and his confusion is passed along to readers.
John and Frank’s journey to Papa Monzano’s castle demonstrates John’s developing views on San Lorenzan society. His determination that he will remove the hook reserved for Bokonon reveals his naïve, idealistic outlook, as he subsequently reverses his position upon taking power. Paradoxically, this change reinforces the efficacy of San Lorenzo’s system of severe government and outlawed religion. At this earlier point, John’s view is closer to that of a typical citizen, so he participates in and benefits from idealistic veneration of Bokonon. Later, as president, he is forced to take a broader view and maintain the ban on Bokononism to allow other people to continue to experience what he did.
Simultaneously, as Papa Monzano nears the end of his rule, he undergoes a similar reversal. In his case, he abandons the pretense of Christianity and admits his own preference for Bokononism. The reasoning for his preference becomes clear as he participates in the Bokononist last rites, which are uplifting and inspiring. Having exhausted the medical resources available to him, Papa Monzano finds religion more effective than science at alleviating his pain.
By Kurt Vonnegut Jr.