99 pages • 3 hours read
J. D. SalingerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Holden wakes up around 10 o’clock in the morning and thinks about calling Jane, but he calls Sally Hayes instead. He doesn’t like Sally much, but he invites her to join him for a matinee later in the day, then chats with her awhile, even though he finds her annoying. After the phone call, he gets up and checks to see if anything interesting is going on out his window before heading downstairs. He gets a cab and goes to Grand Central Station, where he stows his bags for the day.
At the station, he gets breakfast at a sandwich bar. Two nuns sit down next to him, and he helps them with their suitcases. The bags are cheap, which reminds him of his old roommate, Dick Slagle, who had cheap suitcases. Holden felt self-conscious about his fancy ones and started to put them under his bed, but Dick liked them being out because he could claim they were his when they had visitors. Holden remembers Dick Slagle calling him bourgeois all the time—first as a joke, then not—until they finally asked to change roommates. He realizes that it’s hard to be friends with someone from a different economic class.
Holden notices the nuns’ collection basket and offers to give them a $10 donation though he is running out of money. They are hesitant, but he insists. Afterward, he starts a conversation with the nun next to him—she’s an English teacher in Chicago, and he thinks it’s strange that she’d teach a book like The Return of the Native that has content the church generally frowns upon.
They start talking about Romeo and Juliet, and Holden admits that he doesn’t like the leads but loves Mercutio; he thinks Mercutio’s death is the biggest tragedy because it’s someone else’s fault.
The nuns begin to leave, and Holden offers to pay for their meal; they refuse. Holden realizes he would’ve enjoyed the conversation with them more if he hadn’t feared they were going to ask him about his faith the whole time. He thinks of another acquaintance from school, Louis Shaney, who very pointedly asked him mid-conversation where the Catholic Church was. As they leave, he wishes he’d given them more money, even though he knows he needs what he has to take Sally on their date.
Holden decides to walk to a record store to find a record for Phoebe before heading to the park to try and catch her roller skating, which she often does on Sundays. While walking, Holden sees a young boy singing, “[i]f a body catch a body coming through the rye” (150); seeing the boy cheers Holden. Holden acquires the record, then stops at a drugstore to call Jane, but her mother answers. He then buys orchestra tickets for his date with Sally. Buying the tickets makes him think about actors, particularly about how the good ones always seem like they’re showing off to Holden.
At the park, Holden doesn’t see Phoebe, so he asks a young girl if she’s seen her. The girl says she might be at the museum with her class, then realizes that she would’ve gone on Saturday, not Sunday. Holden helps her tighten her roller skates and decides to walk over to the Museum of Natural History anyway.
While walking, he thinks about how everything at the museum always stays the same, which is his favorite thing about it. Holden thinks that at the museum, the only thing that changes is you—each time you go, you’re a little bit older and a little bit different. He thinks about Phoebe growing up going to the museum; it upsets him, but he doesn’t know why. When he arrives at the museum, he suddenly doesn’t want to go anymore, so he catches a taxi to the Biltmore to meet Sally for their date.
Holden is early for his date, so he sits in the lobby watching girls. He’s attracted to them, but he’s also troubled by the idea of what will happen to them as they grow up and marry what he thinks of as dopey guys. This makes him think about a roommate he had, Harry Macklin, who was a bore to Holden but was also an excellent whistler; thinking about Harry makes him realize that maybe he’s wrong about marrying a bore.
When he sees Sally, Holden suddenly has strong feelings for her. They get in a cab together and kiss, and Holden tells her he loves her. They go to the show, where Holden is distracted by how good the actors are, comparing them to Ernie the piano player. At intermission, Sally sees someone she thinks she knows who looks important, and Holden gets irritated with her and says she should go kiss him. The young man comes over, and Sally fawns over him, to Holden’s displeasure. They continue talking to each other at each intermission and after the show, which annoys Holden greatly.
Holden is tired of Sally, but she suggests they go to Radio City to go ice skating. They go, and Sally rents a skating outfit that Holden finds attractive. They’re both terrible skaters, though, and soon head into a bar right off the skating rink.
In the bar, Sally again asks Holden if he’s coming over to trim the Christmas tree, which is a frequent topic between them. Holden changes the subject, asking Sally if she’s ever fed up, then launches into a tirade about all the things he hates about school and the city. They argue, as Sally tries to convince him that not everything is bad, but Holden stays firm, then he suggests they borrow a friend’s car and drive north where he can find work. Sally says there will be time for that after college, and Holden is frustrated with her, saying that after college it would all be different, as they’d be expected to behave as good adults in high society.
Sally gets more and more upset by Holden, and he finally calls her a pain in the ass. She starts crying, and he apologizes, but she won’t accept it. When she refuses his offer to take her home, he inadvertently laughs at her, which makes Sally even madder. Holden finally leaves her there at the bar, thinking as he does that, even though he meant everything he said, he probably wouldn’t have wanted to run away with her.
After his date, Holden thinks about how women always apologize for the awful men they date. He tries calling Jane again, but she doesn’t answer. Then he calls a friend of his from Whooten School, Carl Luce, who is a few years older than Holden. Carl agrees to meet him that night for a drink.
Holden has time to kill, so he goes to a movie at Radio City. He dislikes the accompanying stage show, which features the Rockettes and Christmas music, though he remembers loving the kettle drum player when he saw the show once before with Allie. Holden hates the movie, which is a schmaltzy romance about a duke who loses his memory and falls in love with a homely woman. He notices the woman next to him crying throughout but not paying attention to her son’s needs.
After the movie, Holden walks to the bar to meet Carl, thinking about war movies and D. B.’s time in World War II. He remembers a time when Allie told D. B. it was good that he was in the war because it meant he had things to write about, and D. B. asked Allie which of the poets he admires is the best wartime poet; none of Allie’s favorite poets ever went to war. Holden would hate to have to go to war because he’d be surrounded by phonies like at school, and he thinks that if there was another one, he’d volunteer to sit on top of the atomic bomb as it dropped.
Holden’s encounter with the nuns brings two underlying issues into the foreground for Holden: class and religion. They both cause Holden discomfort, and he relates stories about roommates to explain why. First, he discusses Dick Slagle’s obsession with Holden’s nice luggage. The incident makes Holden keenly aware of his place in society as a rich person and fuels his internal conflict about really belonging with the phonies. This fraud complex drives Holden to think about how he can be a better person, and he donates to the nuns’ cause.
The other tension is religion, and Holden feels troubled by the fact that it’s always a subject that gets in the way of authentic connection for some people. He considers himself an atheist, and he has a low opinion of the 12 disciples (whom he considers in the context of his own dealings with hangers-on and social strivers). He is drawn into a conversation with one of the nuns that he finds genuinely interesting, but the lingering threat that she might ask him about his own beliefs is a barrier to him connecting with her. This inability to connect happens repeatedly throughout the book, either because something like religion stands in the way or because Holden is reaching out to people who have no interest in him (or who he has no interest in).
Sally is an excellent example of this, seeing as she stands in as a surrogate for Jane Gallagher, with whom Holden seems to want to connect. Though he is initially charmed to be around her again, their physical attraction can’t keep him interested once he admits what he really feels. His Longing for Connection, though, means that he tries to convince her to run away with him, even though he knows he wouldn’t want her to come along. At this point in the narrative, Holden has tried to connect with so many people who aren’t the people he really wants to reach—Jane and Phoebe—and each one has been a botched attempt.
Both Jane and Phoebe are characters that call to mind a more innocent existence for Holden. When he thinks of the conversation between Allie and D. B., he’s reckoning with the idea that he sits between those two viewpoints: Allie is the youthful optimist who knows that everyone, even Emily Dickinson, is going through their own war, and D. B. is the jaded veteran who realizes that war is meaningless. Some scholars view Catcher in the Rye as a war novel, with Holden’s experiences mirroring that of veterans returning home with PTSD and finding that they don’t fit into society, and the private school representing an army unit. Holden isn’t articulating these connections as he thinks of his brother’s wartime experience, but they’re an important part of understanding Holden’s web of anxious thinking.
By J. D. Salinger