60 pages • 2 hours read
John SteinbeckA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
This chapter begins by describing the animals in the laboratory, including rats, snakes, and anemones. Early in the morning after the party, a few residents of Cannery Row move around. Lee takes out his garbage cans, the bouncer of the Bear Flag looks out from the porch, and sea lions bark near the Hopkins Marine Station. Then, Doc arrives home, sees the destruction of the party, and becomes furious.
Mack comes by and admits that he and his friends trashed the place. Doc hits him a couple times, but stops when Mack doesn’t fight back. Mack says he deserves the punishment. Once again, Doc hears music in his head, unable to use his broken record player. He tells Mack to wash his bloody face while he goes to Lee’s to buy some beer. Doc returns and pours himself and Mack a couple glasses of beer. As they drink, Mack apologizes and explains how he always has good intentions but messes up in the execution of his ideas. He tells Doc about how his wife left him.
When Mack offers to pay for the damages, Doc says that he knows Mack honestly intends to pay him but never will. Mack agrees, and Doc says that punching Mack got the anger out of his system. After Mack leaves, Doc spends the rest of the day cleaning up the laboratory.
This chapter focuses on Henri the artist. The name Henri is a pseudonym (though the artist’s real name isn’t disclosed), and he never lived in France. Henri is more interested in ideas about art—movements of artistic thought—than in the craft of painting.
While Henri may not be good at painting, he’s very good at building boats. Henri worked on his boat for 10 years, not planning to ever finish it, and lives in it. During those 10 years, he got married twice and had many lovers. However, he never built a toilet for the boat, and the living quarters are only seven feet long. These factors cause women to leave him.
After a breakup with a woman named Alice, Henri drinks wine and reads Rimbaud aloud in a terrible French accent. He has a vision of a young man slitting the throat of a baby. Henri goes to the laboratory and tells Doc about his experience. Doc is unwilling to investigate—to see if it was a ghost or a hallucination. However, Doc’s date is excited by the potential of seeing a ghost and goes with Henri. She dates Henri for five months before leaving him over the lack of a toilet and space.
The summer sees a period of sadness in the Cannery Row community. Mack and his friends are upset over trashing the laboratory, and the community ostracizes them. Hughie and Jones begin working at the Hediondo Cannery and Hazel loses a fight on purpose, but the dog—Darling—remains happy. They clean up the Palace Flophouse and avoid shopping at Lee’s grocery.
On the Fourth of July, Doc and Richard Frost talk about Mack and his friends in the laboratory. Although the residents of the Palace Flophouse don’t know it, Doc forgives and admires Mack and his friends. He lauds them as philosophers and praises how they live without striving for money and material success. Robert and Doc have a bet over whether the Palace Flophouse residents will watch the parade. Doc wins the bet.
However, Doc doesn’t know how upset Mack and his friends are or realize how the community is treating the men for destroying his laboratory. After the Fourth of July, things become worse. Sam Malloy and his wife fight frequently and Alfred the bouncer breaks a drunk’s back. Ladies from town advocate against the sex workers at the Bear Flag, and Dora must close down her establishment for two weeks. This causes conventions to choose locations other than Monterey, ones that have active sex workers. Shipwrecks occur, and Doc takes out a loan to repair the laboratory.
When Darling the dog becomes sick, Hughie and Jones to quit their jobs to help her. Eventually, Hazel and Jones ask Doc to take a look at the dog. Doc says they must force-feed her. Mack and his friends follow this direction, and Darling’s health improves. Things begin to improve in the community. Dora reopens the Bear Flag, and Lee forgives Mack and his friends, bringing them a gift of alcohol. Mack asks Dora how to make things right with Doc, and she tells him to throw a party that Doc actually can attend.
This chapter describes a couple, Mary and Tom Talbot. Mary has red hair and loves throwing parties. However, Tom doesn’t make much money, so Mary convinces other people to fund the parties she organizes. She arranges tea parties with a guest list of neighborhood cats and tries to cheer up Tom when he becomes upset over their lack of income. One day, Tom is inconsolable over bills being due and not having the money to pay them at the beginning of the month. When she tries to cheer him up, he tells her to leave him alone. Mary does so and organizes a tea party, inviting several cats.
One of the cats, Kitty Casini, injures and plays with a mouse. This horrifies Mary, and her shouting causes Tom to get out of bed and investigate. He puts the mouse out of its misery and scares away the cat that injured it. He then has tea with Mary, and her resolution to not invite Kitty Casini to future tea parties cheers him up. Later that year, Mary throws a pregnancy party.
This chapter begins by contemplating the turn good of luck on Cannery Row and discussing how people are superstitious but won’t admit to it. Doc successfully woos several lovers, Darling the dog trains herself to pee outside, and other residents feel happier. Eddie begins to collect a new jug of alcohol while working at La Ida but doesn’t mix beer in with the other spirits. The relationship between Sam and his wife improves.
The Bear Flag becomes more profitable, Eva returns from her vacation, and Phyllis’s broken leg heals. Mack and his friends begin talking about throwing a new party for Doc. Hazel suggests a birthday party. However, the men don’t know when Doc’s birthday is. Mack says he’ll find out and goes to the laboratory. There, Mack tells Doc that Hazel has become interested in astrology, and asks about his birthday in this context to keep the party a surprise. Doc, wary, lies about the date of his birthday, saying that it’s in October instead of December.
Two boys—Joey and Willard—amuse themselves in the boat work yard and down Cannery Row. They look into Lee’s window at his display and sit in front of the laboratory. Joey tells Willard that he thinks there are fetuses in jars in the laboratory, and Willard argues with him about it. Then, Willard asks about Joey’s father, and Joey explains that his father died by suicide, ingesting rat poison. Willard compares Joey’s deceased father to a rat, insulting him, and asks why he chose to die by suicide. Joey replies that his father couldn’t find a job for almost a year, but shortly after he passed, someone came by to offer him one. When Joey spots a penny on the ground, Willard fights him for it.
This section illustrates the fallout from the party that Mack and his friends tried to throw for Doc, emphasizing the theme of The Function of Community. The residents of the Palace Flophouse “had become social outcasts. All of their good intentions were forgotten now” (132). Because Doc is loved by the community, the destruction of his laboratory during the party causes the community to shun the partiers. The people insist, through ostracization, that Doc be treated with respect and kindness.
However, Doc himself only needs to punch Mack a couple of times to forgive him and his friends for the messy party. He’s unaware that the Palace Flophouse residents feel terribly guilty:
Doc didn’t know the pain and self-destructive criticism in the Palace Flophouse or he might have tried to do something about it. And Mack and the boys did not know how he felt or they would have held up their heads again (136).
This willingness to forgive underscores the theme of The Function of Community. Doc accepts Mack and his friends, despite their flaws, and believes that they’re an important part of the Cannery Row community. This opinion, within the community, differs from those of the other residents of Cannery Row, who shun Mack and his friends. Likewise, Doc’s opinion differs from those of people who condemn people like the Palace Flophouse residents for not being productive members of society.
Sex workers face a stigma similar to the ostracization that Mack and his friends endure. During the summer, “a group of high-minded ladies in the town demanded that dens of vice must close to protect young American manhood” (136). Other women condemn those who engage in sex work because it doesn’t fit their ideals of productivity and virtue. This touches on two themes: The Function of Community and Questioning the Nature of Success. The novel proves the “high-minded ladies” wrong. Dora protects manhood in that she mends relationships between men. Mack comes to her, asking how to make things right with Doc after destroying his laboratory. Dora suggests that Mack should organize another party and make sure that Doc attends it this time. Mack thinks, “Now there is one hell of a woman” (141).
Other poignant passages also develop the theme of Questioning the Nature of Success. When Doc talks to Richard Frost about Mack and his friends, he says, “In a time when people tear themselves to pieces with ambition and nervousness and covetousness, they are relaxed” (133). Rather than describing the residents of Palace Flophouse as lazy bums, Doc sees them as outside the pressures and stress of seeking prestige and money. They reject these traditional measures of success, Doc argues, not because they’re stupid: “They could ruin their lives and get money. Mack has qualities of genius. They’re all very clever if they want something. They just know the nature of things too well to be caught in that wanting” (134). Not engaging in cycles of consumption—cycles of endless “wanting”—is a conscious choice for Mack and his friends. They want a life outside the capitalist ideals of gaining money and titles.
The schism in the community after the destructive party is reflected in nature, illustrating the Sense of Place theme. A storm wrecks fishing boats during the “series of misfortunes” (137) that summer. The seaside environment reflects the emotions of the people who live there. Likewise, an animal’s healing reflects the rift in the community healing: Darling the dog becomes ill, which leads the Palace Flophouse residents to talk to Doc for the first time since the party. When Doc’s advice leads to Darling’s recovery, the community’s wounds also begins to heal. This connection between animal and human residents of Cannery Row is how “[a]t last a crack had developed in the wall of evil” (139). This change in attitudes is like the turning tide, an important element of life on the California coast.
Literary and musical references bring other parts of the world to Monterey. Doc’s mental music after fighting with Mack is an example: “Monteverdi’s Hor ch’ el Ciel e la Terra began to form, the infinitely sad and resigned mourning of Petrarch and Laura” (123). This piece of music is about a sonnet series called the Canzoniere by the Italian poet Francesco Petrarch for a woman named Laura. The word sonnet comes from the Italian word sonetto, which means little song. Canzoniere is translated as songbook. Thus, it’s unsurprising that composers like Claudio Monteverdi use these sonnets as inspiration for music.
Like Doc, Henri the artist has a sensory experience that doesn’t correlate with the outside world. He has a vision in his boat while reading “Rimbaud aloud with a very bad accent, marveling the while at his fluid speech” (128). Like Petrarch, Arthur Rimbaud is a famous poet, but he’s from France rather than Italy. When Henri has a vision of a man slitting an infant’s throat, he goes to Doc and asks, “Is it a ghost do you think? [...] Is it some reflection of something that has happened or is it some Freudian horror out of me or am I completely nuts?” (129). Doc is unwilling to investigate the paranormal and leaves Henri to answer his own questions. The narrator doesn’t offer concrete answers, reflecting life’s ambiguities and leaving the conclusions open to interpretation.
By John Steinbeck
American Literature
View Collection
Animals in Literature
View Collection
Anthropology
View Collection
Beauty
View Collection
Books About Art
View Collection
Community
View Collection
Earth Day
View Collection
Friendship
View Collection
Good & Evil
View Collection
Historical Fiction
View Collection
Nobel Laureates in Literature
View Collection
Philosophy, Logic, & Ethics
View Collection
Poverty & Homelessness
View Collection
Required Reading Lists
View Collection
Science & Nature
View Collection
Truth & Lies
View Collection