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50 pages 1 hour read

Oscar Hokeah

Calling for a Blanket Dance

Fiction | Novel | Adult | Published in 2022

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Character Analysis

Ever

Ever, the novel’s protagonist, does not narrate his own story until the final chapter. This means that much of what readers learn about Ever and his life happens through narration provided by other characters. Each of the characters who serve as part-time narrators are part of Ever’s large, extended family, and the effect of this kind of polyvocal narration is that each character seems complete only within the context of their family. It is a metaphor for the importance of family in the narrative, writ large: To truly understand Ever, readers must also know and understand his family, and Ever fully emerges only as one piece of the larger whole that is the extended Geimausaddle clan.

The child of Turtle and Everardo, young Ever bears witness to his father’s brutal beating at the hands of border agents when he is too young to truly process the experience. Lena understands the damage that such traumatic events do to young, developing children, and she also understands that being raised by a parent with addiction (like her own husband Vincent and their daughter Turtle) is its own kind of trauma. Ever thus comes into view first through the lens of Generational Trauma. The impact of this trauma on Ever becomes evident early in his life. As a young boy he is withdrawn, but also rage-prone, and his inner pain manifests as violence. By 15 he is breaking windows, fighting with his fellow students, and is kicked out of school. Hokeah has spent many years working with troubled youth, and he no doubt draws from those experiences in his characterization of Ever. It is common in children who experience trauma at a young age to have feelings, such as Ever’s rage, that they do not comprehend either the cause of or the events that trigger them: Ever does not understand why he is so angry, and he does not understand why his anger so often takes the form of violence.

And yet, Ever is a hopeful figure. Despite the novel’s early focus on the way that Ever embodies generational trauma, the bulk of the narrative shows him to be striving for good: He joins the military, and during his early adulthood he is in search of a sense of identity, of qualities that he can be proud of. Although other Indigenous friends and family disparage the military for its brutal role in the subjugation of Indigenous peoples, Ever rejects the idea that the United States is to blame for all of the problems of Indigenous communities. He does not think that his country is reducible to its worst qualities. There is the sense that Ever is trying to take responsibility for and control over his own life: He rejects the narrative that he is a passive victim of an unfair system. Although it is certainly true that both the United States and its military have damaged Indigenous communities, Ever chooses to focus on the military as a space of possibility for himself, and it does provide him with a sense of direction that he harnesses for good once he is discharged.

Ever’s Identity Development continues in the years after he leaves the military, and he finds a way past his trauma through helping other young men in similar positions. It is through his work with at-risk youth that Ever not only helps boys overcome their childhood trauma, anger, and violent tendencies, but also helps himself to heal. Here, too, Hokeah wants his readers to understand the big-picture idea that for sufferers of generational trauma, the path to recovery and reconciliation includes both family and community. Ever helps his community through his work with boys like Leander, but he is also devoted to his own children. They, too, experience generational trauma, in no small part because of their mother’s addiction and her absence from their lives. Ever works as hard as he can to provide them with more stability than he had, and that the novel ends with Ever finally being able to move his family into their home speaks to Hokeah’s desire to depict not only the difficulties of generational trauma, but also a successful model for overcoming it.

Everardo

Everardo is Ever’s father. Born in Chihuahua, Mexico, to Mexican parents, he represents the strong tradition of intermarriage that exists between Mexican and Indigenous families, particularly in the US-Mexico borderlands and extending north into places like Oklahoma and Colorado. It is Everardo’s brutal beating at the hands of police officers in Mexico that in part triggers his son Ever’s anger, rage, and trauma, but it is also Everardo’s alcohol addiction and his own propensity for violence that damages his relationship with his wife and children.

Everardo’s alcohol addiction is one of his defining characteristics, and because it is such a key focal point within the novel’s early chapters, it initially seems as though alcohol is going to become a motif within the text. And yet, he does not pass this addiction on to his children. Although there are characters (such as Lonnie) who experience addiction, alcohol does not emerge as a thread that runs through the entire narrative. This is a profound rejection of stereotype on Hokeah’s part, and it serves as a reminder to readers that Indigenous identity is complex, varied, and that not all of the damaging stereotypes depicted in the media are representative of the many Indigenous communities that live in the United States and in Canada. And yet, it should be noted that his alcohol addiction does represent, for Turtle, the force of generational trauma: Her own father had an alcohol addiction, and Lena understands that because of this it is likely that her daughter will be drawn to the same kind of partner. Turtle, however, is able to free herself from Everardo, and in this way even Everardo’s alcohol addiction becomes a force that can be overcome, if not by Everardo himself, then by his wife and successive generations of his family, none of which will abuse/misuse alcohol.

It is much more Everardo’s violence that becomes a manifestation of generational trauma for Ever. Everardo’s violent outbursts not only scar his son, but they also unintentionally model for Ever an unhealthy stress response: As Everardo responds to stress and emotional triggers with violence, so too does Ever. Even as a young boy, Ever begins to redirect his inner pain outwards, and violence becomes his primary inheritance from his father. And yet, Ever will eventually overcome this violence. Like his mother, he inherits generational trauma, but he does not become a victim of it. He resists the negative forces that shaped him as a child and turns his life in a different direction.

Turtle

Turtle is Ever’s mother. Although she narrates one of the story’s chapters, like Ever, much of what the reader learns about Turtle happens through description of her provided by other characters. Like her son, Turtle is a complex character. Although she has her own generational trauma, she is this text’s most overt exemplar of strength and resilience, and in this way embodies the theme of Resilience and Family Bonds. She is also firmly embedded within her family structure, and she does her best to be a loving presence, especially in the lives of her children.

Turtle’s father Vincent had an alcohol addiction, and although he ultimately commits to sobriety and dedicates himself to passing his cultural knowledge on to his grandchildren, during Turtle’s youth, he was not a positive presence. Readers understand that the legacy of such parenting is often, and certainly in Turtle’s case, the repetition of the mistakes of the previous generation: Although Turtle’s mother warns her not to marry Everardo (because of his own drinking), Turtle, having had no other example, falls into a relationship whose dysfunction in many ways resembles that of her parents’. The way that many of these characters repeat the same patterns that their parents did is one of this text’s most profound representations of generational trauma, and that Turtle finds herself drawn to a man whose faults so closely mirror her father’s illustrates for readers the difficulty of breaking unhealthy patterns.

Turtle also becomes (along with her son Ever) one of the faces of resilience in this novel. Turtle is introduced through her unhealthy relationship with Everardo, but readers also learn early on that Turtle has managed to find a job outside of the poorly paying and exploitive agricultural industry that is the sole option for many members of her Indigenous community. She has a strong work ethic, is intelligent, is responsible, and secures a position for herself at a local department store. Because of that job, she successfully applies for a home loan, and is able to purchase a house for her family. Readers do learn in successive chapters that she has lost the house and is now living in a rented trailer, but she never gives up her dream of stability and home ownership, and as the novel progresses, she inches closer and closer to those goals. Ultimately, it is clear that Turtle will escape the trap of generational poverty, and it should be additionally noted that she does so largely through her own efforts and commitment to providing the best life that she can for her children.

Although it is Turtle’s will, strength of character, and work ethic that help her to help herself, Turtle also embodies this novel’s interest in representing the importance of strong family bonds. Turtle, although she is in many ways working against the trauma that Everardo has inflicted on her children, Ever in particular, is a loving family member with close ties to her mother, her children, and the other members of her extended family. She is forgiving (even when forgiveness is perhaps not warranted, as in the case of her daughter-in-law Lonnie), and her focus is always on her family. She wants what is best for her children Sissy and Ever, and although it is her marriage that causes generational trauma to be passed down, especially to Ever, she also provides him with the tools to escape that trauma: Ever succeeds in part because of the work ethic passed down to him by Turtle, but more so (especially in a world which does not consistently reward the working poor for their hard work) because of his commitment to others. It is through helping his family and his community to heal that Ever heals himself, and this is a quality that was modeled to him by his mother Turtle.

Leander

Leander is Ever’s adopted son, and like so many of the other characters in this novel whose thematic structure is so closely tied to community and characterization, he embodies several of the text’s key themes. Leander is, like Ever, a representation of Generational Trauma. And yet, because he (with substantial help from Ever) is able to find inner strength and heal his emotional wounds, he also becomes one of the faces of Resilience and Family Bonds. And, like Ever, he grows and develops as a person. His Identity Development is (also like Ever) tied to the way that he helps his family and his community to heal.

Leander’s childhood was marred by trauma, abuse, and poverty. By the time Ever meets him in a program for at-risk youth, Leander’s anger and pain have long since begun to manifest as violence, and he has already had multiple run-ins with the police. Ever sees much of himself in Leander, for the two share a particular kind of anger that is born in trauma that neither Leander nor Ever completely understand. They do not know why they are so angry. They just know that their response to stress, difficult situations, and emotional triggers is violence. Where many others look at Leander and see a problem, a repeat offender, Ever sees a young man in pain. Helping Leander navigate his emotions and find a stress response other than violence will be a key focal point in the early years of their relationship.

Leander is a gifted artist, and Ever encourages him to pick up a pen and paper and draw when he feels rage coming on, and, albeit with a few setbacks, this method works for Leander. He draws cars, his neighborhood, the people he sees. Leander is not only a talented artist but a keen observer of his community. Readers get the sense that part of his healing process is a kind of reflection born out of the observation and recognition of the world he lives in. Journaling is a common therapeutic technique, but for Leander healing happens through visual art rather than through writing. Ever encourages him in this process and continues to encourage him when he falters and falls back on violence as a coping mechanism, withdraws emotionally, or struggles to move away from the unhealthy patterns that had defined not only his own life, but the lives of his parents and other family members.

Although drawing becomes a large part of Leander’s healing process, he ultimately continues to heal himself through the role that he plays in helping to heal others, most notably Ever’s own children. Lonnie, the mother of Ever’s children, has experienced addiction for much of her life. Although the children spent much of their youth without their mother, their early days with her coupled with years of complete absence from their lives has become a source of trauma in the children. Like their father, they engage in both outwardly directed violence and in self-harm. Leander patiently works with Ever’s children, using many of the techniques (and all of the patience, non-judgement, and acceptance) that Ever used when helping him. Like Ever, Leander illustrates the deep connection that the healing process has to both family and community. And like Ever, Leander becomes a character who, although initially associated with generational trauma, violence, and pain, comes to embody healing, family, community, and resilience.

Lena and Vincent

Lena and Vincent are Turtle’s parents. Although they, like many of the other characters, appear in only a few of the chapters and are not as fully developed as figures such as Ever, Turtle, Everardo, and Leander, their role within the text is important, and they speak not only to the novel’s broader thematic structure, but also to its interest in the role of Indigenous traditions and culture.

Lena, who is Cherokee (most of the characters are Kiowa, but there is intermarriage between Kiowa and Cherokee communities, and Lena and Vincent’s union reflects that), is a keen observer of character, a fiercely loving mother, and like her daughter Turtle, tries to remain a positive figure in the lives of her children in spite of adversity and trauma. Having been married to a difficult man with an alcohol addiction who was not an involved, loving father, Lena warns Turtle about Everardo. Having made the mistake that she perceives her daughter is about to make, Lena can see the outcome of Turtle’s marriage before Turtle can. Lena is not passive: She wants to prevent her daughter from repeating her errors in judgement. She is not successful in this endeavor and Turtle marries Everardo anyway, but readers should understand that Lena understands and resists the cycle of generational trauma, even though she has in the past fallen victim to it.

In addition to her insight, Lena’s role within her family is the preserver of cultural knowledge, for it is the quilts that she crafts that, even after her death, help to heal Ever’s children from their own generational trauma. There is a deep sense within this novel that the path towards healing involves both family and community, and the community in question is bolstered by traditional knowledge, culture, and practice. Ceremony, dance, regalia, and traditional Indigenous crafts such as masks and quilts help these characters to reconnect with cultural identity in a way that instills in them both strength and pride. Although Lena has unwittingly passed on the propensity to choose difficult partners, she also “passes on” (quite literally) the cultural tools to heal from that trauma.

Vincent, too, plays this role within the narrative. He is a complex character, and although it is in part his alcohol addiction that affects his daughter and successive generations of the family, by the time readers meet Vincent, he has made a commitment to both sobriety and his grandchildren. He tries to teach Ever and Quinton about their Kiowa heritage, and it is through the ceremonial regalia that he makes for these boys that he passes on something positive. Like Lena and her quilts, Vincent gives his grandchildren a deeper sense of who they are, of their history, and of the cultural identity in which they can take pride and from which they can draw strength. Ever, when trying to heal his own children, will take them to Gourd Dances and outfit them with their own regalia. Although he underwent many years of difficulty between his own childhood and teaching his children about their Kiowa background, readers get the sense that Vincent’s lessons did take root in Ever. In this way, both Lena and Vincent give their children, grandchildren, and even great-grandchildren a sense of cultural identity that continues to aid their family members long after they are gone.

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