61 pages • 2 hours read
Attica LockeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Part 1, Prologue-Chapter 1
Part 1, Chapter 2
Part 1, Chapters 3-4
Part 2, Chapters 5-6
Part 2, Chapters 7-8
Part 3, Chapters 9-10
Part 3, Chapter 11
Part 3, Chapter 12
Part 3, Chapters 13-14
Part 3, Chapters 15-16
Part 4, Chapters 17-18
Part 4, Chapters 19-20
Part 4, Chapters 21-22
Part 4, Chapters 23-24
Part 4, Chapters 25-Epilogue
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Darren leaves Geneva’s in search of a drink at the icehouse, but he calls his wife Lisa first, intending to leave Lark immediately. She answers his call and tells him she misses him, asking him to come home. She apologizes for her anger over him helping Mack. She is scared for his safety. Lisa tells him she loves him, but she wants him to stop drinking. He assures her he is controlling it. Darren tells her he is helping Greg with a job and will be home soon. Their conversation is strained and brief. Darren thinks about his relationship with Lisa in connection to his past. His uncle Clayton loves her and was very supportive of their marriage. Lisa, a city girl, always struggled to fit into Darren’s rural lifestyle, but she loves his family. Clayton encouraged them to work through their struggles. Darren was unfaithful to Lisa in college, but they did not discuss it. He leaves the conversation with her resolved to quit his job as a Ranger and feels they have mended their relationship at least for the moment.
The icehouse bar is a stereotypical small-town honky-tonk with pool tables and greasy food. Darren has been to these types of establishments before and experienced racist threats. He is unnerved as he walks in seeing only white men staring at him and a Confederate flag on the wall. The only women in the bar are the bartender and waitresses. Darren sits at the bar and orders bourbon. He is carrying his weapon concealed. The bartender is unfriendly and asks “You lost?” (76). He toasts to open carry. He takes in the scene of the bar populated by a wide age range of men and notices the walls are covered in pictures of scantily clad women. Out of the women’s restroom emerges a Black woman, expensively dressed, who looks lost and unwell. Darren immediately identifies her as Michael Wright’s wife, Randie Winston. Darren approaches her, tells her his name, and asks if he can help. Randie claims she does not know why she is here except she needs answers about Michael’s disappearance. She makes a sudden move to leave, and Darren tries to stop her. The bar bouncer intervenes and asks them to leave. Darren notices the bouncer has tattoos indicating he is a member of the ABT. Other men from the bar emerge outside as Randie screams at them that she wants to know what happened, and Darren works quickly to get Randie out of the area. One of the men is named Keith, Missy’s husband. The two leave in Darren’s truck and he then reveals to her he is a Ranger.
Randie Winston is a photographer and was in London on assignment when she got the call about Michael. She returned home quickly to meet with Sheriff Van Horn, but a young deputy met her instead. Randie identified Michael’s body by a photograph and was given a bag of his belongings. Darren checks into a motel under the scornful eye of the owner so they can talk. Darren knows Van Horn had not met her because he was in Lark investigating the other body. Darren looks at the items through the bag—a black leather wallet, a wedding band, BMW keys, and a torn leaf. Randie says Michael’s body was badly decomposed and she knew it was him by the wallet; it was a gift from her. Randie is confused by the deputy’s assertion that Michael was robbed as he was leaving the icehouse, got lost, and fell into the water. This is inconsistent with the evidence as all his money and credit cards are still in his wallet. The car is still missing. Randie shares more about their marriage and that Michael was unfaithful, but they were not divorced. The couple had not spoken in months. She does not know why he was in Lark. Randie is scared and anxious and begs him to help her find out what happened to Michael. Darren texts Lisa to tell her is not coming home tonight and he sets out on foot to do some investigating near the icehouse. It is two o’clock in the morning and very dark. Darren sips bourbon as he walks, thinking about the two murders and how they might be connected or racially motivated. He thinks Michael may have been car-jacked. Darren finds Randie’s car intact, and the bar is closed. He drives down a farm road and walks toward the water to retrace Michael’s steps. He slips and falls into the water, but it is shallow, and he stands up and walks to the banks.
The contrast between Geneva’s café and the icehouse bar is stark. Though both bear the mark of small-town life, Geneva’s place is welcoming and homey while the icehouse is filthy and borderline pornographic. Darren’s experience in bars follows him into the icehouse, and he is wary about being the only Black man in sight. The lure of a drink overpowers his uneasiness. Key details are pointed out in the atmosphere, especially the prominent placement of the Confederate flag, to reinforce the racial tensions simmering just below the surface of the town. In an ironic moment, Darren toasts his bourbon to the open carry law. He is referring to the laws that exist in states like Texas allowing citizens the ability to carry a weapon on them visible to everyone. In Texas, no license is required for open carry. Darren is carrying a concealed weapon and concealing his identity as a Ranger. Darren is also concealing an addiction, crushing guilt, and crippling self-doubt. His nervous toast is an unconvincing cover for his presence in this all-white bar.
With the sudden appearance of Randie Winston, Michael Wright’s widow, the story takes an interesting turn. Darren fully intended to leave Lark that night and leave behind the case of the two bodies, returning home to hand in his badge and attempt to repair his marriage. He is struck by Randie’s appearance, also in stark contrast to the bar’s atmosphere and her visible disorientation and grief. She, like Darren, is not entirely sure why she is in this icehouse in the middle of nowhere, but they both soon realize they both are drawn in by the same idea. Michael’s death is mysterious and the details surrounding his time in Lark and sudden disappearance are suspicious. Randie is motivated by devotion to her husband. Though they are estranged, she still cares for him. Darren is urged on by the connection he feels to Michael due to so many similarities they share. Darren’s phone conversation with Lisa lures him homeward, but Randie’s presence gives him a reason to stay. She is distressed and vulnerable, and in his eyes, in need of his protection.
Darren’s twilight walk to the icehouse serves as a metaphorical journey for him. He uses it as another chance to take a drink but also to settle within the desire to further enmesh himself in this case. The night is suffocatingly dark, and, unable to see, he makes his way down the road as he retraces in his mind what he knows about the case. As he drives off the main road and deeper into the backcountry, the alcohol does its work. Darren is drawn, trancelike to where he can sense the bayou is near and before he realizes it, he has fallen into the murky water. This scene is foreshadowing for the protagonist. Darren may be walking into unknown and unseen danger in Lark and may find himself helplessly sliding into disaster without a safe escape.
By Attica Locke
African American Literature
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