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56 pages 1 hour read

Justin Torres

Blackouts

Fiction | Novel | Adult | Published in 2023

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Character Analysis

Unnamed Narrator/“Nene”

Blackouts’s gay Puerto Rican narrator is known as “Nene,” a Spanish nickname akin to “baby.” Nene spends the novel tending to Juan Gay, an elderly friend whom he knew for 18 days at a psychiatric hospital. While Nene was nominally committed for chronic “blackouts”—dissociative episodes where he loses track of time, one of which led him to run his sink to the point of flooding his landlady’s apartment—the novel implies the true rationale behind this commitment to a psychiatric hospital was medical racism and pathologizing queerness.

Nene’s history is vague, but he characterizes himself as a “chronic loser.” Though he recounts various episodes from his life as he sits with a dying Juan, these stories are mediated through memory, innuendo, and implication. Furthermore, he sometimes presents himself through analogues—including the character Sal, and by extension, his use of the name “Salvatore” in Part 5 (which may connect to Sex Variants: A Study of Homosexual Patterns participant Salvatore N.)—the former of whom appears in his “film” (“STARVE A RAT”) in Part 4. In the decade since Nene and Juan met, Nene worked as a sex worker, which led to the end of his one long-term relationship with Liam. He is estranged from what remains of his family, as his late father was abusive to him, his brother, and their mother.

Nene fills the role of student in the novel. He listens to Juan’s stories, which focus on queer history, and follows Juan’s directions to structure his own storytelling. As the novel concludes, he adopts Juan’s role of teacher. While Juan is dying, Nene pushes him to tell his remaining stories without missing any details; then, after Juan dies, Nene becomes the guardian of various queer histories, recalling their positive memories and chronicling the novel’s bibliography—“Blinkered Endnotes.”

Juan Gay

Juan Gay is a gay Puerto Rican man, who spends his dying days in a building called “the Palace.” Juan spent the bulk of his life in psychiatric hospitals, his initial diagnosis being a culture-bound condition known as “Puerto Rican Syndrome” or ataques de nervios (literally, an “attack of nerves”). For him, ataques would manifest as fugues; he underwent numerous treatments (implied to be violent), rendering him nearly incapable of arousal. At the psychiatric hospital, Juan met Nene.

In his childhood, Juan served as a model for Zhenya Gay, a children’s book illustrator and wife of Jan Gay—a real-life lesbian sexologist from the 1940s, who is considered a key figure in LGBTQ+ rights. He spent little time with Zhenya and Jan, yet spent much of his life collecting ephemera related to them. He asks Nene to complete Jan’s “project” after he himself dies: While Nene initially takes this to mean Jan’s redacted Sex Variants study, the novel suggests this project is the more expansive task of safekeeping queer history. With that said, Juan keeps his own history (specifically, his adulthood) close to his chest, with his “film” (“The Opening of a Door”) in Part 5 centering Jan rather than himself.

Juan is well read and makes frequent references to various media and cultural events. As he dies, he has difficulty recalling these references, let alone the stories of his hallucinated “visitors.” For the bulk of the novel, he acts as a teacher, instructing Nene how to safekeep queer histories. In the novel’s final section, the friends’ roles as teacher and student reverse.

Liam and Norwood

Liam is Nene’s one long-term boyfriend, the two having worked together as farmhands in Virginia before breaking up. When Liam caught Nene with another man outside of Nene’s workplace, he eventually confessed to doing sex work throughout their relationship. Overall, this relationship plays into Nene’s self-characterization as a “chronic loser.” He faults himself for their infrequent sex and eventual breakup, but regardless of his own flaws, their final exchange of violent sex speaks more to Liam’s flaw—his momentary rage.

Norwood is Sal’s (Nene’s) once client, an older man who paid him to pose in diapers. The pair formed a relationship, with Nene sharing personal stories with Norwood, including one involving his father. At one point, Norwood pretended to take Nene’s picture as a callback to this story, which angered the younger man. However, like he did with Liam, Nene kept his sex work a secret until pushed into a corner; unlike his relationship with Liam, Nene never discloses how his and Norwood’s relationship ended. Despite this pair’s easy banter, the combination of Nene and Norwood’s age gap and Norwood’s initial request (involving diapers) speak to the predatory nature of their relationship. This predation does not have to do with sexuality, but the often precarious nature of sex work (due to lack of proper protection). Nene posing in diapers also evokes his nickname (“baby”) and Juan’s modeling for Zhenya, though Juan and Zhenya’s relationship is framed as familial, innocent.

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By Justin Torres