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48 pages 1 hour read

Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, Nicola Yoon

Blackout

Fiction | Novel | YA | Published in 2021

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Themes

Finding One’s Way Through Darkness

Throughout the six storylines in the novel, each of its central characters must work to find their way through darkness, both physically, given the city-wide blackout, and metaphorically. In “The Long Walk” storylines, Kareem and Tammi join forces on a journey that takes them from Manhattan and into Brooklyn. Throughout their storyline, both Tammy and Kareem navigate through two forms of darkness, one being the literal darkness and uncertainty caused by a city-wide power outage, the other being their own personal hardships. Tammi, who narrates these stories, makes it clear at the outset of novel that her recent breakup with her neighbor and lifelong friend, Kareem, has had a negative impact on her overall wellbeing and life. That she gives up her dream of attending NYU and opts to attend a school in Atlanta so she will “never have to see Kareem again” suggests that the breakup was not amicable (43). As they continue on their trek, Tammi works hard to restrain herself in Kareem’s presence, acutely aware of how much she has missed him and that she does not “want this day [with him] to ever end” (107). It is when they finally reach the Brooklyn Bridge that Tammi must contend with the worst of her inner demons, given that she is deeply anxious and, more specifically, afraid of heights. That Tammi both experiences a panic attack due to her anxiety and rekindles her romance with Kareem on the bridge suggests that despite their past hardships Tammi and Kareem have finally found their way, both back home to Brooklyn, and back to one another. That the lights come back on in Manhattan at the exact moment of their kiss functions to symbolize the triumph of their journey—both their physical and interpersonal journey—as they have successfully found their way through the darkness.

In “Mask Off,” the central characters find themselves in a similar situation, in that they must simultaneously navigate an internal darkness and that which is caused by the blackout. When JJ finds himself stuck on a subway car in the middle of a power outage with his crush, Tremaine, he is forced to contend with both his inner demons and the complications caused by the blackout. Though he tries his best to ignore Tremaine once realizing he is sitting nearby on the subway car, Tremaine’s fainting spell forces him out of his dark corner of the car and toward the light, both literally and metaphorically. Carrying a weakened Tremaine through the dark subway tunnels and onto the platform, JJ’s subsequent discussion with Tremaine enables him to finally bring his internal struggles to light. That JJ, who has remained closeted until now, is able to have an open and frank discussion with Tremaine about his queer identity and feel “some of the pressure on my chest” loosen is evidence that the light was indeed at the end of the tunnel (37). It is in finding Tremaine in the literal darkness, both at the masquerade ball and on the train, that JJ finds his way through a metaphysical darkness, given that it enables him to honestly address his identity and sexual orientation for the first time in his life.

Letting Go of What is Familiar and Diving into the Unknown

Perhaps one of the most prevalent themes throughout the novel is the notion of letting go of what is familiar and diving into the unknown, despite feelings of fear and uncertainty. Given that the novel falls under the young adult genre and follows the lives of modern teenagers, the experience of growing up and trying to figure oneself out—in terms of one’s identity, relationships, and future—remains relevant for each character. In “Mask Off,” a queer but closeted JJ struggles to come to grips with his sexual orientation, a subject he has never explicitly breeched with himself or his loved ones. Having recently fallen out of love with basketball, the very thing that everyone in his life knows him for, JJ fears coming clean about the recent revelation, doubting his ability to “ever tell anybody I’m not really feelin’ the hoop life no more” (21). Though he aspires to be more like his classmate, Tremaine, who “has always seemed so unfazed about the whole expectations thing,” JJ struggles to disregard what others think of him, knowing that straying from what he knows may cause controversy (22).

Over the course of several months, JJ begins to explore his queer identity, eventually joining an online community of queer people and attending a local masquerade party put on by the group. That JJ not only joins the online community but also attends the event in person indicates that he is now willing to explore his sexual orientation, even if it means putting himself in unfamiliar environments. Safe behind his mask, JJ’s observation that being among other queer people gives him “a sense of…not aloneness” helps to push him further into the unknown. Notably, by the end of the night, the sense of security he feels in an explicitly queer space is so great that he builds up the confidence to kiss his crush and classmate, Tremaine. Being that it is his first time kissing a boy, JJ’s realization that “the way I felt kissing Tremaine was far different than I’d felt with ol’ girl Shelley the night before” (32) suggests that JJ’s newfound willingness to let go of what is familiar in favor of trying new things has a positive impact on him.

In “No Sleep Till Brooklyn,” Kayla also struggles to stray from what is familiar to her. That she refers to herself as “Kayla Simmons, expectations meeter” indicates that her desire to please those around her is deeply ingrained in her. Having been with her boyfriend, Tre’Shawn, for so long, Kayla has a difficult time imagining who she might be or what her life might look like without him. The fact that she acknowledges that “every now and then there’s this little voice in my head that wonders if” she only remains with Tre’Shawn “because he’s the only person I’ve ever been with” suggests both an inherent fear of and curiosity about the unknown. Kayla struggles with anxiety also play into this fear, as she is accustomed to “expect[ing] bad stuff as opposed to good things so I won’t be hurt” (116). Though it is scary to stray from what she knows, Kayla’s strong feelings for her classmate Micah enable her to push past her fear of the unknown. That Micah helps Kayla to “see that there are so many possibilities for [her], for [her] heart” gives her the courage to have an honest discussion with Tre’Shawn about her feelings (129). Once she breeches the conversation—one she has previously dreaded having—Kayla is able to realize that she should simply “forget what anyone expects: the only person I have to truly worry about is me” (129).

The Lasting Impact of Childhood Friendships

Several relationships throughout the novel are products of childhood friendship. In “The Long Walk,” neighbors Tammi and Kareem have known each other for most of their young lives. Having recently broken up as a couple, both Tammi and Kareem struggle to adjust to the new reality, one in which the other person no longer exists. When they are stuck with one another during the blackout, Tammi feels the impact of their separation, realizing that “nothing will ever be the same, between [them] or with life in general” (41). As the day goes on and they continue their journey through Manhattan toward Brooklyn, Tammi grows increasingly aware of the fact that being with Kareem now makes her miss him—and their relationship—very much. Importantly, Tammi finds herself keeping tabs on the ways in which Kareem has both changed and remained the same since their breakup. That she pays such close attention to him is indicative of her desire to rekindle their relationship. Though she feels the urge to “tell him about all the films and shows [she’s] watched over the last four months,” her realization that “it’s not like he’s just coming back from a long vacation,” keeps her from following her instincts (103). The fact that Tammi feels such a strong inclination to properly catch up with Kareem about their lives suggests that Kareem has always been an important figure in her life until very recently.

Similar to Tammi and Kareem, Lana and Tristán in “All the Great Love Stories…and Dust” have been best friends for their entire lives. Though Tristán’s recent move to the Bronx has kept them farther apart from each other than ever before, he and Lana compromise by meeting up in Manhattan. Lana makes it clear in her narration that the move has been a difficult adjustment, as “he’s the type that leaves behind a gaping hole” (86). With plans to tell Tristán that she is in love with him on the night of the blackout, Lana struggles to initiate the conversation. Deeply anxious that confessing her love for him may ruin their lifelong friendship, Lana feels “like there will be a before and an after I’ve said the thing” (89). That Tristán not only reciprocates Lana’s romantic feelings but also tells her that “I’ve always loved you” is a testament to the impact that their lifelong friendship has had on them.

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