48 pages • 1 hour read
Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, Nicola YoonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
The NYC blackout plays a major role throughout each story in the novel. While the blackout helps to tie all the stories together in a narrative sense, it also functions to symbolize the novel’s most prevalent running themes, such as love and finding one’s way in life. Thematically, one of the main functions of the blackout is to bring people together, regardless of their relationships to one another prior to the blackout. In the novel’s first story, “The Long Walk,” recent exes Kareem and Tammi walk across Manhattan and into Brooklyn together, despite their rocky breakup and the fact that they have not spoken in weeks. The city-wide power outage and Kareem’s dead cell phone forces them to stick together and find a way home. Similarly, in the last story, “Seymour and Grace,” two strangers in the form of a Ryde driver and his passenger trek through Brooklyn on foot to get the passenger to her destination. Though Tammi and Kareem have known each other their whole lives, and Seymour and Grace are ultimately strangers, the blackout forces the two pairs to work together to navigate through the city. That along the way both couples grow closer—Kareem and Tammi eventually admitting they still love each other and Seymour and Grace deciding to try dating—points to the blackout’s ability to bring people together in times of uncertainty.
Additionally, the blackout comes to represent the past—and specifically the notion of history repeating itself—as several characters throughout the stories refer to NYC blackouts of the past. Most notably, in “Made to Fit,” Nella constantly refers back to a blackout that occurred in the 1970s, during which time her grandparents met each other and eventually fell in love. Nella’s romance with Joss becomes a modern-day version of Pop and Grandma Zora’s love story, as they too develop a romantic bond during the blackout.
In “Mask Off,” basketball is a major component of JJ’s daily life and has been for many years as “I was four the first time my pops put a basketball in my hand” (22). The star of his school’s varsity basketball team, JJ admits to losing his passion for the game, something that “used to be the light of my path/my reason for being/the only thing I looked forward to” (21). The fact that JJ begins to lose interest in the one hobby that everyone knows him for is no coincidence; the older he gets, the more difficult it becomes to ignore another major facet of his identity: his sexual orientation. As JJ begins to explore his sexuality—namely by way of attending a queer masquerade ball and developing a romantic connection with his classmate Tremaine—so too does he begin to explore the possibility that perhaps the life he has always known (i.e., being straight and playing basketball) is over. Within the context of coming to terms with his sexual orientation, JJ’s relationship to basketball comes to symbolize a past self, perhaps even one he does not wish to be anymore. When he has a heart to heart with Tremaine during the blackout, he admits that “I’m not sure I even want to hoop anymore” as “being out will potentially mean being on the outs with my teammates and coaches” (37). In this instance, basketball comes to symbolize both the expectations placed upon JJ and the newfound urge to shed them in order to forge his own path.
In “Mask Off,” face masks play an important role in JJ’s coming to terms with his sexual orientation. After learning about a local queer masquerade ball, JJ decides to attend, comforted only by the fact that his face will be hidden behind a mask and his identity will be safely kept secret. Though he feels an immediate sense of “not aloneness” upon entering the event, JJ is still keen on keeping his identity under wraps, as he soon after recognizes the DJ from another party and resolves that he “definitely [won’t] be” unmasking (28). When JJ runs into his classmate Tremaine, he assumes the identity of “Tobias,” a made-up version of himself that he hopes Tremaine will not recognize from school. Within the context of the ball, the mask functions as a safety blanket for JJ; by assuming that his true identity is unknown to those around him, including Tremaine, JJ is able to let his guard down and share personal details about his life. That JJ is bold enough to kiss Tremaine at the end of the night suggests that the mask provides him with a strong sense of security, as it ultimately enables him to behave in ways he otherwise would not. Though he admits that he is “definitely still figuring myself out,” JJ’s anonymity throughout the masquerade allows him to explore both a new community and a side of himself that he hopes to better understand.
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