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Anna SewellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Black Beauty goes to a horse fair to be sold; there are many horses of various ages and conditions. Many different men inspect Beauty, and he pays attention to the prospective owners, hopeful that he will be bought by a kindly man. Fortunately, a kind man named Jerry Barker decides to buy Beauty. Jerry takes Beauty back with him to London, and to his modest home, where they are greeted by Jerry’s wife Polly and their two young children. The whole family seems to treat each other, and their new horse, with care and kindness, and Beauty ends his eventful day on a hopeful note, “thinking I was going to be happy” (120).
Beauty’s first impressions of his new family are quickly confirmed: Jerry and Polly have a very loving relationship with one another, and their children, Harry and Dolly. Jerry drives a cab; his other horse is named Captain. They decide to call Beauty “Jack”, and Jerry treats him with great care. On the first morning that Jerry takes his cab out with Black Beauty, the other cab drivers comment on him with interest and curiosity; some are suspicious as to how such a fine-looking horse came to be sold for a low price.
At first, Beauty finds it stressful and overwhelming to drive in the busy London streets, since “I had never been used to London, and the noise, the hurry, the crowds of horses, carts, and carriages […] made me feel anxious and harassed” (123). However, he quickly trusts and likes Jerry, who drives him very kindly and effectively. Jerry also ensures his horses do not work on Sundays; on these days, Beauty gets to know Captain better.
When he was young, Captain was a handsome and well-bred horse, and was trained as an army horse. Captain is sent with his master to fight in the Crimean War (fought between Russia and allied French & British forces between 1854 and 1856); he describes the challenging sea journey, but that he and many of the horses were treated well by their owners. While it was dangerous to be ridden into battle, and Captain recalls seeing both horses and men be wounded and die, he felt confident and brave because of his loyalty to his master. As he reflects, “my master’s cheery voice, as he encouraged his men, made me feel as if he and I could not be killed” (126).
One day, the horses were prepared to enter into battle. Captain noticed that his master seemed more somber than usual, but still very calm and kind. During the last charge, Captain and his master were subjected to heavy enemy fire, and saw many men and horses falling around them. Captain’s master was shot down; Captain was confused and terrified, but another soldier who had lost his own horse mounted him. Captain was able to get to safety, but there were very heavy casualties, and he assumed that his master was killed. Captain continued to serve in other battles, but he never loved anyone as loyally as his first master.
Black Beauty admires Jerry’s kindness, integrity, and conscientiousness. Jerry is very conscious of managing time, and refuses to drive his cab fast because customers are in a rush. This is controversial because many other drivers will rush and push their horses in order to get a higher fare. However, one day, a young man seems very worried and in urgent need of catching a train. Jerry skillfully drives Beauty through heavy London traffic and ensures that the man gets to his train. He later explains that he did not accept any extra money, even though the young man offered it: “’twas quite pay enough for me, to see how glad he was to catch that train” (134).
One day, a customer offers Jerry a contract to regularly drive a woman named Mrs. Briggs to church on Sundays. Jerry explains that his current cab license is only valid for six days a week, and that he therefore cannot legally work on Sundays. The customer suggests that it would be easy for Jerry to obtain a seven day license, (entitling him to work on Sundays), but Jerry declines, explaining that he needs the rest for himself and the horses, and that he values spending time with his family, and attending church services. He further explains that, “I am stronger and healthier altogether, now that I have a day of rest; the horses are fresh too, and do not wear up nearly so fast” (137).
Mr. Briggs reluctantly leaves; Jerry feels some hesitation, and calls to Polly to come and speak with him. He asks her if he did the right thing by turning down the contract, especially since the Briggs are good customers, and treat Jerry very well. Polly firmly replies that she never wants to go back to the days when her husband worked seven days a week, and she would rather live with less income; she also anticipates that Harry will soon be old enough to start working.
Nonetheless, Jerry is disappointed that he stops getting work from the Briggs family. Several of the other cab drivers suggest that he made a mistake by putting his religious beliefs ahead of profit, but Jerry stands up for his actions.
A few weeks later, Jerry is returning home when Polly hurries out to see him. She explains that a servant from the Briggs household has come to arrange for Jerry to drive Mrs. Briggs the following day. Although Mr. Briggs was annoyed when Jerry turned down the Sunday work, they have not been able to find any other drivers that they like as much. Jerry and Polly are both pleased to have these lucrative and easy-going customers again.
A few days later, on a Sunday morning, Polly approaches her husband to explain that a woman named Dinah Brown needs to get to a countryside town in order to see her dying mother. Due to the exceptional circumstances, Polly urges Jerry to drive on a Sunday, and he readily agrees. Jerry does arrange to borrow a lighter cart so that the extra work will be less strenuous for Black Beauty. They have a quick and pleasant drive to the country, and once they arrive, Black Beauty is turned free to frolic in a country field. He has a wonderful time, especially since he “had not been in a field since I left poor Ginger at Earlshall” (143).
When winter comes, the cold and wet weather makes work much harder and more unpleasant for both the cab drivers and their horses. However, a kindly elderly man begins to patronize Jerry’s cab regularly; he not only treats Jerry respectfully, but he also takes a kindly interest in Beauty. This is notable because, as Beauty says, “it was a very rare thing for any one to notice the horse that had been working for him […] ninety-nine out of a hundred would as soon think of patting the steam-engine that drew the train” (147). One day, the man also intervenes when a man driving a cart is mistreating his horses, and explains that he feels strongly about intervening when he sees something unethical happening. Jerry praises the man for his integrity.
Black Beauty notes that he feels fortunate that Jerry is both his owner and his driver; many other horses are owned and rented out for profit to the cab drivers. Beauty observes that these horses tend to be less well-treated than the horses owned by the drivers. One day, Beauty hears a driver known as “Seedy Sam” complaining about how hard his life is; because he has to pay to rent his horse and cab, Sam struggles to make any money for himself, and finds it hard to care for his family. Sam admits that this precarity sometimes leads to him mistreating his horses: “when a beast is downright tired, there’s nothing but the whip that will keep his legs agoing […] you must put your wife and children before the horse” (150).
Jerry and the other drivers listen somberly as Sam talks about how overworked and exhausted he is. A few days later, a new driver comes and reports that Sam has fallen ill; the next morning, the cab drivers learn that Sam has died. On his deathbed, Sam talked about how he never had a Sunday’s rest.
One day, a run-down cab pulled by a sickly and thin horse pulls up close to Beauty’s cab. With shock, Black Beauty realizes that the horse is Ginger. He hurries to ask her what has happened. Ginger explains that she spent months recovering at Earlshall, and then was sold to a gentleman. Things went well at first, but she continued to suffer from strain and ill-health, and he sold her. This happened several times, and each time, she was sold for a cheaper price, and into a worse situation.
Ginger is now owned by a man who rents out cab horses; her driver works her very hard, and she never has any rest. Her health is getting worse, and Ginger wishes she could die, and be free of her suffering. She explains to Beauty that despite her initially high spirits, “men are strongest, and if they are cruel and have no feeling, there is nothing that we can do, but just bear it on and on to the end” (154).
Some time later, Black Beauty sees a cart pass by with a dead chestnut horse in it, and suspects it is Ginger. He hopes that she died so that her suffering would have come to an end.
As he spends more time on the streets of London, Black Beauty observes how often horses are mistreated and handled roughly for no good reason. One day, he sees a young boy who works at a butcher shop beating the pony who pulls his cart. The butcher comes out and rebukes the boy for mistreating the horse, but the boy retorts that the way the business is run is what puts pressure on him. Customers usually want their orders for meat to arrive very quickly, and so the boy is constantly rushed to get to the shop, and then make deliveries promptly. He complains that “if the gentry would think of what they want, and order their meat the day before, there need not be this blow up” (156).
Black Beauty also observes that some horses seem to lead very happy lives, even if their owners only have a modest income. He observes a young boy with his pony, and an elderly man who delivers coal with an old horse, and notes that both obviously take good care of their animals, and that the strong bond between man and horse leads to the horses having happy lives even while working hard.
When Black Beauty is sold to Jerry Barker to work as a cab-horse in London, he descends even further down the social ladder; however, he also finds the home and family that is most akin to Birtwick Park. By showing that the Barker family is loving, well-organized, and deeply concerned with integrity and responsibility, Sewell shows that these qualities are not confined to any particular social class. Jerry and Polly clearly love one another, and work together as partners, and their children, even though very young, already show responsibility and care. Black Beauty recalls how “Harry was as clever at stable-work as a much older boy […] Polly and Dolly used to come in the morning to help with the cab” (130), showing how the family functions as a well-regulated and mutually caring domestic unit.
Jerry has to work very hard to provide an income for his family, but he always tries to treat his horses well. Even though Beauty has to work to become accustomed to the chaotic urban setting of London, he can remain calm and hard-working because of the trusting bond he establishes with Jerry.
The intensity of the bond between horse and master is further exemplified by Captain’s account of his history as a war-horse. This story provides another insight into how enmeshed horses were in British and wider European culture: up until World War I, a significant number of battles involved mounted soldiers, which meant that horses were regularly wounded and killed alongside the troops. Sewell furthers the heroism that has already been developed through representations of Black Beauty saving the lives of various humans by describing how horses were endangered while nobly serving. Pathos is created when Captain muses that, “I believe so long as we felt our rider firm in the saddle, and his hand steady on the bridle, not one of us gave way to fear” (126), showing how horses have complete faith in humans, even under incredibly dangerous circumstances.
Although not named as such, the battle Captain describes (in which he lost his master) is the Battle of Balaclava, which was fought in October 1854. In this battle, the Light Cavalry Brigade, consisting of soldiers mounted on horseback, were sent to ride into a valley under extremely heavy enemy fire, and suffered heavy casualties as a result. The battle loomed large in the British imagination due to the heavy losses suffered, and the poem “The Charge of the Light Brigade,” written by Alfred, Lord Tennyson. By having Captain describe this battle, Sewell uses a historical event to further her point about pointless suffering: it was generally concurred to have been a foolish and reckless decision to send the Light Brigade into battle, and yet the soldiers obeyed the orders, and went loyally and tried to do their best. When Sewell writes that “the greater part of the noble willing creatures that went out that morning, never came back” (129), her comment is true about both horses and soldiers. By showing the horses as being confused by war, Sewell helps her readers to also question whether war is necessary, and what ends it serves.
The tension between capitalism and integrity is a major theme in this section; although a working-class man who has to provide for his family, Jerry has strong beliefs about maintaining his integrity and values. Not unreasonably, given the economic pressures they face, the other cab drivers often prioritize doing whatever will make them the most money, but Jerry chooses to trust that if he acts with integrity, he will be able to still earn enough. Even Jerry has moments of hesitation about the choices he makes, but he is staunchly supported by Polly, showing the value of a close and loving partnership between spouses. For example, Polly tells her husband that, “I would rather struggle on harder than we do, than go back to those horrid times, when you hardly had a minute to look at your own children” (138), revealing that she values emotional bonds between family members more than material rewards.
One key example of Jerry prioritizing his values is his firm insistence on not working on Sundays. The idea of Sunday work had become part of wider labor debates during the Victorian era, in which activists called for improved conditions, fair wages, minimum working ages (young children working had become a significant problem), and boundaries around the number of hours worked per week and days reserved for rest and leisure. Jerry articulates a number of the key arguments for why Sundays off were beneficial for workers: the physical and mental benefits of time off, the importance of spending time with family, and maintaining his religious practice. For example, he tells Mr. Briggs that, “I am stronger and healthier altogether, now that I have a day of rest; the horses are fresh too” (137). Some of these arguments anticipate subsequent discussions of “work-life balance” that continue in contemporary society.
By exploring Jerry’s experiences and pressures as a working-man, Sewell extends her argument about treating horses humanely, and respecting their hard work, to also include human experiences. In her depiction of cab-drivers, Sewell includes nuance to her argument about horses requiring better conditions: she acknowledges that the working men who sometimes mistreated horses also experienced injustice and suffering.
While Jerry has staunch principles, several episodes in this section also reveal his flexibility, and Sewell’s awareness of moral nuance. While Jerry will not force his horses to rush solely for a higher fare, he will strive very hard to get a young passenger to a train when that passenger appears to be in distress. This episode parallels some of Beauty’s earlier heroic feats, now transposed to an urban environment, and also reveals how competently he has adapted to his work as a cab-horse. Beauty reflects that “if you want to get through London fast in the middle of the day, it wants a deal of practice” (133), and seems to take pride in the new skills he has developed as a cabhorse.
Jerry also adapts his policy of refusing to work on Sundays in order to assist a woman in need; even here, he continues to think of Beauty’s well-being by using a different cart rather than the usual cab. The lighter cart used on this Sunday trip symbolizes Jerry’s ability to compromise, think in a nuanced and critical way, and find a way to make any circumstances better for everyone around him: Jerry comments that the lighter cart “would make a wonderful difference to the horse” (142), showing his empathy and care.
The character of Seedy Sam acts as a foil to Jerry, providing a darker perspective on what a working man’s life might look like. Sam is imprisoned by financial pressure, and suffers under the harsh treatment of his boss, a man aptly named Skinner. Sam’s experience, and helpless suffering, reflects how the lives of individual men can be effectively ruined by a cruel boss, just as the life of a good horse can be ruined by a cruel master: as he laments, “you that […] drive for good masters, have a chance of getting on, and a chance of doing right; I haven’t” (150).Throughout the novel, Sewell highlights the importance of people who hold positions of authority and power, whether over humans or animals, behaving in ethical and responsible ways. The tragic outcome of Sam’s life reveals that unethical behavior by those in positions of power can have very significant consequences.
Sam’s tragic fate, as a foil to Jerry, is paralleled by Ginger’s tragic fate, as a foil to Black Beauty. Sewell does not shy away from showing that the difficult circumstances of life for both horses and working-men can ruin their lives; her willingness to depict these tragic fates heightens the impact of her argument. More so than Ginger’s actual death, her broken spirit and crushed resignation to the dominance of men shows how her life has been ruined by the cruel treatment she has endured. Black Beauty actually finds comfort in the idea that Ginger has died, since “then her troubles would be over” (154). Ginger’s fate also creates additional plot tension around Black Beauty’s fate, hinting that his circumstances could be reversed at any moment.
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