67 pages • 2 hours read
Emily HenryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
January narrates her past with Gus. She says that the worst thing about being college rivals with him is that she wasn’t sure he knew she considered them rivals. Gus is several years older than January but attended college at the same time as her after saving up money through his grave-digging job. His short stories were always darker than the stories of the rest of the creative writing program, with topics centered around his work in the graveyard. January recalls that their interactions were limited throughout college but that they took turns winning writing awards, that he showed up late, and that he asked to borrow materials from her. One interaction that stuck in January’s mind was when she was passing out her story for workshopping and Gus said to her, “Let me guess: Everyone lives happily ever after. Again” (38). Though it was long before she began to write romance, January always took this as a slight. She also describes Gus as “stupidly, infuriatingly attractive” (37), and she goes into a long description of his appearance and mannerisms, explaining the nickname “Sexy Evil Gus” that January and Shadi used to jokingly call him. Finally, she describes how they constantly crossed paths because he tended to date around and engage in month-long relationships with her roommates and other colleagues. She also implies there was some physical interaction between them at a fraternity party but doesn’t elaborate.
In the present, January realizes she won’t be able to sneak out and comes out of hiding as Pete calls her name. She and Gus share an awkward gaze as he realizes she’s the neighbor he’s been speaking to. January is sure he recognizes her from college, but when Gus says they’ve already met, he only says they’re neighbors. They have a short, awkward conversation in which Gus asks January what she writes, and she feels him judging her for writing romance. He pokes fun at her reaction to his short “Ah” response, and then she pokes fun at his music, speculating that he writes “disillusioned white guy” fiction (41). They exchange more banter while Pete has stepped away to answer the phone. When Pete returns, she breaks the tension, remarking how amazing it is to have two published writers on the same street. January’s publisher, Anya, calls, and January takes it as an excuse to step away from the conversation, quickly leaving the bookstore and answering her phone outside.
As January drives away from the bookstore, she assures Anya that she’ll have the book done by September 1. Instead of heading straight home, January goes to pick up groceries. She texts Shadi about her encounter with Gus, to which Shadi replies jokingly to “tell him I miss him” (44). January states that she intends never to speak to him again. Shadi jokes again that that’s not possible since she’s his “fairy princess,” referring to a time in college when Gus asked Shadi about January and relayed that January acted like “a fairy princess who’d been raised by woodland creatures” (45).
Back at the lake house, January only manages 400 words of writing, plus an impressive solitaire streak. She stops for dinner and reminisces about how easy it used to be for her to bang out a draft. She wishes she could go back to the time before her perspective of love was warped. She steps out onto her deck, after first carefully checking to make sure Gus is not on his. As she turns to go back in, she notices Gus’s laptop illuminating the darkness of his house and spots him pacing back and forth in front of it—a behavior January recognizes as writer’s block.
Later, January heads to Pete’s house for her first book club meeting. She is greeted warmly by Pete and her wife, Maggie. As January is settling in, Maggie introduces January to the other women of the group—Lauren, who comes up to shake January’s hand, and Sonya, who is trapped under the dogs on the couch. January realizes it’s the same Sonya who had a relationship with her dad and begins to panic.
When January realizes Sonya is at the book club meeting, she quickly says she must pee, grabs the bottle of wine she brought, and hides out in the bathroom. After moments of chugging the wine and panicking, she hears Pete and Sonya talking through the door. January gathers that Sonya has made up an excuse to leave early and that Pete is very confused by the entire encounter but is too polite to ask directly. Sonya leaves, and January comes out of the bathroom, significantly tipsier than before.
She takes a seat in the book club circle, and Pete indicates that they’re expecting one more. Gus shows up. Pete has him sit next to January. January notices that Pete introduces Gus as an honored guest while she received a much more casual introduction. She muses over how much more is expected of women authors than men. She deduces that the book club must be discussing Gus’s book but becomes increasingly confused by the details the group remarks on and the lack of emotion on Gus’s face during the discussion.
Finally, one of the members mentions the author by name, and January realizes they’re not discussing Gus’s book at all; he is just as lost as she is. January notices the bookshelf is full of spy novels. She stifles a chuckle at the idea that she and Gus have both found themselves at a book club for spy novels. She offers Gus some wine, he doesn’t respond, and the book club discussion continues.
As the book club meeting ends, Pete asks January how she’s getting home. January isn’t as drunk as she was before but knows she shouldn’t risk driving. Gus interjects saying he’ll drive her, but January is determined not to let that happen. Pete warns January that there’s one Uber driver in the whole town, who likely isn’t working after dark. January stands in the rain stubbornly attempting to get an Uber while Gus tries to usher her into his car. He starts his vehicle and waits for January, who now insists she’ll walk. Finally, January relents and climbs into the passenger seat after Gus promises he knows a great way to help her sober up.
Gus drives January to a retro-chic donut shop, where the eccentric old man behind the counter is in his underwear. Gus buys them a dozen day-old donuts and some coffee. They take a seat at a booth, where Gus tries to ask January about why she moved to the lake house, but January avoids his questions with more banter, insisting she has questions for him, too. Eventually, she tells Gus that he was very rude to her, and he apologizes for his behavior the night of the party. January then asks him if he thought the book club was reading his book, revealing to Gus that she knows the name of his book. He confesses that he did, then they move into more banter about whether they’ve Googled one another, and they both indicate they have.
They discuss one another’s genres, speculating that neither has read the other’s published work. January rants that her work isn’t shelved as romance but as women’s fiction, then laments that if her characters were all men, it would just be considered fiction. She’s angry that just because she’s a woman and so are her characters, her potential audience is halved when her book hits shelves. Before Gus can react, she asks him to take her home, stating that she’s feeling more sober now.
Chapters 4 through 7 reveal a change in January’s relationship with Gus. After her conversation with him in Pete’s Books, she vows to never speak to him again and works hard to avoid him. At the book club, when she is confronted with an inescapable situation in which she must interact with him, she refrains from speaking to him until the realization that both of them were duped into showing up at a book club for spy novels. Even then, she keeps her interactions with him as minimal as possible. January continues this pattern of avoidance when the book club ends, doing everything in her power to avoid having to get in his car for a ride home. Despite her stubborn attempts, Gus turns out to be even more stubborn, refusing to drive away until he is sure she has a safe way to get home. Despite their fiery banter during all their interactions, there is a softness to Gus’s offer to take January home. He is showing, for the first time, that he cares for her. This extended hand, as well as the promise to help January sober up, is what finally convinces January to have a prolonged interaction with Gus.
Avoidance is a prevailing theme in the first seven chapters. January avoids everything that is difficult for her. She avoids replying to Anya’s email, opening her dad’s letter, checking the lake house basement, interacting with Gus and Sonya, and even writing the book she is supposed to be writing. It isn’t until Chapter 7 that January’s strategy of avoidance stops working for her. Gus is the one to coax January out of this natural reaction through his patience for her stubbornness, leading to the first genuine interaction between them that isn’t simply snarky banter.
The anachronistic retro nature of the donut shop works as a device to transport Gus and January to a new state of mind. Once inside the brightly colored booth, they become more candid with one another, taking turns asking questions, though not completely answering one another. Gus shows he’s curious about January, paralleling his interaction with Shadi in college when he asked about her. It’s still not clear at this moment whether he remembers her, but he confesses to Googling her, which further emphasizes his curiosity towards her. January implies she Googled him, too, but the audience knows this isn’t entirely true: What January knows about Gus she knows because she remembers him from college and has followed his career since.
Gus’s characterization becomes a little warmer in this donut shop scene. Whereas January has painted a picture of a guy who detests happy endings, makes cold remarks, engages in conversation purely through banter, and doesn’t take care about his clothes or appearance, the reader is shown a different side of him when he finally coaxes January into his car. His concern for her safety and her sobriety contrasts the image of him that January has built up in her mind and narrated to the reader. This contrast is not only evident to the reader, but also to January herself, as she begins to feel more comfortable talking to Gus at the end of Chapter 7. Her rant about male authors versus female authors comes from a place of deep emotion and perhaps explains some of the perception she’s had about Gus since college.
By Emily Henry