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F. Scott FitzgeraldA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Flashback in “Babylon Revisited” is a crucial narrative technique that deepens the protagonist’s character study and accentuates the theme of The Haunting Power of the Past. When Fitzgerald published “Babylon Revisited” in The Saturday Evening Post in 1931, some of the magazine’s readers would have been familiar with his earlier stories published there, such as “Bernice Bobs Her Hair” (May 1, 1920) and “The Ice Palace” (May 22, 1920). These stories depicted the new youth culture of the 1920s, a world of young women called “flappers” who listened to jazz music. These characters represented a hedonistic, energetic young America that was just emerging in the aftermath of World War I.
Thus, the flashback employed in “Babylon Revisited” would have resonated with readers of The Saturday Evening Post in its exploration of the aftermath of the roaring ‘20s Fitzgerald described in his earlier writing for the magazine. Through the strategic interweaving of Charlie’s present moments in “Babylon Revisited” with recollections of his bygone extravagant lifestyle, the profound changes Charlie has experienced in the aftermath of the stock market crash of 1929 likely reflected the experience of some readers. Charlie’s reminiscence that “He would come back some day; they couldn’t make him pay forever” reveals a hope for redemption that was part of a larger desire for economic regeneration in America during the Great Depression of the 1930s (Paragraph 280).
“Babylon Revisited” contains examples of both situational and dramatic irony. Situational irony occurs when there is a discrepancy between what is expected to happen and what actually occurs and the outcome of a situation is the opposite of what one might expect, creating a twist or surprise for the reader. One of the most prominent instances of situational irony in the story is the reversal of Charlie Wales’s circumstances. Once a wealthy man indulging in the extravagances of the Jazz Age, he returns to Paris sober and financially diminished after the 1929 stock market crash. His past actions, particularly those involving his reckless lifestyle and alcoholism, have led to the loss of custody of his daughter, Honoria Wales. There is irony in the fact that he is now a reformed character, capable and desiring of taking care of his daughter, yet his past mistakes prevent him from doing so. This reversal—from a carefree, wealthy lifestyle to a sober, reflective existence fraught with loss and regret—is at the heart of the story’s situational irony.
Dramatic irony is also present in the story. Dramatic irony occurs when the reader knows something that a character in the story does not know. Dramatic irony occurs in the story through the reader’s awareness of Charlie’s past, which most of the other characters in the story do not fully appreciate or understand. The reader knows the depth of Charlie’s transformation and his sincere regret over his past actions, particularly regarding his late wife, Helen. This knowledge creates a sense of dramatic irony, especially in scenes in which characters like Marion, Helen’s sister, doubt his sincerity or judge him solely based on his past. The reader is privy to Charlie’s internal struggles and genuine intentions as other characters continue to misjudge him.
Fitzgerald employs juxtaposition to contrast Charlie’s past with his present, often placing the opulence of his former life against the sobriety of his current existence. This is evident when characters from his past, like Lorraine and Duncan, resurface, their flamboyant attitudes starkly contrasting with Charlie’s newfound restraint. The jarring difference is highlighted in scenes such as the encounter at the Peters’ house, where the frivolity of Lorraine’s and Duncan’s intrusion into the somber environment of the Peters home underscores Charlie’s desperate cling to stability.
By F. Scott Fitzgerald