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43 pages 1 hour read

Ian McEwan

Atonement

Fiction | Novel | Adult | Published in 2001

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Part 2Chapter Summaries & Analyses

Part 2 Summary

Robbie spends more than three years in prison. Due to the outbreak of World War II, the authorities offer him early release in exchange for joining the army. He becomes a private and is sent to France, where his fellow soldiers know him as Turner. After the German army attacks his unit, and an exploding mine injures Robbie. The shrapnel wound in his side causes him pain as he walks through rural France with two other soldiers, Corporal Mace and Corporal Nettle. Though the corporals outrank Robbie, Robbie’s experience growing up in the countryside makes him the de facto leader, whom they call “guv’nor” (119), an informal term of respect. The three soldiers stay in the barn of a French farm. That evening, they share food and wine with the brothers who run the farm. Thanks to Robbie’s “running translation” (123), the brothers describe the damage the German army has wrought. Robbie tells the brothers that he and his comrades were separated from their units and that they are marching to Dunkirk, the French coastal town from which the British army will evacuate. Robbie thanks the brothers for their hospitality and promises them that he will return “with even less conviction than before” (124). He knows they will not return, but the hope gives him comfort.

As Robbie lays down to sleep that night, his thoughts drift to his memories. He remembers Cecilia running to him on the night of his arrest, telling him that she would wait for him. In prison, he promised that he would “stay sane for her” (125) despite the difficult conditions. They wrote to one another often, though she was not allowed to visit due to the nature of the accusations against Robbie. In their letters, they disguised their feelings in oblique literary references to love, so as to avoid censure from the prison wardens. Once they met was in London, shortly after Robbie joined the army and before he was sent to France. During this time, Cecilia had cut herself off from the Tallis family for their treatment of Robbie. She was working as a nurse in London, and they met for tea in a busy café. Their conversation was short and awkward, making their love-filled letters seem almost “artificial” (126). Afterward, as they waited at a bus stop, they kissed. Their passion reignited, and Robbie promised to return to her after the war. They were not able to meet again, but they continued to write. During their exchanges, he encouraged her to reunite with her family. She always finished her letters the same way, telling him to “come back” (129). Cecilia reports that Briony, now 18, turned down an offer to attend university and instead began to train as a nurse as she wants to be “useful in a practical way” (130). Briony has tried to contact Cecilia, but Cecilia continues to decline her offers to meet. In her letters, Briony has offered to change her testimony to the police in an attempt to clear Robbie’s name. Briony hopes that Robbie’s name can be cleared, at least in the family’s eyes if not in the eyes of the law.

During Robbie’s journey to Dunkirk, he and his fellow soldiers witness the horrors of war. Robbie tries to desert, but the corporals convince him to stay. The trauma of seeing so many innocent people dead, as well as his lack of food and water and the “tender, ruptured flesh” (132) in his side, overwhelm Robbie. As they pass a long convoy of soldier and refugees, a major tries to convince the three men to take part in a counterattack. He is convinced that they can drive the Germans back. A German bomber flies overhead, and the major is shot, along with much of the convoy. Robbie convinces the major to allow them to proceed to Dunkirk while Nettles and Mace bury a young French boy. Robbie distracts himself from the growing pain of his wound by remembering Cecilia. In her most recent letter, she described Briony’s plan to clear his name. He tries to imagine a future in which he can be with Cecilia and live the life he always imagined. However, he cannot imagine ever forgiving Briony even though she was “just a child” (140). When he tries to understand what motivated her to accuse him of raping Lola, he remembers a day when he taught her how to swim. She pretended to drown in the hope that Robbie would save her. Robbie was furious with Briony and now, he wonders whether she was jealous of his nascent relationship with Cecilia. Whatever her reasons, he is certain that he will never forgive her for the lasting damage she has done to his reputation and his life.

The men continue toward Dunkirk. They continue to see the horrors that war has inflicted on the locals. Robbie tries to save a young woman and her son but fails. He reminds himself that his goal is to survive, but the devastation is affecting his psyche. Their deaths make Robbie think of his own missing father, who abandoned him when he was young. Robbie wishes that he could be the kind of admirable father figure that he wishes he might have had as a young boy. The thought makes him even more determined to be with Cecilia, and he promises himself to track down his father after the war.

The men reach Dunkirk, by which time Robbie’s wound and his increasing delirium makes him feel as though he is in “a waking dream” (150). The town is in chaos as thousands of British troops prepare for a massive evacuation. On the beach, the soldiers drink and fight. Robbie and the corporals save an Air Force clerk from a group of angry soldiers. Robbie and Nettle have become separated from Mace. They search for him, as well as for water. They chase a pig for a woman, who hands them food and wine as payment. They shelter in a ruined house for the night. Robbie falls asleep, imagining a future in which his reputation is restored. Even if he is innocent of attacking Lola, no one who emerges from this war will ever truly be innocent again. He falls asleep as memories of the war merge into the memories of the night of Lola’s attack. He wakes up with Nettle over him, trying to calm him. Robbie has been “shouting ‘no’ and waking everyone up” (160). Robbie tells Nettle that he wants to stay behind in France as there is business he needs to see to. Nettle says that the evacuation has begun. Robbie drifts in and out of consciousness. He tells Nettle to wake him up when the boats arrive. He promises that the other “won’t hear another word” from him (161).

Part 2 Analysis

Part 2 of Atonement changes location, style, and structure. The war has changed Robbie. His shrapnel wound mirrors the pain of Briony’s accusation. This change is reflected in the narrative, which identifies him as Turner. The less intimate, informal change in name is an illustration of how much prison and war have hardened and numbed Robbie, crafting a necessary callous over his raw emotions. Briony, the justice system, and the unfolding of fate have betrayed Robbie, turning him into a victim through no fault of his own. Turner is a version of Robbie that is not part of Briony’s world. She writes her story later in her life, reconstructing his experiences through research. As such, the character Turner is mainly an invention; he is Briony’s reimagining of Robbie, rather than who Robbie really was.

Robbie’s experiences in the war take place during a similar timeframe to events in Part 1. Over the course of roughly a day, he reaches Dunkirk as the soldiers prepare to be evacuated. During this time, he experiences hellish conditions. He tries and fails to save innocent people as he descends into a fever dream from which he will never fully escape. The seemingly endless horrors of life in wartime France are far removed from his peaceful, genteel life at the Tallis estate. The same man who donned his tuxedo to walk up to the house to confess his love to Cecilia now limps through a parade of dead bodies and doomed military operations. Despite his exposure to these horrors, Robbie retains a sense of himself. In her novel, Briony writes Robbie as fundamentally the same person she knew. He tries to help people, even as everything around him descends into senseless violence. Briony’s portrayal of Robbie shows her change in perspective. The man she once believed to be a monster was actually good; her portrayal of Turner is an attempt to atone for her crime by showing the world that—despite everything—Robbie Turner retained his goodness.

In Briony’s reimagining, Robbie’s love for Cecilia drives him forward. Cecilia is a distant presence in his life, a memory that motivate him but feels perpetually distant. The horrors he witnesses make Robbie feel as though he is in a different world, as his love for Cecilia cannot exist in the same world as the turmoil and carnage which surrounds him. However, the longer Robbie is away from Cecilia, the more he loses hope. Eventually, his love for her and his desire to return to her cannot overcome the damage the war causes him. The wound in his side and the circumstances at Dunkirk fate Robbie to die in France. His life is a clear, linear progression from Briony’s lie to the moment of his death. Just as he tragically was not able to be with Cecilia on the night that they finally declared their love for each other, the purity of his love for Cecilia cannot survive in an intolerant world. That he continues to entertain his thoughts of love while death surrounds him shows that Robbie has integrity and is capable of love in an unloving world.

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