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55 pages 1 hour read

Anderson Cooper, Katherine Howe

Astor: The Rise and Fall of an American Fortune

Nonfiction | Biography | Adult | Published in 2023

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Part 2, Chapters 7-9Chapter Summaries & Analyses

Part 2: “Fall”

Part 2, Chapter 7 Summary: “Rokeby, 1875”

When William Backhouse Astor Sr. died, he disowned his third son, Henry, who had committed the unpardonable sin of marrying a woman who was his social inferior and had refused to give up her dower rights to inherit from her husband. Instead, after dividing the bulk of his estate between William Jr. and John Jacob III, he left about $5 million in property, including the Catskills estate of Rokeby, to his granddaughter Maddie Chanler, the daughter of his first child, Emily. Emily had died while giving birth, and the Astors persuaded her former husband, Samuel Ward, to give up parental rights after he remarried. After a strict childhood, Maddie married John Chanler, a rising and wealthy politician, in 1861. They had the run of Rokeby, named by Emily’s mother for a romantic poem by Sir Walter Scott. Their marriage was happy, except for the premature death of one daughter, but Maddie died in 1875 at the young age of 37, just two weeks after her grandfather’s funeral. She was pregnant with her 12th child at the time.

John Chanler summoned his cousin, Mary Marshall, to help raise the children. He sent the oldest boys, Archie and Wintie (ages 13 and 12), to England for school and the eldest daughter, Bess (age 9), to a ladies’ finishing school. John died two years later. Guardianship of the children went jointly to John Jacob III and his son, Will, along with other members of the social elite. No one was prepared to receive 10 children, and the orphaned children refused to be separated. They stayed at Rokeby with Mary Marshall while their Astor guardians oversaw their finances from New York. The odd household was rife with ghost stories and mischief as the children tormented tutors and played with animals at their country estate.

Archie Chanler scandalized his family by marrying Amélie Rives, a beautiful and curious young woman who published a shocking romance novel in which the hero was based on Archie. They married in her home state of Virginia in 1888 without getting permission from the Astors, notifying only Archie’s sister Margaret. Despite the family’s initial outrage, Amélie started winning over the siblings when she and Archie returned to Rokeby. However, the situation fell apart as Archie became increasingly erratic. He left Amélie for two years, going to Paris. They reconciled temporarily but divorced in 1895. Archie began to believe that he was receiving mystic messages and had discovered a psychic “X-faculty.” As evidence, he claimed that his eyes turned color. The siblings secretly called in a doctor to examine him and then had him sent to a mental hospital. He later escaped, managed to have a court declare him sane, and began publicly lecturing about his supposed abilities. Before Archie was sent to the mental hospital, Margaret had convinced him to sell her his shares in Rokeby. She later convinced her surviving siblings to do the same. Her descendants continue to live at Rokeby, though their share of the Astor fortune has long since run out.

Part 2, Chapter 8 Summary: “Halifax, April 15, 1912”

When the Titanic sank in 1912, newspapers focused mostly on one casualty: Colonel John Jacob “Jack” Astor IV, the son of Caroline Astor. He was returning to New York with his new 18-year-old wife, Madeleine Force, after the scandal of divorcing his first wife. Newspaper stories portrayed him as heroically helping his wife into a lifeboat and then getting out to allow another woman to take his seat. They reported that he last appeared stoically leaning on the rail as the lifeboat went out. The first film of the tragedy, the 1912 In Nacht und Eis, reproduced that selfless image. The 1943 Nazi film Titanic cast Jack Astor as the villain, a corporate master of greed whose stock schemes helped cause the tragedy and showed the evils of Anglo-American capitalism. In a 1953 film, he became a reformed husband. The 1997 film Titanic reduced him to a minor symbol of elite decadence, though it indicated that he did not try to board a lifeboat.

Considered less than brilliant, Jack still brought a meticulous precision to business and to his hobby of tinkering with machines. He loved the new automobiles and yachts, though he wrecked prize specimens of both. He preferred the office to being home with his wife, Ava, a renowned beauty and spoiled heiress who treated him with cold contempt after their marriage in 1891. He volunteered in the Spanish-American War, where he was given the rank of colonel. When Caroline died in 1908, ending her supervision of the family’s reputation, Jack began divorce proceedings. He married Madeleine in 1911 and stayed overseas to avoid his scandalized peers until Madeleine told him that she was pregnant.

The couple booked passage on the Titanic so that she could return home for the birth. When the ship began to sink, he helped his wife board the lifeboat and asked if he could accompany her in light of her pregnant condition. Upon being told “no” by a ship’s officer, he asked for the number of the lifeboat. One witness thought Astor wanted it to help locate her later; the officer thought he wanted the information to make a complaint. The book takes the stance that the latter portrayal was more in character for him. No one knows how he passed his final moments. Vincent, his son from his first marriage, received the bulk of his fortune. His daughter, Alice, his new wife, and their unborn baby, John Jacob VI (or “Jakey”) each received a few million.

Part 2, Chapter 9 Summary: “Blackwell’s Island, 1910”

Two years before the Titanic sank, newspapers seized on the death of another John Jacob Astor as an entertaining social interest piece contrasting the lives of two radically different New Yorkers bearing the same name. This John Jacob came from Walldorf, the same German town as the original immigrant, and may have been a distant relative. Like the first immigrant, he came to New York in his 20s to seek his fortune. Unlike the first immigrant, however, he spent his life rolling cigars for a pittance until his eyesight failed and he entered the City Home for Elderly Disadvantaged People on Blackwell’s Island, where he died. His is a less popular story than the rags-to-riches immigrant saga of the Astor fortune, but is by far the more common immigrant story.

This John Jacob arrived in 1863 to find a city packed with immigrants living in claustrophobic slums, competing for jobs that paid a dollar a day, and facing the prospect of being drafted into the Union Civil War army. Multiple families crowded into two-room, 136-square foot tenement suites (including those owned by the Astors). Without the technology that later bridged the Hudson River, created mass transportation, and carved out Manhattan’s rocky crags, thousands of immigrants had to funnel into a few square miles of living space on the island so that they could walk to work. Given the congested conditions and lack of sanitation, Manhattan had the world’s highest death rate.

Many New York workers in 1863 had a dismal view of the Civil War, fearing competition from former slaves if they were freed and doubting that the Union would even win. The draft was the last straw for many desperate men. They rose up in a riot. The Draft Riots lasted for days before the army quelled them, though hundreds of casualties resulted. The riots caused more than a million dollars’ worth of damage and victimized the city’s Black population. One wounded Black man found refuge in the Astor Hotel, which Confederate sympathizers later tried to burn down. No records indicate that the other John Jacob Astor had anything to do with the Draft Riots, though it is possible that he did.

This other John Jacob was traceable through the census and other official documents. He became a naturalized citizen in 1868. By 1870, he was married to a woman named Theresa. They had no children. A decade later, they moved uptown and took in boarders for extra money. By 1900, however, he had disappeared from the census, although a John Astor appeared in a city near Boston. In 1901, he entered an almshouse on Blackwell’s Island for the first time. He was alone, unhoused, and destitute. He was in and out of the almshouse over the next decade, scraping together odd jobs at the hospital when they could use him, until he died in 1910.

Part 2, Chapters 7-9 Analysis

Part 2 of Astor bears the title “Fall.” The New York branch of the Astor family no longer exists in high society. They disappeared not because of financial catastrophe but rather because of personal misfortunes and unhappy marriages that left the family without an accepted heir. Chapters 7 and 8 begin that story with two tragedies: the orphaning of the Chanler children and the sinking of the Titanic. The Chanler children, as their last name indicates, were not a major branch of the family and inherited only a fraction of the Astor wealth. They still remained closely connected enough that the current head of the family, John Jacob Astor III, became their financial guardian when their parents died. Both stories had considerable human-interest angles that made them irresistible to journalists at the time, as a veteran journalist like Anderson Cooper would appreciate. Likewise, the death of Jack Astor on the Titanic dominated newspapers, and bore the seeds of the end of the New York Astor line. Jack Astor only had one child—Vincent—from his first marriage, in part due to the bitter nature of that marriage. He died while his second wife was pregnant with their first child, and his will still settled the bulk of his fortune on Vincent. Had Jack Astor lived to adjust his will or have more children, the story of the New York Astors may have been different; as it was, its future hopes rested solely on Vincent.

The common aphorism that “money doesn’t make you happy” certainly applied in these situations. Money couldn’t save the Chanler orphans from their parents’ early deaths. It did give them the freedom to stay in their house and become in many ways ungovernable. When Archie began to claim psychic powers, money mattered in the legal disputes that followed, which resulted in his involuntarily being sent to a mental hospital and then later freed. He then used his resources to publicize his claimed psychic powers on the lecture circuit. The things he got away with are to some extent evidence of the theme of The Corrupting Influence of Wealth. That theme of corrupting riches emerges more clearly with Jack Astor, however. He causally wrecked automobiles and yachts without repercussions and still considered himself a fine seaman. His earlier prosecution of trespasser John Garvin revealed a total lack of sympathy for those without money that continued until his death. Cooper and Howe dispute the heroic image of him on the Titanic as a gentleman giving his life to save women and children. Instead, they support witnesses who saw him as impatient and petty, flabbergasted that he wasn’t allowed on the lifeboat, and ready to cause trouble for the ship’s crew if he survived. They also note that despite the “women and children first” protocol, a higher percentage of first-class male passengers survived than third-class children. In line with the theme of Social Privilege Deriving from Exploitation, economically disadvantaged children died so that privileged men could secure some of the few spots that promised safety. Social class on the Titanic thus determined one’s treatment during not only the voyage but also during the disaster.

In addition, the contrast of Jack Astor with the “other,” more humble 1863 immigrant John Jacob Astor underscores the themes of exploitation as well as The Myth of the American Dream. This other John Jacob Astor entered public consciousness as a human-interest story in the newspapers when he died in 1910. Despite apparently working far harder than his contemporary Jack Astor, this John Jacob never enjoyed his doppelganger’s wealth or leisure. While it is true that wealth does not buy happiness, this John Jacob illustrates that lack of money poses its own problems.

That newspapers ran stories on the death of the other John Jacob Astor also highlights how the Astor name captured the public interest. The foibles and struggles of the Astors were front-page news. The book’s overview of the role of Jack Astor’s movie afterlife shows the gradual fall of the family from prominence. In the first decades, even in Germany the Astors symbolized upper-class America whether one admired or despised them. By the 1997 hit film Titanic, the Astors were a caricatured afterthought.

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