55 pages • 1 hour read
Anderson Cooper, Katherine HoweA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In 1908, society journalist Rebecca Insley received an invitation to come to the fashionable neo-Gothic mansion at 840 Astor Place to interview the Mrs. Astor: Caroline “Lina” Webster Schermerhorn. Mrs. Astor, then in her 80s, had a nervous breakdown in 1906 and withdrew from society yet continued to have delusions of interacting with fans or planning grand galas. She greeted Insley with vigor as she laid out her philosophy of a republic in which those who had the talent to make money wielded proportionate influence. This social elite ought to remain grounded in tradition and decorum rather than vicious excesses (which she believed her circle, even the youth, avoided despite rumors to the contrary). The authors use Insley’s interview as a frame for their story, interspersing insights and provocative quotations from her article with the story of Lina’s life.
Lina was born into a wealthy, established family in 1830. She married William Backhouse Astor Jr., one of the elder William’s sons. The two sons had split the family fortune. The elder son, John Jacob Astor III, took the helm at the family business, while William pursued a life of leisure. Lina and he soon drifted apart. William focused on racehorses, yachts, and extramarital affairs that Lina pretended not to know about. She professed ignorance about anything that would detract from the dignity of her family and circle. Instead, she created a role for herself as Mrs. Astor, first lady of New York. In accordance with contemporary custom, she formed a friendship with a “safe” man who could escort her to social functions. These escorts were sometimes secretly or openly gay. Her escort and friend was a Southern transplant and distant relative named Samuel Ward McAllister. Together, in the post-Civil War era, they set out in what they considered America’s greatest city to set the standard for true American culture. Feeling that it was inferior to Europe’s ancestral culture, they created a society with a distinctively American social elite that imitated aspects of elite European culture (like French cooking) while manufacturing a sense of American tradition.
Ward McAllister divided society into the “Nobs” (the old, established wealthy) and the “Swells” (the newly rich). While seeking some sort of rapprochement between the two, he and Mrs. Astor ultimately decided that to be admitted “into society,” a person needed at least a million dollars and to be three generations removed from the ancestor who had first made the fortune. The crown jewel of their system was an elite “Society of Patriarchs” that hosted the Patriarch Ball. Invitations to these grand events were strictly limited and thus became highly coveted introductions into society. Etiquette was crucial. The term “Four Hundred” came to mark those who met the high standards. Mrs. Astor saw herself as benefiting America by creating a proper elite culture that would be the yardstick by which to measure other society hostesses and therefore would curb other tasteless (in her view) extravaganzas. She met her match only in the newly but supremely rich Alva Vanderbilt. When Alva hosted a masquerade ball in 1883 so sumptuous that preparations became the talk of the town, Mrs. Astor’s daughter eventually persuaded her to attend. Both Alva and Mrs. Astor dressed in the finery of Venetian countesses. No one knows exactly what the two said when they met, but afterward Mrs. Astor began to invite Alva to her high-society events.
However, the elite’s Gilded Age excess began to attract criticism. The Martins, a couple much like the Vanderbilts, tried the same tactic: an appallingly opulent masquerade at the height of the 1896 depression. The press roasted them for spending the modern equivalent of $12 million while other people struggled. A similarly over-the-top celebration at Sherry’s restaurant, whose interior became a romantic countryside complete with imported turf, birds, and horses to ride, prompted similar protests from the ordinary public. In addition, Ward McAllister hurt Mrs. Astor when he published a tell-all book in 1890 followed by her secret list of the Four Hundred. While Mrs. Astor remained a formidable figure in New York society, her loneliness increased while her fortune decreased in her final years. She died in 1908 just a few weeks after her interview with Insley.
Joseph Edward Smith, the house detective for the Waldorf-Astoria hotel, sat perched with gun in hand on a ledge outside the hotel’s fifth-story windows to apprehend a daring thief. He succeeded, saving the hotel’s reputation. The origins of the famous hotel date back to William Waldorf “Will” Astor, the son of John Jacob Astor III and nephew of Caroline Astor. Disenchanted with New York and his family, he decided to permanently move to Britain. Annoyed at his aunt’s domination of New York society and insistence that she (rather than his own wife) was the Mrs. Astor, Will took revenge by demolishing his father’s brownstone home and, in 1891, erecting the elegant 11-story Waldorf hotel on the site—next door to the house where Mrs. Astor still lived. The construction noise made life almost unbearable, and the looming edifice cut off the sunlight into her home. It was, in the authors’ words, “the supreme kiss-off” (95) as Will left the US and handed over the hotel’s management to a man named George Boldt.
The opulent luxury hotel, boasting hand-painted ceilings in every room, enjoyed aristocratic success and introduced the European idea of a concierge to the US. Using the hotel’s continental luxury as leverage, George Boldt determined to move the private galas that society ladies hosted into this new public space. At the gala celebrating the hotel’s opening in March 1893, he pioneered the exclusive charity ball by including a concert to benefit St. Mary’s Free Hospital for Children. Select guests streamed in from Boston, Philadelphia, and Baltimore as well as New York. Oysters, champagne, and other luxuries overflowed, hiding the inconvenient fact of a kitchen worker’s accidental death. The New York Times featured the party and the guest’s latest fashions on its front page, marking a new public debut of high society.
Meanwhile, matters turned worse next door for Caroline Astor and her son Jack. A disadvantaged man named John Garvin wandered into their house through an open door, found the laundry maid’s room, locked himself in, and fell asleep. The servants discovered him and had him arrested. The judge initially fined him only $5, but the Astors protested and accused him of attempted theft. A jury eventually found him guilty, and he went to prison for a year. However, the newspapers whipped up public support for Garvin and portrayed the Astors as cold, unsympathetic monsters persecuting a struggling man who only wanted a warm bed for an evening. Faced with the public relations disaster at their own home and disliking the heavy traffic around the new hotel, Jack and Caroline decided to move. When Jack learned how much profit the Waldorf raked in annually, he brokered a truce with the other side of the Astor family to realize an ambitious plan. His brownstone would likewise be demolished and a slightly larger version of the Waldorf would be raised on the site to create the joint Waldorf-Astoria hotel under Boldt’s leadership. Once again, the hotel celebrated via a charity gala in which society ladies paraded enough finery in public to make newspaper reporters gasp. It was the world’s largest, most luxurious hotel.
Oscar Tschirky, maître-d’ of the combined hotel, continued to set the bar for high society. He invented the Waldorf salad, the chafing dish, lobster Newburg, and chicken a la king, as well as the velvet roped line behind which prospective guests awaited judgment on their worthiness to enter. Those who had the money could buy entry to elite society there instead of waiting for invitations to private parties. In 1897, the Waldorf-Astoria gained the ultimate mark of approbation when Mrs. Caroline (“Lina”) Astor finally attended a ball there. Thirty years later, the hotel fell. Hit hard by Prohibition and the 1929 stock market collapse, it was demolished to make way for the Empire State Building. A new Waldorf-Astoria opened in 1931 on Park Avenue and has since changed hands many times.
Will Astor was a solitary and melancholy but self-disciplined man. Born in 1848 and raised in a strict religious household, he followed the path set for him by his father, John Jacob Astor III. He attended Columbia, studied abroad in Europe, and returned to the US to live a life of leisure, as was expected. He had glimpsed another life in Europe and had fallen in love with an Italian girl, but his family forbade both the girl and that life. Back home, he entered the family business and fell in love again, marrying the socially acceptable Mary “Mamie” Dahlgren Paul. He briefly forayed into politics, entering the New York legislature, but public mockery ensued when he failed to win a US House of Representatives seat despite uncomfortable attempts to connect with the average workingman in New York. Despising these typical Americans and loving prestige, he embraced his “un-American” background and sought new pastures.
In 1882, President Arthur sent Will to Italy as a special envoy with few real duties. Will and Mamie loved the culture. He became a serious art collector and a less successful novelist. Recalled to New York in 1885 when the president’s term ended, Will regained the opportunity to travel when his father died in 1890 and he inherited a vast fortune estimated at $150-300 million. He moved to Britain, proclaiming the US unfit for gentlemen, and in return the US papers condemned him as a traitor. In 1892, in a story that Will may have planted, New York newspapers published his premature obituary, praising him, before being forced to retract the erroneous report.
In England, Will purchased the estate of Cliveden House from the Duke of Westminster and promptly walled it off from the public. In 1894, his wife suddenly died. He became withdrawn and paranoid, throwing himself into art collecting and writing. As the owner of British periodicals, he could always be published, but his literary efforts attracted few admirers. In 1898, he renounced his US citizenship and won the bitter enmity of New Yorkers, who resented him for draining wealth from their city without giving anything back. Will ignored them, though in 1904 he briefly returned to open the Hotel Astor, a new venture chock full of modern conveniences designed for upper middle-class travelers. Back in England, he passionately sought to connect himself to nobility, resenting his ancestor’s humble origins, but failed. Instead, he bought Hever Castle, the manor where Anne Boleyn had grown up, and rebuilt it into his romantic fantasy of what a medieval castle would have been. He became increasingly reactionary, opposing social movements like women’s suffrage, though his daughter-in-law Nancy became the first woman seated in the House of Commons.
In 1914, at age 65, Will fell in love with Lady Victoria Sackville, a woman from a cosmopolitan and slightly scandalous background who was estranged from her husband. Within a year, though, she broke off the affair and moved on to other lovers. Will withdrew even more, selling off some businesses and entrusting the family’s New York properties to his sons Waldorf and John Jacob V. He had one last triumph, however: Despite the old nobility’s disdain for him, his money and influence finally persuaded the king to make him a baron in 1916 and a viscount in 1917. Nevertheless, the British press still mocked him as the son of a fur trader buying status via sordid gains.
In the Introduction, Cooper and Howe note how Brooke Astor liked to hold up the family’s wealth as deriving from a “uniquely American” story of an immigrant going from rags to riches through hard work—in short, the “American Dream.” This second half of Part 1 (the “Rise” of the Astors) ironically ends with one half of the Astor family renouncing the US as incompatible with their wealth and status. Emphasizing The Myth of the American Dream, the authors attack this angle in numerous ways; the portrayal of the Europeanization of the Astor family as they established their elite social status subtly but powerfully distances the Astor success from its old place in the American mythos.
This distancing of the Astors and other social elites from true Americans actually begins in Chapter 3 with the first Astor heir, William Backhouse Astor Sr. His father sent him to Europe for education because he looked down on US universities, and that chapter’s drama centers on the Astors attending theater at the “Opera House”—whose very name evoked “European tastes [that] were a marker of class” (52)—to see a British actor while a mob supporting an American actor attacked it. In Chapter 4, Mrs. Astor began creating a new American social elite by imitating Europeans: “collecting French art, hiring a French chef, and serving her dining companions exclusively on French and German china” (75). She was not alone among her social circle. The costumes she and others wore to the Vanderbilt ball were the clothes of French and Italian nobility. The manager of the Waldorf-Astoria in Chapter 5 brought “the ineffable sense of European panache” (97) to his exclusive venue, introducing the concierge from France and hiring waiters who spoke French and German. Once again, society marked itself as elite by rejecting American culture in favor of imitating European aristocracy.
In light of the growing prominence of the Europeanization of the Astors and their peers, William Waldorf Astor’s “English plan” represents the natural culmination of the narrative arc of Part 1. The voters of New York rejected him as a political representative, and he rejected the US in return. The result of his great-grandfather’s apparently fulfilling the American Dream was his own denouncing of America as fine for making money but no place to stay once one had it. He left and eventually achieved the dream that the American Revolution had fought against: being made a hereditary aristocrat by a hereditary monarch. That, according to his view, was the social status appropriate to the Astor elite. By having this moment as the culmination of the first part of their book, entitled “Rise,” the authors solidify this very un-American status as the end product of a family that supposedly exemplified the American Dream.
In addition, the authors tie this story of Europeanization to the theme of Social Privilege Deriving from Exploitation. They emphasize how New Yorkers felt about Will Waldorf Astor’s betraying them and their country by taking from them without giving anything in return. Even while living in England, Will lived the aristocratic life by bleeding economically disadvantaged Americans dry. He “siphoned money from the very marrow of New York,” taking real estate money across the Atlantic “never to be seen again” (125). This explicitly foreign domination of New York real estate reveals what Cooper and Howe assert throughout the book: The Astors took from the people of New York and (until Brooke Astor, who wasn’t even a real Astor by blood) never gave back.
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