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47 pages 1 hour read

Michael Morpurgo

An Elephant in the Garden

Fiction | Novel | Middle Grade | Published in 2009

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Themes

The Terrible Consequences of War

Content Warning: “The Terrible Consequences of War” includes descriptions of firebombing.

An Elephant in the Garden is the story of one family’s suffering and survival in Germany during World War II. Lizzie’s memories depict war as a relentless force upending lives, separating families, and leaving death and destruction in its wake. She recounts the day when her father, Papi, came home in his gray army uniform, describing his deployment to France as “the beginning of [the family’s] nightmare, everyone’s nightmare” (28). When Papi stopped coming home on leave and his letters ceased, Lizzie and her family did not know if he was alive or where he might be. Held as a prisoner of war by the Russians, Papi did not return until four years after the war.

The war also separated Lizzie and Peter; when they reached the Allied forces in western Germany, Lizzie, Mutti, and Karli were sent to a refugee camp. She recalls saying goodbye to Peter before being driven away in an army truck: “I clung to him and cried. He whispered in my ear that he would write, that he would come back for me and find me […] I thought my heart would break” (186-87). More than a year later and after losing track of Lizzie’s location, Peter finally found her in Heidelberg and kept his promise, but they both suffered during the intervening months, believing they would never see each other again.

Lizzie’s descriptions of life in Dresden as World War II dragged on depict other tragic consequences of the war. With the Russian army closing in from the east and the American and British forces moving in from the west, starving refugees poured into Dresden. Lizzie recalls seeing them every day “in their hundreds, outside the soup kitchens, lining up in the snow, or huddled together against the cold in doorways, their children crying” (51). The number of German war casualties mounted: “More and more husbands and sons and brothers were being reported dead or missing. It was common now, every week, for one of our school friends to learn the dreadful news that a father or a brother was not coming home” (31). With the bombing of Dresden, Lizzie, Mutti, and Karli became refugees themselves, joining thousands of others fleeing the burning city; before reaching safety in the west, Lizzie and her family endured week after week of cold, hunger, and physical exhaustion.

The RAF’s firebombing of Dresden most vividly captures the horrors of war. Wave after wave of bombers destroyed the city, encircling it in a ring of fire:

The flames from burning houses and factories were licking high into the sky, leaping from one building to the next, from one street to the next, from one fire to another, each fire […] seeking out another fire to be with, so it could become an inferno, so it could burn more furiously (72-73).

The concussive force of the bombs created a fierce, hot wind so strong that Lizzie, Mutti, and Karli “had to cling on to one another, so that the wind did not blow [them] back towards the city, towards the fire” (76). Lizzie remembers looking back at the destruction and realizing that “Dresden was no longer a city anymore. Rather it looked […] like one vast bonfire” (77). Emphasizing even more the grief and terror of the bombing for Lizzie is her memory of “shooting and screaming” in the burning city: “I knew this screaming for what it was, the shrieking of animals, of dying animals, and that it came from the direction of the zoo. They were shooting the animals” (74). Fleeing from Dresden was a “walk through hell” (78). Lizzie says, “I had never before witnessed human misery on such a scale. It is the sound of a people in despair that I shall never forget: the weeping, the sobbing, the screaming and the praying” (78). Although the novel is set in Germany during World War II, what Lizzie and her family endured is not limited to a particular time or place. The terrible consequences of war, a major theme in the novel, has universal meaning.

The Joys and Sorrows of Coming of Age

The memories Lizzie shares span her childhood to age 18. Before the war, she lived in a lovely home in Dresden with her parents and little brother, Karli, who was seven or eight years younger. Her father, Papi, restored paintings in a Dresden art gallery and wrote books about paintings. Her mother, Mutti, was a homemaker. Their home was filled with music (Bach for Papi and Marlene Dietrich for Mutti), and they spent their summers picnicking at the park, boating on the lake, and visiting Lizzie’s aunt and uncle’s farm several miles from the city. When Hitler came to power in Germany, Lizzie was aware of changes in Dresden, but she initially paid no attention to politics: “I was just a teenage girl growing up […] I hated all the dreadful things I’d seen the stormtroopers doing in the streets, but the truth is […] I was far more interested in boys and bicycles […] and more in bicycles than boys” (27). Her childhood was happy, and she lived within the security of her home and family.

Lizzie’s childhood ended when Papi was drafted into the German army; that the war dragged on for years served as another wake-up call. Nevertheless, at 15 and filled with sadness, Lizzie thought only of herself and how the war had impacted her own life, robbing her of joy and making her hate the world she now lived in. Though no longer as innocent as she once was, Lizzie was not yet mature, but when Mutti told Lizzie of her own fears and heartaches, Lizzie took another step toward her life as an adult: “Until then, I had simply been her child, her daughter, and she my mother. Until then, we had confided in one another very little. Suddenly, we were opening our hearts to each other” (38). Mutti taking Lizzie into her confidence marked a change in how Lizzie viewed her mother, herself, and the world.

Meeting Peter Kamm when she was 16 hastened Lizzie’s coming of age. Within 24 hours, she fell in love with him and knew she “would love him till the day [she] died” (111). Remembering herself at 16 and her experience of falling in love for the first time, Lizzie says, “I sound like a silly, romantic girl, and of course that is just what I was” (111). However, spending day after day with Peter as he courageously guided Lizzie and her family to safety proved that she was right about her feelings for him and that he loved her too. Having to leave Peter when she, Mutti, and Karli were sent to a refugee camp broke Lizzie’s heart, but she carried on, assuming adult responsibilities in the camp by helping Mutti look after the children. Her relationship with Peter deepened as they wrote letters to each other; finally reunited when Lizzie was 18 (but mature beyond her years), they married. Her storyline suggests the complexity of leaving childhood behind. Although coming of age (especially in wartime) involves a loss of innocence, it also brings with it the ability to have more complex and meaningful relationships with others.

The Meaning of Family

The importance of family underpins the novel, and it is Mutti who primarily defines what being a family means. For Mutti, family consists of those she loves and is determined to protect. This definition of family emphasizes shared, loving relationships—not family trees. Empathetic and nurturing by nature, Mutti loves easily, and she returns love for love.

As a character who not only shares no blood relationship with Mutti but is not even a member of the same species, Marlene is key to illustrating this theme. Marlene is part of Mutti’s family because they love each other. Marlene has been Mutti’s elephant to care for since the day Marlene was born. When Marlene’s mother dies four years later, Mutti spends many late evenings at the zoo, comforting Marlene as she grieves. When Mutti cannot be with her, Marlene cries for her. Sitting with Lizzie in the garden one evening, listening to the animals at the zoo nearby, Mutti hears Marlene trumpeting: “She hates to hear the wolves howling. I’ve told her that they won’t harm her, but she is all alone at night, when I am not there, and she gets frightened” (37). Learning that the zoo animals will be shot if Dresden is bombed, Mutti is horrified. Speaking of it, she cries, “How can I prepare myself to stand by and watch them shoot Marlene?” (41).

To protect Marlene, Mutti brings her home each night to shelter in the garden and then takes her back to the zoo the following morning. When Dresden is bombed, Marlene survives because she is at home with Mutti, but the family become war refugees. When Peter Kamm leads them west, he wants to leave Marlene behind, fearing that she will draw attention to them. Mutti will not hear of it: “Where we go Marlene goes […] She is part of the family, too. What does it say in that book—The Three Musketeers, wasn’t it?—‘All for one and one for all’” (130). The meaning of family for Mutti is shared love and loyalty.

Mutti’s relationship with Peter further illustrates the meaning of family. Upon first encountering Peter at the farm, Mutti despises him because he is one of the enemies who bombed Dresden; she plans to turn him over to German authorities, who would shoot him on sight. She takes away his compass so that he cannot escape and guards him with a pitchfork. Mutti’s feelings about Peter change, however, after she witnesses him risk his life to pull Karli from the farm pond and then revive him against all odds as she and Lizzie “weep uncontrollably,” believing that Karli is beyond help. Afterward, Mutti “goes silent,” deep in thought, but her attitude toward Peter has changed. She subsequently hides his identity from the German soldiers who come to the farmhouse looking for him, telling them that Peter is her older son, and after they leave, she gives Peter back his compass. When he tries to thank her for protecting him, Mutti tells him, “What’s done is done. You are family now, one of us” (128). During the journey across Germany, Mutti continues to protect Peter’s life, determined that her whole family will survive the war.

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