60 pages • 2 hours read
Neil GaimanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Marguerite Olsen invites Shadow to her house for dinner. Shadow feels the day is passing slowly until he receives a telephone call from an exhausted Wednesday. Seemingly depressed, Wednesday reminisces about his friend and fellow god Thor, who “put a gun in his mouth and blew his head off in Philadelphia in 1932” (251). Though Wednesday doubts the potential success of his plan, the new gods have offered to negotiate peace. Wednesday will travel to Kansas City by himself. Shadow spends the rest of the day reading the minutes of old council meetings. He is shocked to read the name Hinzelmann regarding plans to build an artificial lake. At dinner, Shadow is surprised to see Sam. He keeps up the pretense that his name is Mike Ainsel, assuring her quietly that he will explain later. After dinner, Sam and Shadow go for a drink. He calms her and assures her that he has not killed people. Sam is a willing believer in many outlandish, impossible things. Her sincerity prompts Shadow to tell her about the war between the old and new gods, who live among humans. He explains that Laura killed Wood and Stone, not him, and Sam accepts his story.
In a bar, Chad Mulligan drinks with his cousin, Audrey Burton, who is Laura’s former friend and Robbie’s widow. Audrey spots Shadow and loudly accuses him of murder. Chad leads Shadow quietly away to the police station; before they leave, Sam kisses Shadow to show that she is on his side. At the police station, Shadow shows the old council minutes to Chad, including a picture of Chad’s grandfather. Using his one phone call, Shadow contacts the Cairo funeral parlor. Ibis offers to contact his “aunt Nancy,” while a mysterious but familiar female voice assures Shadow that she is watching him.
While handcuffed, Shadow sits beside officer Liz Bute and waits for a Milwaukee squad to take him away for parole violation. They watch television, and Liz falls asleep. The characters on the television begin talking directly to Shadow. When the screen flickers, Shadow watches a “LIVE FEED” of Wednesday talking to an unseen person. Shadow recognizes the voice as Mr. World. Wednesday and Mr. World argue until Wednesday is shot in the head. Shadow is shocked. The Milwaukee officers arrive. Shadow, feeling scared, has a “sudden and deep” (265) grief for Wednesday, and he knows that he will not be able to escape Mr. World. As the officers take him to a black car, Shadow sees them slowly change into Mr. Nancy and Czernobog. He can tell by the somber expression on Mr. Nancy’s face that Wednesday’s death was not a trick and that “the hope [is] gone” (267).
In a Coming to America interlude, the “nomads” of the Northern Plains worship a mammoth skull that represents the god Nunyunnini in 14,000 BCE. Nunyunnini has told the tribe’s holy woman to take the people east, but she disagreed and called Nunyunnini a “bad god.” Their disagreement results in her death as the leaders carry out Nunyunnini’s plan. The nomads make their new home in North America on the spot where she sacrificed herself. During the ensuing centuries, the tribe grows in size and adopts new beliefs and gods. The old gods like Nunyunnini are eventually forgotten, and when the mammoth’s skull and the holy woman’s remains are destroyed by a rival tribe, Nunyunnini is “entirely forgot.”
In the long-term parking lot at Minneapolis airport, Shadow swaps cars. He, Czernobog, and Mr. Nancy meet a familiar face; Shadow remembers him as the man from House on the Rock who thought that he was Elvis Presley. Now, Shadow learns that the man is Alviss. He claims that he is the “tallest dwarf in America” (274). On learning about the death of Wednesday, Alviss is upset. He agrees to join Wednesday’s war and promises to bring his people with him. Though Alviss mentions a vigil, Mr. Nancy and Czernobog refuse to discuss the matter with Shadow. When they stop for breakfast, Czernobog talks about his dreams. Mr. Nancy takes a telephone call from the new gods, who want to deliver Wednesday’s remains to the old gods at a meeting. Mr. Nancy refutes Czernobog’s suggestion that this is a trap. He agrees to meet the new gods at the “exact center of the continental United States” (276): Lebanon, Kansas. This is the least sacred place in the country, according to Czernobog.
While traveling, they encounter other old gods who agree to join the fight against the new gods. In Lebanon, a woman waits for them at a motel. She introduces herself as Media, and she hopes that the meeting will be peaceful despite Technical Boy’s scathing comments and Mr. Town’s lust for revenge against Shadow. In his motel room, Shadow takes a short nap and dreams about a wolf surrounded by bodies hanging from trees. Wednesday appears before him and describes the traditional sacrifices performed in his name in Uppsala, Sweden. Shadow is confused by his own identity; Wednesday admits that Shadow is a “diversion” he used to lend himself credibility.
Shadow is roused from his dream by Media. They go to dinner, where Shadow talks with Media, Technical Boy, and Mr. Town while eating mediocre burgers and fries. The time Shadow spends interacting with the new gods is unpleasant. Outside, Shadow realizes that a mysterious associate of the new gods is none other than his old cellmate, Low Key Lyesmith. In reality, he is an old Norse god, Loki Lie-smith, but he insists that he is not friends with Wednesday. In fact, Wednesday’s death means the war between gods is over, and Loki is not upset about this. Shadow disagrees. He believes Wednesday’s death will unite the old gods and give them “something to believe in” (288).
Shadow finds Wednesday’s body in a candlelit room. Loki holds a short ceremony, where everyone says a short eulogy. To Shadow, the ceremony seems “pitiful.” Czernobog and Mr. Nancy swear revenge, but the new gods are nonplussed. Shadow carries the body out of the room, remembering his promise to hold a vigil in the event of Wednesday’s death. As Shadow leaves the room, Mr. Town hands him Wednesday’s cracked glass eye.
Outside, Shadow rejects the idea that he should leave the country. He wants to join the war against the new gods. Czernobog explains that the battle will take place backstage, where humans are not safe. Shadow insists that he will hold the vigil for Odin because “it’s the kind of thing a living person would do” (293). Shadow is told about the nature of the vigil: He will be strapped to the world tree in Virginia and must hang there for nine days and nights, just as Odin did in the Norse legends. The idea seems almost thrilling to Shadow. He goes to the tree, where three women wait for him. The women place Wednesday’s body at the foot of the tree, tell Shadow to undress, and then tie him to the tree. Then, Shadow is left naked and alone.
Shadow holds the vigil for Wednesday. As “fleeting bursts of color” (297) dance before his eyes, a squirrel runs along the branches and repeats the word “ratatosk.” Shadow dreams about a man with an elephant head and children who accuse him of failing them. When a storm begins, Shadow is freezing cold. He feels the real war—“the real storm” (299)—is beginning, and he feels overcome with joy. Shadow has never felt so alive, and filled with a sense of warmth, he falls asleep. Waking on the second day, Shadow is in “intolerable” pain. He talks to Laura, who claims that she is coming to him. The squirrel brings him water to satisfy his thirst. Shadow feels as though he is “[becoming] the tree” (301), as well as the squirrel and the hawk he sees around him.
The hawk is the Egyptian god Horus, who catches a rabbit and eats it in the tree. Shadow refuses the meal. Horus talks about the beginning of the war and notes that Shadow is dying. That evening, Laura arrives. Though she wants to cut Shadow down from the tree, he tells her to stop. Laura reluctantly admits that, finally, Shadow is “alive.” However, he is dying, and Laura is constantly thirsty. Shadow tells her to visit the three women who tied him to the tree. Laura wants to stay until Shadow falls asleep. He is overcome by a violent pain in his head, and he feels his heart stop beating.
Shadow descends from the world tree. At the base of the tree, Zorya Polunochnaya is waiting. Though there is no moon in the sky, she seems bathed in moonlight. Shadow returns her silver dollar, and she places it back in the sky, returning the moon. Shadow knows then that he is dreaming. Then, she gives Shadow two paths forward. He can select the way of hard truths or the way of fine lies. When he selects the way of hard truths, Zorya Polunochnaya helps Shadow remember his true name. To do this, Shadow recalls his entire life in reverse. He sees Laura, his dying mother, and then his mother dancing with Wednesday. Then, Shadow realizes that Wednesday is his father. He is “completely unsurprised” (308).
Shadow meets Bast and begins to understand that he is “already dead.” Though she is now in human form, he recognizes her as the cat from the Cairo funeral parlor. Bast gives Shadow the choice of three paths. The paths can make him wise, whole, or dead. Shadow cannot decide which path is right, so Bast reaches into his chest and takes out his heart. Examining Shadow’s heart, she advises that he take the path that makes him whole. This path, she says, will reach a fork. These next paths will either take Shadow to a “vast chamber” filled with the dead and forgotten gods or to a room full of lights.
Choosing to go instead down a middle path, Shadow reaches an underground lake and meets Ibis. The Egyptian god tells Shadow that he escorts people to “the world of the dead” (311). Shadow admits that he never believed in the Egyptian gods, so he is surprised that Ibis is the person to escort him. Ibis assures Shadow that it does not matter, as the gods “believed in [him]” (312). Ibis and Shadow cross a lake and meet Jacquel in his dog-headed form on the other side. Jacquel studies Shadow, and Shadow feels himself being judged. Bast hands Shadow’s heart to Ibis, and Jacquel weighs the heart on a set of gold scales. They weigh the heart against a feather. When the heart and the feather are balanced, Shadow does not have to give his heart to the eater of souls, Ammet. Having passed the test, Shadow is allowed to pick his final destination. He chooses to rest. He rejects heaven and hell and asks to “just let it end” (314). Ibis leads Shadow to a door that opens to nothing, and Shadow joyfully walks through.
Wednesday’s death is a spectacle designed for mass consumption. The scene is staged for maximum emotional impact while also hiding certain truths from the viewer (such as Mr. World’s true identity). By broadcasting the execution on television, the new gods are offering a rallying cry to the old gods. The old gods are shocked and appalled by the execution, so much so that even the reluctant gods agree to fight against the new gods. The spectacle’s goal is to show the brutality of the new gods and to demonstrate to the old gods why war is inevitable. Like most television programs, however, what is shown is not reality. Wednesday’s execution is as much a fiction as the sitcom that it interrupts. Wednesday is shot in the head, but he is by no means dead. Instead, his execution is staged using the conventions and expectations of television. The old god, Wednesday, is using the new god, Media, to his advantage, playing on the cultural expectations of the society he inhabits to achieve his goal.
With events moving toward a climactic showdown, hiding the truth becomes more difficult. The death of Wednesday reveals fractures in the minds and moods of the characters. These fractures expose several important hidden truths. For example, Loki reveals part of his true identity to Shadow. He claims to be a driver for the new gods (rather than Mr. World) and claims to hate Wednesday, even though he is secretly working in tandem with his fellow Norse god. By this time, the war is seemingly inevitable, and Shadow discovering that his former cellmate is actually a Norse god seems like more than a coincidence. He does not delve deeper into the matter as he is distracted by Wednesday’s death. In contrast to Loki’s controlled reveal of his identity, Technical Boy is beginning to unravel. Loki and Wednesday are operating according to a carefully laid plan, whereas Technical Boy is struggling to find any meaning in the new gods’ actions. He follows Mr. World’s orders and kills Bilquis, but this act devastates his mental health. He becomes anxious and tries to recite a poem (“The Second Coming” by W. B. Yeats) about the second coming of Jesus Christ and the Christian apocalypse. His desperate attempts to understand the religious predictions about the end of the world echo the apocalyptic comments of the other gods, who seem convinced that they must face a final showdown that none of them truly understand. Technical Boy’s instincts tell him something is wrong, but he lacks the language to express this anxiety, so he struggles under the weight of his dread.
Shadow takes Wednesday’s body from the new gods and, as he agreed, holds a vigil for the dead man. Though he had no clue what this entailed when he originally accepted Wednesday’s job offer, Shadow is an honest man, and he accepts his responsibility. He wants to pay his debt, whatever his debt may be. The vigil is a sacrifice; he hangs himself from a tree, just as Odin did in Norse mythology. The act will kill him, but Shadow follows through regardless. His desire to hold the vigil is a counterpoint to Laura’s earlier accusation that he does not seem alive. He holds the vigil because, to Shadow, this is what an alive person would do. Ironically, his desire to prove that he is alive will kill him. To further this irony, the act of dying will not end Shadow’s life; in trying to prove that he is alive, he will be reborn in a near-miraculous way. By accepting his death, Shadow tacitly demonstrates that he is alive enough to die. In this sense, Wednesday is not the true beneficiary of the vigil. The vigil is held for Shadow, even though he insists that it is for Wednesday. The vigil, like so much else in the novel, is a self-serving act that masquerades as altruism.
By Neil Gaiman