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Megan E. FreemanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Survival is a common topic and broad theme for middle-grade literature. Many novels for this age group deal with characters who survive against the odds, oftentimes alone or otherwise without adult help. These stories tend to be empowering, demonstrating that children of this age can be smart and resourceful.
One classic survival novel that is often taught in schools is Gary Paulsen’s Hatchet, in which the protagonist, Brian, gets stranded alone in the Canadian wilderness. Brian’s journey parallels Maddie’s in some ways. At first, he feels hopeless and helpless, but over time, he learns to stay calm, take inventory, be creative with his limited resources, draw on former knowledge, and apply rationality to solve problems. Like Brian, Maddie does have to develop some wilderness and survival skills, as she faces wild animals and harsh Colorado winters. However, Brian is only alone for a few months, and he has to survive in an unfamiliar place where it is very difficult to find suitable food and shelter. Maddie’s challenge, in contrast, more closely resembles that of Karana from Scott O’Dell’s Island of the Blue Dolphins. Karana is stranded alone for 18 years, albeit on her own island, where she knows the territory and starts out equipped with supplies. Thus, finding food and shelter is not excessively difficult; Karana’s real difficulty is going such a long time with no human contact.
Middle-grade survival novels address different aspects of survival and different challenges but generally all show young protagonists overcoming what they initially perceived as insurmountable obstacles. The protagonists gain confidence and “age” or “grow up” at an expedited rate as a result.
Novels in verse are book-length works of fiction that tell a single cohesive story in “verse,” or lines of poetry, rather than prose paragraphs, like most novels. The term “novel in verse” is a recent one. Book-length stories told in verse did exist prior to this term, but these were generally “epic poems,” or single long poems, as opposed to many separate poems with their own titles presented in their own sections. With novels in verse, these sections function similarly to chapters in a prose novel, and like prose chapters, sections may or may not have titles.
Novels in verse, while they do have a plot, often differ from typical prose novels in terms of plot structure, narration style, narrative pacing, and other aspects of storytelling. Poetry often grants the reader more access to the narrator’s inner thoughts as well as sensory details about the world around them. Plot details may be relayed using fewer words than prose novels, and novels in verse often skip over large swaths of time. Alone is no exception. Maddie sometimes covers an entire season in one poem, whereas other seasons may consist of a dozen or more. Maddie focuses on details about nature and everyday existence just as much as she focuses on major plot events such as the looters coming to town. The poetic structure allows the author to highlight what the protagonist would be fixated on in this premise, a scenario in which the protagonist is very much alone.