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59 pages 1 hour read

Chris Whitaker

All the Colors of the Dark

Fiction | Novel | Adult | Published in 2024

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Parts 1-2Chapter Summaries & Analyses

Part 1: “The Pirate and the Beekeeper: 1975” - Part 2: “The Lovers, the Dreamers: 1975”

Part 1, Chapters 1-8 Summary

Content Warning: This section of the guide includes mentions of child abduction, abuse, sexual assault, predatory behavior, mental illness, violence against women, domestic violence, abortion, and suicide.

Joseph “Patch” Macauley is a 13-year-old living in the Missouri Ozarks with his mother, Ivy. They struggle to make ends meet, and Patch endures bullying from other kids. He was born with one eye, and his mother tells him he is a pirate to comfort him. Patch earned his nickname because of his eye patch and his pirate obsession. His lone friend is Saint, a girl his age.

En route to school, he encounters a gang of kids led by Chuck, who bully him. He narrowly escapes and walks by the lake when he sees an older man attacking his classmate and crush, Misty Meyer. He intervenes, waving his knife, and Misty escapes. The man, Eli Aaron (though his name is not revealed here), stabs Patch and takes him away in his van.

Saint awakens and is upset to realize her bees have swarmed and the hive is empty. She is an avid beekeeper who vows to search the town to see if someone stole them. Her grandmother, Norma, tells her not to be too hasty. Norma is a bus driver, and she and Saint live alone.

Saint heads to the police station to report the “crime” to Chief Nix. She is startled to see Misty there. Overhearing, she realizes Patch is in danger and gets Misty to tell her where he is. At the lakeside, there is no sign of Patch—just a bloody T-shirt. Ivy arrives and begins screaming.

Part 1, Chapters 8-16 Summary

Chief Nix organizes a search of the woods and surrounding areas. Saint stops sleeping and pores over maps, roaming town on her bicycle and looking for her friend. She stops by the Meyer and Macauley homes but finds no comfort or clues. During one of the searches, they find an eyepatch but nothing else of note.

As she roams, she remembers getting her beehive. She saved all her money to order books about bees and begged her grandmother for months until she relented. She has made a little money off the honey but feels pride over her hive. She tried to issue invitations to girls in her class to meet the bees, but instead, Patch showed up. He stole someone else’s invite and ate a lot of her honey. Norma threw him out, but Saint is pleased that someone came.

In the present, Norma forces her to attend church. Afterward, Saint talks to Misty, who is distraught and feels guilty that she is safe and Patch isn’t. She tells Saint that she wasn’t in school because she was helping Dr. Tooms find his lost dog.

Part 1, Chapters 16-24 Summary

Saint is suspicious of Tooms and tells Nix that Tooms does not have a dog. She decides to investigate herself and hears someone screaming at his house. She calls Patch’s name and is terrified when she sees Tooms, covered with blood. She calls Nix, who later tells her nothing is wrong.

Though this is not revealed until later in the book, Tooms and Nix are lovers. Tooms illegally performs abortions to help girls who need them, and this is what Saint overheard.

Another girl named Callie Montrose goes missing. A policeman’s daughter, she came to town before and spoke to Nix. Months go by and winter begins. Neither she nor Patch are found. It is later revealed that she died of a hemorrhage in Tooms’s home and was pregnant because her father molested her. Nix helps Tooms bury her, and they hide what happened.

In between current events, Saint remembers her friendship with Patch. She bought him a flea market flintlock pistol for his birthday, and he stole a brooch for her. They talked of beehives and pirates, and she was in awe of his courage but also afraid for him. He protected her from bullies, and together, they formed a small team against the world.

Part 1, Chapters 25-31 Summary

Saint attends a vigil for Callie and speaks briefly with her father. Another girl, a classmate of Callie’s, tells her Tooms is a creep and waits outside school for girls.

Norma buys Saint a camera and one roll of film. She begins photographing wildlife. A boy from church, Jimmy Walters, tries to befriend her, but she is uninterested. Her grandmother encourages her to be kind to him, but she says that she already has a friend. By spring, she has filled her camera roll, and they drive to a town to develop it. On the bulletin board, she sees a photo of Misty in an ad for modeling. The photographer’s name is Eli Aaron. The shopkeeper sees her eyeing it and warns her against Aaron, telling her he wouldn’t let his daughter near him. He also says Aaron is a school photographer.

At home, she searches her school photos and sees Aaron’s stamp on them. She realizes he was the photographer at their school and must have chosen Misty then. She calls Nix, but he tells her to drop the case. She heads out on her own with Patch’s pistol and a slingshot, passing Jimmy en route to church. She tells him she is going to Aaron’s house to kill him and save Patch.

Part 1, Chapters 32-38 Summary

Saint rides a bus to Aaron’s house. When he appears, she tells him she wants her photo taken. She is quickly terrified and realizes that she is out of her depth. Aaron is huge and monstrous. He quotes scripture while he photographs her. When she asks him if he took the girls, he says he did. She tries to shoot him, but he takes the gun, and then she runs into his darkroom, trying to load the slingshot.

In the darkroom, she sees photos of many girls, including Misty, with halos scratched above them. Crawling through the rooms in the back of Aaron’s yard, she finds a dark room filled with caged snakes. Terrified, she lights a match and starts a fire. She thinks that she is going to die, but Nix saves her, breaking a window to get to her. He takes her to an ambulance but tells her Patch is not inside. She curses and runs away, stumbling over an unconscious Patch and finding him still breathing.

Part 2, Chapters 39-51 Summary

Patch awakens in captivity with a fever in total darkness. His stab wound has been stitched up, but he is in pain and frightened. Though he can’t see anything, a mysterious girl appears and gives him a pill and some water, telling him to sleep. Slowly he gets better, and the girl continues to visit. The room he is kept in is dark, and he can see nothing, but she tells him stories and tries to teach him things, following a rough school schedule. She describes things so vividly that Patch refers to it as “painting.” She tells him her name is Grace but doesn’t talk about her past otherwise. He tells her about Saint, his mother, and his life. Any time they hear footsteps approaching, she leads Patch in praying loudly, telling him it is the only way to survive. Though this is not revealed until the end of the book, Grace is Aaron’s daughter, and she begs him not to kill Patch, hoping to save at least one person from her father’s violence.

Months pass, and Patch secretly frees a brick from the wall. One day when Aaron enters, he hits the man with it. Aaron beats him, causing a rib to puncture his lung. His escape is foiled. Patch develops a fever from his injury and gets sicker. Grace sits with him and tells him that one day they will go to New York together and dance under the winter sky. He loses consciousness and does not remember the fire, his rescue, or Grace disappearing. Later, it is revealed that Grace dragged him out of the burning building to safety but was forced to leave with her father as he fled the police.

Parts 1-2 Analysis

The opening sections of the novel recount the events of 1975: Aaron’s attempted abduction of Misty, Patch’s kidnapping, and Saint’s quest to rescue her friend. These events will drastically affect the character’s lives, forever altering their futures and effectively ending childhood for Misty, Patch, and Saint. These opening sections also include thematic and symbolic elements, including the symbol of the pirate that Chris Whitaker will return to in the novel’s closing pages.

Though All the Colors of the Dark is in many ways a crime novel, it departs significantly from the typical tropes of the mystery genre. Instead of emphasizing the plot, Whitaker focuses deeply on the internal lives of his viewpoint characters, particularly Patch and Saint. The novel is as much a bildungsroman, or coming-of-age story, as it is a mystery—it follows the protagonists and The Search for Identity. Aaron’s eventual capture is less important than Patch and Saint maturing and understanding their place in the world.

As a coming-of-age story, Whitaker’s Ozark setting evokes the work of a famous Missouri writer—Mark Twain. Twain’s novels The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn are classics of 19th-century children’s literature and follow the escapades of the two Missouri boys. The early pages of All the Colors of the Dark contain many passages reminiscent of Twain, especially when Saint and Patch are adventuring in the woods or talking about the exploits of pirates. However, just as The Adventures of Huckleberry Finn was a vehicle for Twain to satirically expose the evils of enslavement and the hypocrisy of society, Whitaker also leaves behind the children’s woodland escapades to touch on issues such as violence against women, trauma, and addiction.

The early setting of the novel also emphasizes the innocence of childhood, which endures for Saint and Patch despite their familial struggles. Saint has lost her mother and grandfather and is often teased because her grandmother drives a bus. Meanwhile, Patch and his mother live in poverty, often struggling to pay their bills. Their economic situation is worsened by Ivy’s addiction to alcohol (and later pills). Despite this, Saint and Patch retain a childlike innocence. Patch dresses in an elaborately piratical fashion: “[He] wore a tricorne and waistcoat and tucked navy slacks into his socks and fanned the knees until they resembled breeches” (3). Saint fusses over her bees and makes elaborate invitations to visit the hive, passing them to other children in the class. In this section, purple honey functions as a symbol of happiness and belief in childhood magic. When Patch cries, Saint comforts him by telling him that the honey is “proof” that “[t]here’s magical things out there just waiting on you” (57). Together, they daydream about a magical place they can escape to.

Their innocence makes the rift caused by Patch’s kidnapping more poignant since the two of them will struggle to connect afterward. They, and Misty, feel that they have lost their childhoods. Saint thinks “there was not always an exact moment when children turned to adults. For the lucky ones, it was a long, hard-earned acceptance of responsibility and opportunity. But for her and Misty, the divide had been curt and fatal” (55). Patch feels that he is no longer the carefree pirate he was before, especially since his mother is unable to function after his kidnapping and is completely lost to her addiction. The children and others in the town will carry The Lasting Effects of Trauma with them throughout their lives, and Whitaker introduces the central nature of this theme in Parts 1-2.

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