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48 pages 1 hour read

Andrew Clements

A Week in the Woods

Fiction | Novel | Middle Grade | Published in 2002

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Character Analysis

Mark Robert Chelmsley

Mark Robert Chelmsley is the protagonist of A Week in the Woods. He is an intelligent, resourceful, and independent boy who is raised primarily by his nannies, Anya and Leon, because his parents are often away on business trips. Mark comes from a wealthy family, so on top of rarely seeing his parents, he also moves constantly. When Mark first leaves his Scarsdale home, it is clear he is sad to be moving again, as he leaves a penny under the radiator in his room as a signifier that he spent time there. Mark takes after his father, though, and puts his emotional state aside as he gets in the car and rides away in silence. When he arrives in Whitson, New Hampshire, he sees it as another temporary place and doesn’t want to risk becoming attached to it. Instead, he resolves to hang back in class and actively avoids getting to know his teachers or classmates; this decision ultimately earns him a poor reputation as he pushes many of them away. He becomes jaded, and his lack of engagement at school fuels a fire that he doesn’t even know exists—Mr. Maxwell’s biased feelings of resentment and classism toward wealthy people in general.

However, Mark is not a stereotypical “rich kid”; instead, he experiences negative effects from his parents’ wealth in many ways, for he is always alone and feels like a social “outcast” at his new school. He is a hard worker with a developing passion for the outdoors and the arts of survival—a sharp contrast to the wealthy person’s lavish lifestyle that Mr. Maxwell imagines him to have. Just as Mr. Maxwell falls afoul of The Dangers of Misjudgment, however, Mark also judges his new school harshly without giving it a chance, and the result is a months-long conflict that culminates in the novel’s climax on the mountainside, where the frustrations of both student and teacher collide to cause a life-or-death scenario that they must work together to survive.

Upon moving to New Hampshire and living in a house with a rich, fascinating history, Mark starts to appreciate the outdoors and regrets never having done so before. He enthusiastically learns to snowshoe, navigate, build fires, and survive the cold, and each experience makes him stronger, more confident, and more deeply independent. He works on Confronting and Overcoming Fears of the dark and of being alone when he spends the night by himself in the barn, and the event is also a night of reflection that allows him to find clarity and embrace a more positive approach to his school environment. Doing so proves fruitful when Mark tries to make friends, but Mr. Maxwell and Mark’s other teachers seem to be more resistant to his efforts to change for the better, as their poor opinions of him have already solidified. Mr. Maxwell in particular refuses to acknowledge Mark in class at all, and when he blames Mark for bringing the knife on the camping trip, Mark loyally takes the blame on Jason’s behalf. Feeling deeply wronged, Mark gives in to his weeks of frustration and runs away to the wilderness, precipitating the situation that causes both him and Mr. Maxwell to become stranded on the mountainside after dark. Although it was a foolish and impulsive decision, Mark also shows maturity and wisdom when he stops to make camp and build a fire, and he also helps Mr. Maxwell to recover from the cold, despite the fact that Mr. Maxwell has treated him horribly. He therefore shows Mr. Maxwell “the basic decency of people” (180), which the teacher has clearly forgotten to appreciate. At the conclusion of the novel, Mark makes new friends, resolves his conflict with Mr. Maxwell, and decides that he wants to stay in New Hampshire for good. This decision marks a massive change from his initial refusal to engage with his new environment at all, and thus Mark proves to be a highly dynamic character.

Mr. Maxwell

Mr. Maxwell is Mark’s teacher, the story’s deuteragonist, and the first character introduced. He is included to act as an example of The Dangers of Misjudgment and The Interchangeable Roles of Teacher and Student. A tall, burly woodsman who teaches fifth-grade science at Hardy Elementary, Mr. Maxwell takes pride in making thorough preparations for all major endeavors, so the first scene, set in mid-February, shows him preparing for the April Week in the Woods camping trip well in advance. Mr. Maxwell believes he will be ready for anything but has no idea what lies ahead. The week-long camping trip is traditionally led by Mr. Maxwell each year, for he finds it to be the perfect opportunity to combine his love of nature with his love of science and teaching. However, Mr. Maxwell’s love of teaching is soon trumped by his severe bias toward wealthy people, and his first poor impression of Mark only confirms his feelings toward that group. As the narrative states, “The only kind of people Mr. Maxwell disliked more than slackers were environmentally insensitive, buy-the-whole-world rich folks. And the only people he disliked more than rich folks were their lazy, spoiled kids” (25). Thus, while Mr. Maxwell normally enjoys the challenge of inspiring a disenchanted student, he gives up on Mark almost immediately, pegging him as a stereotypical child of wealthy parents who has never experienced or overcome any significant challenges. Mr. Maxwell blatantly ignores Mark in class, engages with him as little as possible, and actively makes the boy feel unwelcome. Despite this unfair treatment, however, Mark holds his head high and continues to try his best in Mr. Maxwell’s classes, even looking up to Mr. Maxwell as an example of knowledge and fortitude. He knows that Mr. Maxwell understands nature “from both sides” (144), both the theoretical and the experiential, and he admires his teacher as a positive role model for Redefining Manhood, despite their interpersonal misunderstandings.

On the first day of the camping trip, Mr. Maxwell’s dismissal and mistrust of Mark goes far beyond the norm when he punishes him harshly for being found holding a pocket knife. Even when Mr. Maxwell starts to question himself for punishing Mark, he immediately rationalizes his own bad behavior. The narrative clearly demonstrates Mr. Maxwell’s cognitive dissonance in the following passage:

He asked himself, If it had been some other kid, would I have reacted like this? Or would I have just said, ‘Nice tool, but you better let me keep it till the week is over.’ Would I? But the fact was it wasn’t some other kid. It was this kid, Mark Robert Chelmsley. And if I did let him off on this, it wouldn’t be good for him. That’s what Mr. Maxwell told himself, and he believed it (129).

When Mr. Maxwell realizes that the knife is not Mark’s, but Jason’s, he suddenly feels terrible guilt as he realizes how horribly he has been treating Mark. By unfairly expressing his bias against upper-class people, Mr. Maxwell has neglected one of his primary duties as a teacher and feels humiliated when he realizes his own failure in this regard. The wilderness is a place of reflection for Mr. Maxwell, and when he is forced to head up the mountain alone to find Mark, he has several hours to contemplate how to repair his relationship with Mark. In an ironic twist, the offending pocketknife turns out to be a vital life-saving tool, for he must use it to free himself from a rock in order to continue his search for Mark. By the time Mr. Maxwell does finally find Mark, the boy is in much better shape than he is, for Mr. Maxwell is injured and cold, and in a state of total vulnerability. In this moment, Mark shows maturity beyond his years and helps Mr. Maxwell without question by building a fire, providing snacks and water, and graciously accepting his teacher’s apology. Together, they head down the mountain, and when the camping trip is over, Mr. Maxwell gives Mark the knife in a gesture of apology and an expression of trust.

Mark’s Parents

Mark’s parents are people who have a distant but strong influence over Mark, his values, and his lifestyle. They are an extremely wealthy family, rumored to have almost half a billion dollars to their name, and both of Mark’s parents spend the vast majority of their time away from home on business trips for their many companies. When Mark was younger, his dad did most of the traveling and his mother was usually home; during that earlier time frame, she prioritized raising her son over pursuing her business endeavors. While lying in the barn alone, he recalls his earliest memory and remembers the immediate comfort of his mother’s presence and affection when he fell and hurt himself. Mark wonders why the moment was so significant to him: “Was it the pain from the burning hot path? Was it the colors, the red clay and the bright yellow of his overalls? Or was it the way his mom had hugged and cradled him?” (74). Thinking of his mother makes him homesick, and Mark is painfully aware of the irony behind being homesick in his own home. Although he is growing up, he is still a child in many ways, and he longs for his mother’s presence. To Mark, home has always been where his mother is; as the narrative states, “Whenever he’d had a strong feeling of home and warmth and comfort, it was his mom who’d made it happen. Home had been mostly Mom’s department” (74). In many ways, discovering the wilderness helps to alleviate Mark’s wistful longing, for he learns to embrace the wilderness as a “home” that he can find anywhere. In contrast with Mark’s mother, his dad is caring but more business-oriented and wants Mark to grow up to be a strong and tough person. When he hears about Mark’s survival on the mountain and his forgiveness of Mr. Maxwell, Mark’s father expresses a pride in his son that almost brings Mark to tears.

Anya and Leon

Anya and Leon are Mark’s live-in child caretakers. They are a married couple who immigrated from Russia, and when the family moves to New Hampshire, they feel right at home in the colder climate. Anya is the more caring and attentive of the two, always ensuring that Mark is fed and well dressed; she is likewise more hesitant than Leon to let Mark take risks like sleeping alone in the barn. Still, she doesn’t hold Mark back and doesn’t allow her fears for his safety to prevent him from growing.

Leon is more encouraging of Mark’s endeavors and desire for independence. He teaches Mark how to snowshoe, and it is the first of many lessons of survival that Mark will learn from the men in his life. Leon helps Mark dig out the barn and trusts him to take care of himself through the night; this demonstration of confidence helps Mark to mature more fully. The two also spend a night camping together, and Leon teaches Mark the vital, life-saving skill of building a proper campfire. Each of these experiences contributes to Mark’s sense of confidence and competence, and it is clear that although they cannot replace his parents, Anya and Leon love Mark deeply and serve as parental figures for him. When he sees them again after his camping trip, he gives them both big hugs and looks forward to more outdoor experiences with Leon.

Jason

Jason is the first friend that Mark makes at Hardy Elementary when he finally decides to try to engage with his classmates and become part of the community. Jason is the first person to make Mark feel comfortable and welcome. Jason is present during many of Mark’s fond moments at his new school and becomes his play companion on the camping trip. Jason and Mark collect wood together and race one another back to the cabin, and Jason brings out the more childlike, carefree side of Mark. Jason is also the instigator of what becomes the novel’s most dramatic event. When he shows Mark a pocketknife that he brought from home, Mark studies it eagerly, looking at the pliers, and at this moment, Mr. Maxwell comes into the cabin, sees Mark with the pocketknife, and confiscates it. Jason offers to tell the truth and take the blame, but in his loyalty to his friend, Mark refuses to let him, and Jason makes no further effort to correct the situation. Mark realizes that the incident is rooted in the longer-lasting conflict between himself and Mr. Maxwell. In the novel’s conclusion, Jason decides that he doesn’t want the knife anymore, likely due to the guilt it brings him; instead, the knife becomes Mark’s own and stands as a symbol of Mr. Maxwell’s newfound trust and respect for him.

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